scholarly journals Intersecciones entre Texto e Imagen: Alexander Kluge y el Tratado Iconográfico

2021 ◽  
Vol 9 (1) ◽  
pp. 45
Author(s):  
Jacobo Sucari
Keyword(s):  
Sound Emission ◽  
Text And Image ◽  
Critical View ◽  
History Of ◽  
The Creation ◽  
Alexander Kluge ◽  
Written Word ◽  
The Voice ◽  
Special Case

There is a field of intersection between text and image that throughout the history of cinema has been configured as a space of subtle architectures where the typographic sign (the letter) and its sound emission (the voice) in conjunction with the image, they form a terrain of new audiovisual grammars, a space for experimentation in the creation of meaning and original associations.Alexander Kluge's work is undoubtedly a special case in forcing this relationship between the dimensions of text and image, not only because he has dedicated much of his work to both disciplines, that of writer and that of filmmaker, but because in this space of intersection of the written word and the fluorescence of the image, a renewed dialogue emerges around the meaning of history and the always enriching links between the archive, the document, the function of memory and a critical view of the Present.This article emphasizes the semiotic characteristics of this relationship between text and image in Kluge's work, as well as his peculiar conception of the audiovisual treatise.

The creation of thermodynamics

2020 ◽  
pp. 422-437
Author(s):  
Robert T. Hanlon
Keyword(s):  
The North ◽  
Revisionist History ◽  
History Of ◽  
The Creation ◽  
Written Word ◽  
Definition Of ◽  
John Tyndall

The North British group of scientists, including Thomson, Rankine, an adopted Joule, Tait, and Maxwell created in the written word the field of thermodynamics in which temperature plays a central role. Thomson experienced the first glimpse of dQ/T; however, a valid definition of the 2nd Law of Thermodynamics remained absent. John Tyndall challenged the revisionist history of this group in which Joule was declared the first to discover heat–work equivalence and not the German Mayer. This led to the infamous Tait–Tyndall controversy.

““Das verlassene Määgdlein””: Grief Partaken

2009 ◽  
Vol 33 (2) ◽  
pp. 173-192
Author(s):  
Karen M. Bottge
Keyword(s):  
Nineteenth Century ◽  
Sustained Attention ◽  
Musical Settings ◽  
Musical History ◽  
History Of ◽  
The Creation ◽  
The Voice ◽  
Insight Into

Abstract Perhaps the most influential abandoned woman to surface in the musical history of the nineteenth century was that conceived by Biedermeier poet Eduard Möörike. Since its initial publication in 1832, his ““Das verlassene Määgdlein”” has engaged the sustained attention of composers, performers, and even music analysts and critics. Not only did his Määgdlein prompt the creation of numerous nineteenth-century volkstüümliche varianten throughout Germany and Austria, but she also inspired 130 musical settings dating between 1832 and 1985. Yet, although Möörike is just one of many figures within a long tradition of male poets writing on female abandonment, there seems to be something to this particular poem, that is, to Möörike's Määgdlein, that has compelled composers to retell her tale again and again in song. My discussion begins by first revisiting the poem's original novelistic context, Maler Nolten: Novelle in zwei Theilen (1832). Thereafter I follow Möörike's Määgdlein from her poetic beginnings to two of her best-known musical reappearances: Robert Schumann's ““Das verlassne Määgdelein”” (op. 64, no. 2) of 1847 and the work it inspired forty years later, Hugo Wolf's 1888 ““Das verlassene Määgdlein”” (also op. 64, no. 2), perhaps the most renowned setting of them all. Through the juxtaposition of these two settings we may not only uncover their potential textual and musical interconnections, but also gain insight into the tacit cultural understandings and ideologies surrounding those who take up the voice of the abandoned.

‘Where Was Sarah?’ Depictions of Mothers and Motherhood in Modern Israeli Poetry on the Binding of Isaac

2017 ◽  
pp. 255-282
Author(s):  
Dalia Marx
Keyword(s):  
The State ◽  
Existential Crisis ◽  
Poetic Imagination ◽  
History Of ◽  
Mother Figure ◽  
The Creation ◽  
The Moment ◽  
The Voice ◽  
State Of Israel ◽  
The Sacrifice

This chapter analyses the existential crisis that illuminates contemporary Israeli poetry about the binding of Isaac or the akedah. It investigates a series of poems that portray Isaac's mother Sarah and argues that these texts strive to embody and construct the history of the State of Israel. It also reviews earlier poems that entwine Sarah with collective questions of post-Holocaust faith and Jewish national fate, recent texts that turn to individual destiny. The chapter cites Sarah as a mother-figure in the Jewish poetic imagination who struggles with the tensions between an instinctual maternal impulse to preserve life and an ideology rooted in the sacrifice of sons for the sake of the creation and preservation of the State of Israel. It looks at poems that reconstruct the biblical story of Sarah, giving mothers the voice that Sarah lacked at the moment of the akedah.

Elite da Liberdade: a contribution to the history of black clubs in Brazil

2020 ◽  
Vol 9 (1) ◽  
pp. 396-411
Author(s):  
Petrônio José Domingues
Keyword(s):  
Social Inclusion ◽  
Black Identity ◽  
Sao Paulo ◽  
São Paulo ◽  
Educational Discourse ◽  
History Of ◽  
The Creation

This article investigates the trajectory of the Grêmio Dramático, Recreativo e Literário Elite da Liberdade (the Liberdade Elite Guild of Drama, Recreation, and Literature), a black club active in São Paulo, Brazil, from 1919 to 1927. The aim is to reconstruct aspects of the club’s history in light of its educational discourse on civility, which was used as a strategy to promote modern virtues in the black milieu. By appropriating the precepts of civility, Elite da Liberdade helped construct a positive black identity, enabled the creation of bonds of solidarity among its members, and made itself a place of resistance and struggle for social inclusion, recognition, and citizens’ rights.

The Russian Holy Synod and the Greeks

2020 ◽  
Vol 54 (1-3) ◽  
pp. 72-98
Author(s):  
Nikolaos Chrissidis
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Critical Assessment ◽  
Peter The Great ◽  
Modern Period ◽  
Greek History ◽  
History Of ◽  
The Creation

Abstract The article first surveys Greek interpretations of the creation of the Russian Holy Synod by Peter the Great. It provides a critical assessment of the historiographical paradigm offered by N.F. Kapterev for the analysis of Greek-Russian relations in the early modern period. Finally, it proposes that scholars should focus on a Greek history of Greek-Russian relations as a complement and possibly corrective to the Kapterev paradigm.

History of the creation and activities of the League of Nations

2019 ◽  
Vol 2019 (09) ◽  
pp. 108-113
Author(s):  
Alexander Begichev ◽  
Alexander Galushkin ◽  
Andrey Zvonaryev ◽  
Victor Shestak
Keyword(s):  
League Of Nations ◽  
History Of ◽  
The Creation

Russian Museum of Emperor Alexander III as a place of memory

2020 ◽  
Vol 2020 (11-1) ◽  
pp. 132-147
Author(s):  
Dmitry Rakovsky
Keyword(s):  
Comparative Analysis ◽  
Historical Consciousness ◽  
Russian Society ◽  
Museum Collection ◽  
Works Of Art ◽  
History Of ◽  
The Creation ◽  
Historical Representations

The main purpose of this article is to study the role of the Russian Museum in the formation of the historical consciousness of Russian society. In this context, the author examines the history of the creation of the Russian Museum of Emperor Alexander III and its pre-revolutionary collections that became the basis of this famous museum collection (in particular, the composition of the museum’s expositions for 1898 and 1915). Within the framework of the methodology proposed by the author, the works of art presented in the museum’s halls were selected and distributed according to the historical eras that they reflect, and a comparative analysis of changes in the composition of the expositions was also carried out. This approach made it possible to identify the most frequently encountered historical heroes, to consider the representation of their images in the museum’s expositions, and also to provide a systemic reconstruction of historical representations broadcast in its halls.

History of the creation and activities of UNESCO

2020 ◽  
Vol 2020 (06) ◽  
pp. 192-197
Author(s):  
Elena Varustina ◽  
Aziza Marasulova ◽  
Valery Monakhov ◽  
Dmitry Pashentsev ◽  
Elena Rudakova
Keyword(s):  
History Of ◽  
The Creation

The theory and history of ekphrasis. A summary and prospects of research, or, forty-five articles on ekphrasis

2019 ◽  
pp. 188-215
Author(s):  
N. M. Perlina
Keyword(s):  
Development Process ◽  
Source Material ◽  
Cross Cultural ◽  
Cultural Characteristics ◽  
Literary Evolution ◽  
History Of ◽  
Written Word ◽  
Similar Development

The article is devoted to ekphrasis, its historical and literary evolution, as well as aspects of its stylistic, cultural, and ideological origins. The research is based on the versatile collection of The Theory and History of Ekphrasis [Teoriya i istoriya ekfrasisa], which contains a number of previously little known texts and theories on ekphrasis, developed in regions with different ethnic and cultural characteristics. The author spares no effort in the examination of this monograph and, using the observations made by various scholars, discerns a similar development process of cross-cultural and cross-aesthetic transformations and transpositions, which, however, adopts divergent paths. Transpositions, the author suggests, occur in the model of a text awaiting a pictorial interpretation. The article concentrates on the ways to present an image anticipated in a written word, and to generate a new text, whose subject and content draw not only on poeticized observations of the source material, but also on metapoetic tales about its creators.

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