scholarly journals Zero Waste––Zero Justice?

2020 ◽  
Vol 6 ◽  
pp. 416
Author(s):  
Ruth Müller ◽  
Sarah Maria Schönbauer

Plastic is slowly covering the earth, accumulating in oceans, soil, air, and human and non-human bodies. In the face of this catastrophe, zero waste activists call upon us for action, detailing, how we, too, can change our lifestyle to eliminate plastic waste and save the planet. Yet, who it is that is called upon, who speaks, and whose voices and lived realities might be ignored? In this contribution, we explore the social politics of the zero waste movement. This leads us to ponder: might popular environmental movements that relegate social justice to the back seat ultimately do more harm than good?

2021 ◽  
pp. 002087282110079
Author(s):  
Robert K Chigangaidze

Any health outbreak is beyond the biomedical approach. The COVID-19 pandemic exposes a calamitous need to address social inequalities prevalent in the global health community. Au fait with this, the impetus of this article is to explore the calls of humanistic social work in the face of the pandemic. It calls for the pursuit of social justice during the pandemic and after. It also calls for a holistic service provision, technological innovation and stewardship. Wrapping up, it challenges the global community to rethink their priorities – egotism or altruism. It emphasizes the ultimate way forward of addressing the social inequalities.


2015 ◽  
Vol 49 (3) ◽  
pp. 641-660 ◽  
Author(s):  
Linda Radford ◽  
Avril Aitken

This paper discusses pre-service teachers’ use of multi-modal tools to produce three-minute films in light of critical moments in their teaching practice. Two cases are considered; each centers on a film, a “little epic” that was produced by a future teacher who attempts to work within an anti-racist framework for social justice. Findings point to how multimodal tools are effective for engaging meaningfully with unresolved conflicts. However, in the face of trauma experienced, the future teachers’ efforts to work within a social justice framework may be pushed to the margins. This pedagogy / research sheds light on the workings of the inner landscape of becoming teachers, and highlights the dynamic of education as a psychic crisis compounded by the demands of the social.


1968 ◽  
Vol 27 (2) ◽  
pp. 269-279 ◽  
Author(s):  
Karl J. Pelzer

The theme of this paper, a theme close to the heart of the geographer, was in a slightly varied form the title of an international symposium organized by the Wenner-Gren Foundation for Anthropological Research in 1955. This symposium on “Man's Role in Changing the Face of the Earth” provided ample opportunity for fruitful dialogues between scholars representing the full range of disciplines from the natural sciences through the humanities to the social sciences. In this truly interdisciplinary symposium of some seventy-five scholars, no less than thirty percent represented the discipline of geography.


Author(s):  
Sue Clayton ◽  
Anna Gupta ◽  
Katie Willis

This chapter draws together themes emerging from the preceding chapters, as well as identifying policy recommendations. It starts by highlighting the insights drawn from the cross-disciplinary approach adopted in the book. It then moves on to stress the social justice and human rights perspective, including the implications of how unaccompanied asylum-seeking children are framed by the authorities that are dealing with their cases. It discusses the need to acknowledge and support young people in exercising their agency, albeit within the confines of structural inequalities. The chapter then provides policy recommendations including the implementation of current laws and guidelines, and a review of age assessment processes. The chapter concludes with examples of new practices and new critical thinking that have emerged in the face of challenges associated with supporting unaccompanied young migrants in recent years.


Author(s):  
Joseph Chita

In this chapter, HIV and AIDS education for learners in Catholic schools was interrogated from a social justice perspective. The author advances the argument that the learners' right to access HIV and AIDS education in the school context was superficial in addressing the needs of learners. Hence, depriving them of the much needed knowledge, skills, and attitudes necessary for their survival in the context of HIV and AIDS. Therefore, this call for continued dialogue among different stakeholders in order to enable Catholic Schools play the ‘social vaccine' role in the face of HIV and AIDS.


Author(s):  
Joseph Chita

In this chapter, HIV and AIDS education for learners in Catholic schools was interrogated from a social justice perspective. The author advances the argument that the learners' right to access HIV and AIDS education in the school context was superficial in addressing the needs of learners. Hence, depriving them of the much needed knowledge, skills, and attitudes necessary for their survival in the context of HIV and AIDS. Therefore, this call for continued dialogue among different stakeholders in order to enable Catholic Schools play the ‘social vaccine' role in the face of HIV and AIDS.


Author(s):  
Sekartaji Suminto

Plastics are widely used in various needs of human life, starting from food wrapping material to the needs of automotive materials. Plastic is the most popular material and most widely used as a material for automotive component making, in addition to metal in the form of iron. The most important problem of plastics is the plastic waste that can not decompose naturally. It takes a very long time to clean up plastic waste from the face of the earth, especially since the use of plastic is almost unmanageable. Plastics also make the air temperature hotter day by day, due to its non-porous polymeric properties. At the moment, most products are produced without thinking of where they are going when consumed. Many products are also designed to fail within a certain period known as "planned obsolescence". This design philosophy is the cause behind overflowing landfills, plastic islands in the sea, and becoming a scourge such as packaging and products that clog the local ecosystem. Ecobrick is one of the creative efforts to manage plastic waste into useful objects, reducing pollution and toxins caused by plastic waste. Ecobrick is one of the creative endeavors for handling plastic waste. Its function is not to destroy plastic waste, but to extend the life of these plastics and process them into something useful, which can be used for the benefit of humans in general. Making ecobrick is still not so popular among the wider community. Most people still treat used plastics as household plastic waste, pollute the environment, rivers and pollute everyday life without self-awareness.Keywords: plastic waste, contamination, ecobrick, creative effort


Author(s):  
ROY PORTER

The physician George Hoggart Toulmin (1754–1817) propounded his theory of the Earth in a number of works beginning with The antiquity and duration of the world (1780) and ending with his The eternity of the universe (1789). It bore many resemblances to James Hutton's "Theory of the Earth" (1788) in stressing the uniformity of Nature, the gradual destruction and recreation of the continents and the unfathomable age of the Earth. In Toulmin's view, the progress of the proper theory of the Earth and of political advancement were inseparable from each other. For he analysed the commonly accepted geological ideas of his day (which postulated that the Earth had been created at no great distance of time by God; that God had intervened in Earth history on occasions like the Deluge to punish man; and that all Nature had been fabricated by God to serve man) and argued they were symptomatic of a society trapped in ignorance and superstition, and held down by priestcraft and political tyranny. In this respect he shared the outlook of the more radical figures of the French Enlightenment such as Helvétius and the Baron d'Holbach. He believed that the advance of freedom and knowledge would bring about improved understanding of the history and nature of the Earth, as a consequence of which Man would better understand the terms of his own existence, and learn to live in peace, harmony and civilization. Yet Toulmin's hopes were tempered by his naturalistic view of the history of the Earth and of Man. For Time destroyed everything — continents and civilizations. The fundamental law of things was cyclicality not progress. This latent political conservatism and pessimism became explicit in Toulmin's volume of verse, Illustration of affection, published posthumously in 1819. In those poems he signalled his disapproval of the French Revolution and of Napoleonic imperialism. He now argued that all was for the best in the social order, and he abandoned his own earlier atheistic religious radicalism, now subscribing to a more Christian view of God. Toulmin's earlier geological views had run into considerable opposition from orthodox religious elements. They were largely ignored by the geological community in late eighteenth and early nineteenth century Britain, but were revived and reprinted by lower class radicals such as Richard Carlile. This paper is to be published in the American journal, The Journal for the History of Ideas in 1978 (in press).


2019 ◽  
Vol 73 (2) ◽  
pp. 72-79
Author(s):  
Carla Marcantonio

FQ books editor Carla Marcantonio guides readers through the 33rd edition of Il Cinema Ritrovato Festival held each year in Bologna at the end of June. Highlights of this year's festival included a restoration of one of Vittorio De Sica's hard-to-find and hence lesser-known films, the social justice fairy tale, Miracolo a Milano (Miracle in Milan, 1951). The film was presented by De Sica's daughter, Emi De Sica, and was an example of the ongoing project to restore De Sica's archive, which was given to the Cineteca de Bologna in 2016. Marcantonio also notes her unexpected responses to certain reviewings; Apocalypse Now: Final Cut (2019), presented by Francis Ford Coppola on the large-scale screen of Piazza Maggiore and accompanied by remastered Dolby Atmos sound, struck her as a tour-de-force while a restoration of David Lynch's Blue Velvet (1986) had lost some of its strange allure.


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