scholarly journals Black Masculinity and Plantation Patriarchy in Margaret Walker’s Jubilee

2015 ◽  
Vol 4 (2) ◽  
pp. 123
Author(s):  
Agnieszka Lobodziec

In <em>Jubilee</em>, Margaret Walker depicts plantation patriarchy as a racial and gendered context that coerces black men to redefine their masculine conceptualizations. The fictitious slave plantation represents the system which commodifies and divides black people “into those with skills […], field hands, ‘breeding females,’ concubines, and children” (Nichols 1972, p. 10). This portrayal of slave plantation is congruent with historically documented circumstances, when “Much of [the slave] labor was gender- or age- specific” (Ash 2010, p. 20). As far as the position of black men is concerned, ascribed a subordinate status to that of white masters, overseers, and servants, both free and enslaved black men begin to imbibe patriarchal mindset and redefine their own masculine prowess. As Margaret Walker portrays, this response to oppressive plantation patriarchy effects multifarious black male postures, ranging from resisting and self-asserting warriors to humiliated and silenced victims.

2015 ◽  
Vol 4 (2) ◽  
pp. 123
Author(s):  
Agnieszka Lobodziec

In <em>Jubilee</em>, Margaret Walker depicts plantation patriarchy as a racial and gendered context that coerces black men to redefine their masculine conceptualizations. The fictitious slave plantation represents the system which commodifies and divides black people “into those with skills […], field hands, ‘breeding females,’ concubines, and children” (Nichols 1972, p. 10). This portrayal of slave plantation is congruent with historically documented circumstances, when “Much of [the slave] labor was gender- or age- specific” (Ash 2010, p. 20). As far as the position of black men is concerned, ascribed a subordinate status to that of white masters, overseers, and servants, both free and enslaved black men begin to imbibe patriarchal mindset and redefine their own masculine prowess. As Margaret Walker portrays, this response to oppressive plantation patriarchy effects multifarious black male postures, ranging from resisting and self-asserting warriors to humiliated and silenced victims.


2019 ◽  
Vol 5 (1) ◽  
pp. 178-190
Author(s):  
Robert J. Corber

The author reviews Barry Jenkins’s 2018 film adaptation of Baldwin’s novel, If Beale Street Could Talk, finding that Jenkins’s lush, painterly, and dreamlike visual style successfully translates Baldwin’s cadenced prose into cinematic language. But in interpreting the novel as the “perfect fusion” of the anger of Baldwin’s essays and the sensuality of his fiction, Jenkins overlooks the novel’s most significant aspect, its gender politics. Baldwin began working on If Beale Street Could Talk shortly after being interviewed by Black Arts poet Nikki Giovanni for the PBS television show, Soul!. Giovanni’s rejection of Baldwin’s claims that for black men to overcome the injuries of white supremacy they needed to fulfill the breadwinner role prompted him to rethink his understanding of African American manhood and deeply influenced his representation of the novel’s black male characters. The novel aims to disarticulate black masculinity from patriarchy. Jenkins’s misunderstanding of this aspect of the novel surfaces in his treatment of the character of Frank, who in the novel serves as an example of the destructiveness of patriarchal masculinity, and in his rewriting of the novel’s ending.


2019 ◽  
Vol 50 (7) ◽  
pp. 632-650 ◽  
Author(s):  
Keven James Rudrow

This essay uses Tupac Shakur’s Me Against the World as a case study examining how Black male artists use hip-hop music for articulating the racialized vulnerability organizing their manhood. By thinking about how Shakur understands his Black maleness through his social relationality to the world around him, Shakur’s album creates resistive space for defining Black maleness despite how Black masculinity is often defined and imposed on Black men. Shakur’s album maps a relational network for understanding a brand of Black manhood obscured by dominant discourses about Black men and their masculinity. Specifically, Shakur’s album frames Black maleness through poverty and how it orients Black men, his perpetual susceptibility to harm and death, and suicide ideation as a response to his despair. Connecting Black maleness and vulnerability, Shakur’s album offers insight about being Black and male in a patriarchal White supremacist society.


Author(s):  
Irvin Moore

Black male leaders represent a small percentage of Fortune 500 companies. Images of Black men have mostly portrayed aggression, hypermasculinity, and patriarchal thoughts about gender dominance. Hegemonic (toxic) masculinity is a symptom of cultural impressions that teach men what masculine ideologies to embrace and how to become a “real man.” Nuances across race are evident as Black males learn messages of masculinity through the history of Black people and community influences that abhor vulnerability. With so few Black leaders across organizations, they could become susceptible to enacting hegemonic behaviors in their leadership and mentorship roles. Further research could buttress leadership studies, Black studies, and men's psychology by examining the lived experiences of Black male leaders acting as mentors within professional associations. These investigations might illustrate the profound contributions of early conceptualizations of masculinity to leadership behavior and the proliferation of masculine thoughts taught in mentorship programs to young Black people.


Author(s):  
Saida Grundy

This qualitative study explores formations of masculinity among students at a historically black all-male college, offering insights into how the institution crafts the manhood of its students in accordance with gender and class ideologies about black male respectability, heteronormativity, and male hegemony. While a plethora of studies on poverty, deviance, and marginalization have highlighted black men “in crisis,” this article examines middle-class black men and explores sites of conflict and difference for this latter group. Three critical insights into middle-class black masculinity are revealed by this approach: first, that men are institutionally “branded” through class and gender ideologies; second, that the exceptionality of high-achieving black men is politicized to endorse class conflict with other black men; and finally, that sexuality and class performances are inseparably linked through men’s sexual consumption of black women.


2021 ◽  
Vol 47 (1) ◽  
pp. 437-457
Author(s):  
Alford A. Young

In recent decades, sociological studies of black males and of black masculinity in America unfolded with great rapidity. In the 1960s, sociological studies of black males gained currency. Much of their focus has been on the problematic state of black males in education, employment, family life, peer and social relations, and within criminal justice systems. That tradition moved from employing a social problems lens for researching black men to documenting how their efforts in these and other spheres of life reflect creativity and efficacy as much as malaise and despair. Emerging several decades later in sociology, black masculinity studies began with an emphasis on how black males contended with hegemonic masculinity. This tradition moved to explore how sexual, socioeconomic, and other variations in the black male experience elucidated vulnerability as a common feature of that experience, as well as to more extensive visions of black masculinity. New research questions stand before both traditions that constitute the twenty-first-century agenda.


2021 ◽  
Author(s):  
Danyell Wilson-Howard ◽  
Melissa J. Vilaro ◽  
Jordan M. Neil ◽  
Eric J. Cooks ◽  
Lauren N. Griffin ◽  
...  

BACKGROUND Traditionally, the promotion of colorectal cancer (CRC) screening among Black men was delivered by Community Health Workers (CHW), Patient Navigators, and decision aids (printed text or video media) at clinics and in the community setting. A novel approach to increase CRC screening of Black men includes developing and utilizing a patient-centered, tailored message delivered via virtual human technology in the privacy of one’s home. OBJECTIVE The objective of this study was to incorporate the perceptions of Black men in the development of a Virtual Clinician (VC) designed to deliver precision messages promoting the Fecal Immunochemical Test (FIT) kit for CRC screening among Black men in a future clinical trial. METHODS Focus groups of Black men were recruited to understand their perceptions of a Black-male VC. Specifically, these men identified source characteristics that would enhance the credibility of the VC. The MAIN Model which examines how an interface features affect the user’s psychology through four Affordances: Modality, Agency, Interactivity, and Navigability was used to assess the presumed credibility of the VC and likability of the app from the focus group transcripts. Each affordance triggers heuristic cues that stimulate a positive or negative perception of trustworthiness, believability, and understandability thereby increasing source credibility. RESULTS Twenty-five Black men were recruited from the community and contributed to the development of three iterations of a Black male VC over an eighteen-month time span. Feedback from the man enhanced the visual appearance of the VC including its movement, clothing, facial expressions, and environmental surroundings. Heuristics including social presence, novelty, and authority were all recognized by the final version of the VC and creditably was established. The VC was referred to as “brother-doctor” and participants stated “wanting to interact with ALEX over their regular doctor”. CONCLUSIONS Involving Black men in the development of a digital healthcare intervention is critical. This population is burdened by cancer health disparities and incorporating their perceptions in tele-health interventions, will create awareness of the need to develop targeted messages for Black men


2018 ◽  
Vol 40 (3) ◽  
pp. 173-192 ◽  
Author(s):  
Robert E. Luckett

When Margaret Walker founded the Institute for the Study of the History, Life, and Culture of Black People in 1968, she stood at the forefront of a nascent Black studies movement. At the time, she had served on the faculty at Jackson State College since 1949. In both a racist and a sexist society, she used her scholarship and art as vehicles for activism. Today, the Margaret Walker Center, named for its founder, continues to lift up her legacy as a museum and special collections archive dedicated to Black experience in America.


2021 ◽  
Author(s):  
Daisy Massey ◽  
Jeremy Faust ◽  
Karen Dorsey ◽  
Yuan Lu ◽  
Harlan Krumholz

Background: Excess death for Black people compared with White people is a measure of health equity. We sought to determine the excess deaths under the age of 65 (<65) for Black people in the United States (US) over the most recent 20-year period. We also compared the excess deaths for Black people with a cause of death that is traditionally reported. Methods: We used the Multiple Cause of Death 1999-2019 dataset from the Center of Disease Control (CDC) WONDER to report age-adjusted mortality rates among non-Hispanic Black (Black) and non-Hispanic White (White) people and to calculate annual age-adjusted <65 excess deaths for Black people from 1999-2019. We measured the difference in mortality rates between Black and White people and the 20-year and 5-year trends using linear regression. We compared age-adjusted <65 excess deaths for Black people to the primary causes of death among <65 Black people in the US. Results: From 1999 to 2019, the age-adjusted mortality rate for Black men was 1,186 per 100,000 and for White men was 921 per 100,000, for a difference of 265 per 100,000. The age-adjusted mortality rate for Black women was 802 per 100,000 and for White women was 664 per 100,000, for a difference of 138 per 100,000. While the gap for men and women is less than it was in 1999, it has been increasing among men since 2014. These differences have led to many Black people dying before age 65. In 1999, there were 22,945 age-adjusted excess deaths among Black women <65 and in 2019 there were 14,444, deaths that would not have occurred had their risks been the same as those of White women. Among Black men, 38,882 age-adjusted excess <65 deaths occurred in 1999 and 25,850 in 2019. When compared to the top 5 causes of deaths among <65 Black people, death related to disparities would be the highest mortality rate among both <65 Black men and women. Comment: In the US, over the recent 20-year period, disparities in mortality rates resulted in between 61,827 excess deaths in 1999 and 40,294 excess deaths in 2019 among <65 Black people. The race-based disparity in the US was the leading cause of death among <65 Black people. Societal commitment and investment in eliminating disparities should be on par with those focused on other leading causes of death such as heart disease and cancer.


Sign in / Sign up

Export Citation Format

Share Document