scholarly journals An Uneasy Return to the Role of Popular Culture

2021 ◽  
Vol 9 (3) ◽  
pp. 175-178
Author(s):  
Niall Brennan ◽  
Frederik Dhaenens ◽  
Tonny Krijnen

The editorial for the thematic issue of <em>Media and Communication</em>, “From Sony’s Walkman to <em>RuPaul’s Drag Race</em>: A Landscape of Contemporary Popular Culture,” looks at the prevailing themes of earlier studies of popular culture, from Raymond Williams’ organic culture to the postmodern embrace of commodity culture, in relation to the current cultural moment of disruption and unease. The editorial then synthesizes the articles contained in the issue against where the study of popular culture has been and where we may anticipate it going.

Panggung ◽  
2012 ◽  
Vol 22 (2) ◽  
Author(s):  
Ranti - Rachmawanti

ABSTRACT This article explains the result of Sa’Unine String Orchestra as one of Indonesian orchestras in popular culture. Main idea of this research is to uncover and describe the characteristic, func- tion, and role of Sa’Unine String Orchestra within the popular culture in Indonesia. This research used qualitative method with ethnographical approaches to identify all facts that discovered during research. The conclusions of this research show that Sa’Unine String Orchestra moves in two ways, there are; the idealism which had a vision to create a real Indonesian string orchestra and a part of music industry. At the end, these two ways are connected to each other because of the earnings of those. Music industry becomes a support factor which create the idealism of Sa’Unine String Or- chestra to be an Indonesian String Orchestra. Keywords: String Orchestra, Music, Popular Culture. 


Author(s):  
Francis L. F Lee ◽  
Joseph M Chan

Chapter 1 introduces the background of the Umbrella Movement, a protest movement that took hold in Hong Kong in 2014, and outlines the theoretical principles underlying the analysis of the role of media and communication in the occupation campaign. It explicates how the Umbrella Movement is similar to but also different from the ideal-typical networked social movement and crowd-enabled connective action. It explains why the Umbrella Movement should be seen as a case in which the logic of connective action intervenes into a planned collective action. It also introduces the notion of conditioned contingencies and the conceptualization of an integrated media system.


2018 ◽  
Vol 41 (4) ◽  
pp. 482-501 ◽  
Author(s):  
Sabina Mihelj ◽  
James Stanyer

Debates about the role of media and communication in social change are central to our discipline, yet advances in this field are hampered by disciplinary fragmentation, a lack of shared conceptual language and limited understanding of long-term shifts in the field. To address this, we first develop a typology that distinguishes between approaches that foreground the role of media and communication as an agent of change, and approaches that treat media and communication as an environment for change. We then use this typology to identify key trends in the field since 1951, including the sharp downturn in work focusing on economic aspects of change after 1985, the decline of grand narratives of social change since 2000 and the parallel return to media effects. We conclude by outlining the key traits of a processual approach to social change, which has the capacity to offer the basis for shared language in the field. This language can enable us to think of media, communication and social change across its varied temporal and social planes, and link together the processes involved in the reproduction of status quo with fundamental changes to social order.


2018 ◽  
Vol 29 (4) ◽  
pp. 293-299
Author(s):  
Michael Kelly

This article introduces the special number of French Cultural Studies commemorating the role of Brian Rigby as the journal’s first Managing Editor. It situates his contribution in the emergence of cultural history and French cultural studies during the rapid expansion of higher education from the 1960s in France, the UK, the US and other countries. It suggests that these new areas of study saw cultural activities in a broader social context and opened the way to a wider understanding of culture, in which popular culture played an increasingly important part. It argues that the study of popular culture can illuminate some of the most mundane experiences of everyday life, and some of the most challenging. It can also help to understand the rapidly changing cultural environment in which our daily lives are now conducted.


2014 ◽  
Vol 15 (7) ◽  
pp. 647-647 ◽  
Author(s):  
Kjell Fuxe ◽  
Dasiel Borroto-Escuela ◽  
Gilberto Fisone ◽  
Luigi Agnati ◽  
Sergio Tanganelli

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