scholarly journals CORPORALITY AS AN ATTRIBUTE OF SCULPTURE(EUROPEAN CONTEXT)

2017 ◽  
pp. 87-93
Author(s):  
R. M. Rusin

The historical development of art is a change of paradigms. Each paradigm contains a special understanding of art, defined bothby the act of creativity itself and by the evaluation of its results. It is especially important to identify the origins of these changes, identify their stages, and determine the direction of the evolution of artistic creativity. In this context, corporeality as an artistic paradigm of European sculpture is considered in an article in the historical dimension from classics to postmodernism. Background research driven by changes that have suffered over the past century art not only in terms of formative principles, but also in terms of being a work of art. The term "art" is not given apriori; itis inseparable from the historical conditions of its own realization and filled with different content. In ancient tradition, from which theoretical understanding of artoriginates, provides an understanding of art as mimetic activity. For plastic art of the ancient Greeks man was the epitome of all things, the prototype of all creation and the created. The human body in great shape was almost the only model of art aesthetic. The Greeks thought it only as a stature completeness. For the Greeks, body language was the language of soul, although Greek plastics did not know what analysis characters the cult of the individual, which is typicalfor the art of modern times. Plasticity, the ancient body kinetics can be regarded as some elements of thesemantic structure of a particular language as a kind of mimicry. Plastic modern European sculpture shows opposite tothe ancient classics, Christian traditional relationship of mind and body. Antiquity knew dualism of mind and body, and provided perception of the gods only in the body incarnation. Christianity brought a legislateddualism and brought early naive monism attitudeinto the historically natural decay. In the art of the Renaissance in Europe, due to rethinking of ancient Christian tradition, experience acquires the tendency of forming an image of ideal body oriented on classic examples. In the mid-nineteenth century, under the influence of a new understanding of human corporeality was an appeal to antiquity qualitatively new level due to the growing trend of "naturalization" in human culture and criticism concerning the previous historical periods. In the culture of the twentieth century, there was a quite relevant anthropological stance of negativism. Justification ofindividual values has led to a lack of uniform standards, because itwas perceived as an encroachment on personality. The natural beauty in all its perfection, the image of which was the purpose and content of Antiquity plasticsand the Renaissance art lost all its worthiness and has becomea subject of neglecting within the postmodernism.

Author(s):  
Joshua S. Walden

The book’s epilogue explores the place of musical portraiture in the context of posthumous depictions of the deceased, and in relation to the so-called posthuman condition, which describes contemporary changes in the relationship of the individual with such aspects of life as technology and the body. It first examines Alfred Hitchcock’s Vertigo to view how Bernard Herrmann’s score relates to issues of portraiture and the depiction of the identity of the deceased. It then considers the work of cyborg composer-artist Neil Harbisson, who has aimed, through the use of new capabilities of hybridity between the body and technology, to convey something akin to visual likeness in his series of Sound Portraits. The epilogue shows how an examination of contemporary views of posthumous and posthuman identities helps to illuminate the ways music represents the self throughout the genre of musical portraiture.


Author(s):  
Markus Reuber ◽  
Gregg H. Rawlings ◽  
Steven C. Schachter

This chapter explores how dissociation of awareness of either the mind or the body can be experienced by everyone to some degree. It has been suggested that in Non-Epileptic Attack Disorder (NEAD), a protective mechanism of enabling individuals to detach from the difficult emotions they have not yet been able to make sense of has led to a detachment from the awareness of the body, thus resulting in physical symptoms that resemble epileptic seizures. Treatment therefore lies in improving both mind and body awareness. Working with individuals with NEAD or Dissociative Seizures introduces one to the multifaceted nature of humanity. Although there are common themes that emerge through psychological assessment—such as prior experience of illness, neurological insult or physical injury to a specific body part, difficulty recognizing stress in the body or mind, or a tendency to use unhelpful coping strategies during prolonged periods of stress,—no two persons with NEAD have the same seizures because each individual’s experience is unique, making the nature and clinical presentation of the seizure-like experiences idiosyncratic. Despite this, it is always possible to discover the reason that individuals with NEAD experience the symptoms they do, even if it is sometimes initially hard for the individual to accept or believe this.


2017 ◽  
Vol 5 (3) ◽  
pp. 272
Author(s):  
Jordi Morell Rovira

The article explores the relationship of the person with the hole through both literal and metaphorical situations. On the one hand, it points up the body in seclusion and suspended in a time interval, as in the case of the accident at the mine in San José (Chile) or works by artists like J. Wall, G. Schneider or R. Ondák. In this way, opposed feelings evoke the experiences of waiting and/or punishment, which are explanatory of a confined body or a hole. Literature, cinema and art deal with these events from multiple aspects, which become existential allegories about the individual. On the other hand, the act of digging gains prominence as a symbol of work, but also of the absurd. Recalling the ambivalence that may suggest a person making a hole, this article carries out a drift through works by artists of different generations and contexts, such as C. Burden, M. Heizer, F. Miralles, Geliti, S. Sierra, F. Alÿs, M. Salum, X. Ristol or N. Güell. A series of clearly performative or conceptual works, where the act of digging, drilling, burying or unburying become common practices that show the diversity of meanings and intentions.


Author(s):  
Annabel S. Brett

This chapter discusses the relationship of the state to its subjects as necessarily physically embodied beings. The primary way in which the commonwealth commands its subjects is through the medium of its law. The law is for the common good and obliges the community as a whole, and thus the ontological status of the law—as distinct from any particular command of a superior to an individual—is intimately tied to that of the body politic. The question, then, concerning the relationship of the state to the natural body of the individual can be framed in terms of the extent of the obligation of the civil law.


2015 ◽  
Vol 68 (4) ◽  
pp. 381-397
Author(s):  
Susan Wessel

AbstractGregory Nazianzen spoke of a suffering Christ ‘who became weak for us’ in the context of an oration,On Love of the Poor, which dealt at length with the extreme suffering the lepers had endured. The outcasts of the ancient world, lepers figured prominently in Jesus’ ministry as recorded in the Gospels. By juxtaposing their human suffering with divine weakness, Gregory implied that Christ had suffered with the lepers. The comparison not only gave meaning to the human experience of suffering, it also explored the extent of Christ's suffering in the divine economy. There was no affliction too grotesque for Christ to have assumed.Throughout his life, Gregory developed a notion of collective suffering which is relevant to understanding the magnitude of the suffering of Christ. It made the limitless suffering of humanity seem manageable and contained. It normalised the overwhelming sense of misery by expanding individual suffering into the suffering of the group, the suffering of the group into the suffering of neighbours and finally the suffering of neighbours into the collective suffering of the body of Christ. Christ then experienced the fullness of the human condition as the head of this body.The lepers served a purpose in this vision of collective suffering. By making the lepers a synecdoche for all human suffering, Gregory allowed Christ to assume their misery without his listeners having to imagine Christ suffering every aspect of their physical and emotional distress. This transference of collective suffering to the body of Christ worked in the following way: the individual suffering of the leper flowed into the collective suffering of the group, which connected with, and was incorporated into, the collective suffering of the Christian body. The result was a relationship of mutual imitation between Christ and humanity. It implied that human beings suffered with Christ, and that Christ suffered with human beings.By integrating literary techniques and contexts into theological analysis, this article examines the various ways in which Gregory construed the suffering of Christ.


2020 ◽  
Vol 6 (2) ◽  
pp. 47-54
Author(s):  
E. Petrenko

The article discusses the main provisions of the book, in which its author described the development of man with certain differences from the ideas existing in universities on this problem, which arose as a result of his many years of research, analysis of his own and literary data. Human development at different stages, before and after birth, the author studied on the basis of taking into account the close relationship of all parts of the body of the individual, all his organs, such important features of his development as uneven growth rates and directions of organs and asynchronous during ontogenesis development of different emerging organ systems. The greatest novelty of such a representation in the book under discussion concerns the digestive, venous and lymphatic systems, the development of which the author has investigated to the greatest extent, although he has conducted other studies


2021 ◽  
pp. 1-18
Author(s):  
Jessica I. Cerezo-Román ◽  
Kenichiro Tsukamoto

Inspired by life course and osteobiography approaches, this article explores the life and death of an individual associated with the lakam title (“banner” in Colonial Yukatek Maya; thus, a “standard-bearer”), a nonroyal elite of Late Classic period Maya society (AD 600–850). Although these elites are depicted on polychrome vessels and carved monuments, little is known about their life experiences and mortuary practices. The present analysis centers on an individual found at Structure GZ1, a temple with a hieroglyphic stairway, at the Maya archaeological site of El Palmar, Mexico. Using osteological, archaeological, and epigraphic data as different lines of evidence, we examine the relationship of the individual to his affiliated group. At the time of interment, there were a wide array of social, cultural, and political events both shaping and reshaping the body and identities of the individual during a period of political turbulence.


Author(s):  
Sameena Firdaus Simmy ◽  
Ferasat Ali ◽  
Mohd Mohsin

Temperament occupies an important place in Unani Medicine and forms the basis of pathology, diagnosis and treatment. This concept was originally introduced by Hippocrates (460-370 BC) in which he stated that “It is more important to know what sort of person has a disease than to know what sort of disease a person has”. Ibn Sina says “Allah most beneficent has furnished every one and each of its member with a temperament which is entirely the most appropriate and best adopted for the performance of its functions and passive state”. Human interest in the liver is as old as the science of medicine. Since time immemorial it has been considered as one of the vital organs of a human body. It was during the Greco-Arabian period of medical history that the intimate relationship between the liver and the health of the individual was established. Considering liver as an important and essential organ, Hippocrates (460-377 BC) says “if we live a good life, it is because of the health of our liver” (Ibn-e-Zohr, 1989). Galen (131-210AD) believed that liver retained a dominant role as the “seat of sanguification and the source of veins”. According to Avicenna- “Physicians regard the liver as the seat of manufacture of the dense part of the humours” (Grunner, 1930). Avicenna further writes- “Liver is a large factory where due to digestive and metabolic changes, the various humours of the body are formed in plenty (Kabiruddin, 1947). According to Unani Physicians, humours play an important and deciding role in the creation of human temperament. Therefore it can be revealed that liver is an important metabolic organ, which plays an important role in the formation of temperament of a person.


Author(s):  
Marli F. Weiner ◽  
Mazie Hough

This chapter examines physicians' views of the interactions of mind and body in their patients. Southern physicians believed that the bodies they examined and sought to cure were not simply subject to the physiological rules defined by race, sex, and place. They thought that bodies were also influenced by the mind of the individual, and that the mind had a tendency to defy what doctors considered appropriate behavior. In the South, physicians struggled to disentangle the influences of minds and bodies for each group in the population. They wondered how to reconcile their patients' own views of what was wrong and how to treat it with their own, which could lead to conflicts about modesty, use of the speculum, and the very nature of health and illness, among others. This chapter explores how physicians explained the influence of mind–body connection on reproduction and as a cause of nervous diseases in white women, as well as the relationship of race and sex to hysteria.


1957 ◽  
Vol 103 (430) ◽  
pp. 240-256 ◽  
Author(s):  
J. C. Batt ◽  
W. W. Kay ◽  
M. Reiss ◽  
Dalton E. Sands

In attacking the problem of the relationship of endocrine function to the schizophrenias and other mental diseases, we have avoided the elementary conception that certain hormones are responsible for special psychological traits and have reached the following conclusions. First, the quality of the mental disturbance depends mainly on a genetically conditioned personality pattern, various individuals reacting in different ways to the precipitating causes. Second, the hormones come into the whole picture only in so far as the hormone equilibrium of the body determines how far the individual can adjust himself to the increased demands arising out of the occurrence of various precipitating causes (Reiss, 1955). It is therefore understandable that very many, or even the majority of people suffering from severe endocrine disturbance, need not necessarily show any psychopathological changes, since their personality pattern is not so conditioned and no increased demands for adjustment are made by the occurrence of precipitating causes. On the other hand, it is equally understandable that certain disturbances in hormone production and equilibrium, even when clinically obscure, can be decisive for mental breakdown in individuals with the appropriate personality pattern, at the occurrence of precipitating causes.


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