scholarly journals Images of Marie Curie: How Reputational Entrepreneurs Shape Iconic Identities

2018 ◽  
Vol 4 ◽  
pp. 8
Author(s):  
Lisa Alaimo ◽  
Lori Chambers ◽  
Antony Puddephatt

Marie Curie holds iconic status both within the scientific community and in the wider cultural imagination and collective memory. The first woman to be awarded a Nobel Prize and the only woman to achieve such an honor twice, Curie is widely celebrated as a female pioneer in the sciences and is held up as a model for all, but particularly women, to emulate. She is revered not only as a ground-breaking scientist, but also as a devoted wife and mother who fostered intellectual passion in her own children, one of whom became the second woman to be honored with the Nobel Prize in Science. Echoing Eva Hemmungs Wirten, we argue that the evolution of Curie’s status over time offers an opportunity to use meta-biography to understand the layered nature of her reputation. We draw on Gary Alan Fine’s theory of reputational entrepreneurship to understand her legacy as a product of collective historical memory. Curie’s legacy was not pre-determined by the fact that she was a successful scientist; in fact, she was shunned by the public in France in 1911 after it was revealed that she, a widow, had engaged in an affair with a fellow married scientist. A meta-biographical analysis reveals considerable effort was put into reputation building by her Curie herself, her commercial sponsor, and family members. To ignore the earlier iterations of her reputation is to underestimate the challenges she faced as a woman in male-dominated science and in a society that judged her by a sexual double standard. Meta-biography, in conjunction with theories of intellectual reputation building and collective memory, allows us to unearth the complicated layers of Curie’s story. It also tells us a great deal about the [sexist] society in which Curie and her supporters had to forge her reputation.

2017 ◽  
Vol 6 (1) ◽  
pp. 147-151
Author(s):  
Yuliya Solomonovna Repinetskaya

The article defines the concepts historical consciousness and historical memory which are studied by many social sciences and are termed differently. The author indicates multiplicity of social memory as a process. Besides the public (social) memory the author distinguishes cultural memory (researched, especially recent); collective memory (faced and meaningful common experiences living together); individual memory (represented experience); historical memory, etc. Historical consciousness and historical memory are the terms that take a key position in the theory and methodology of historical science. The author of the article also draws attention to the analysis of the approaches of contemporary scientists L.P. Repina and Maurice Halbwachs (the founder of the theory of historical memory (1877-1945) to the interpretation of the problem. The essence of historical consciousness and memory is characterized, public consciousness is distinguished. The author draws attention to such an important aspect of the problem as identifying complex concepts-synonyms appearing in the theory and methodology of historical science like historical consciousness and historical memory. Special emphasis is made on showing dialectical unity concepts mentioned above.


2020 ◽  
Vol 2 (15) ◽  
pp. 106-129
Author(s):  
Aurore Ducellier

From Butterfly’s Tongue (1999) to While at War (2019), a growing number of cinematographic fictions and documentaries depicted Franco's repression in a context of recovery of historical memory. Thus, at least forty movies from this beginning of the century allude to the maquis, prisoners and victims as a whole to denounce the violence of the dictatorship in the media. The cinema mediates memory in the public scene and tries to modify, through a plural construction, the reception of this repressive period in the collective memory. We propose to explore the evolution of the message about Franco's violence in the cinema of these last two decades, with a typology of the victims, the representations of repression and the ideological narratives that are faced in them: through cinematographic techniques and characters, as well as the use and alteration of the symbols of this violence, which place it in a moving reception area.


2018 ◽  
Vol 4 (6) ◽  
pp. 99-118
Author(s):  
Robert TRABA

The study brings up sensitive problems of the contemporary Polish history, revealing some mechanisms of historical discourse in the public space. Refl ection on the historical memory, the war trauma and the problem of shortened perspective puts emphasis on the absence of alternative narrations around such categories as: nation, Catholic Church, patriotism, the left, polish Jews. Th is issue is associated with the question of contemporary historical research and the politics of history shaping collective memory in Poland.


2020 ◽  
Vol 2 (15) ◽  
pp. 7-15
Author(s):  
Sara Fuentes Garzón ◽  
Rubén Cabal Tejada

From Butterfly’s Tongue (1999) to While at War (2019), a growing number of cinematographic fictions and documentaries depicted Franco's repression in a context of recovery of historical memory. Thus, at least forty movies from this beginning of the century allude to the maquis, prisoners and victims as a whole to denounce the violence of the dictatorship in the media. The cinema mediates memory in the public scene and tries to modify, through a plural construction, the reception of this repressive period in the collective memory. We propose to explore the evolution of the message about Franco's violence in the cinema of these last two decades, with a typology of the victims, the representations of repression and the ideological narratives that are faced in them: through cinematographic techniques and characters, as well as the use and alteration of the symbols of this violence, which place it in a moving reception area. Keywords: Spanish movies, violence, Francoism, mediations.


2016 ◽  
Vol 15 (6) ◽  
pp. 727-747 ◽  
Author(s):  
Lina Klymenko

Abstract This paper studies the Belarusian nation as envisioned by the president in his political speeches delivered on the country’s Independence Day. The theoretical framework of the paper rests upon an understanding of the discursive construction of national identity. This analysis of the presidential speeches utilizes principles of the Discourse Historical Approach (DHA). As a special genre of texts, political speeches aim to offer normative guidance and a sense of societal consensus to the public. The paper reveals that in the construction of a national community in Belarus, the presidential speeches ambiguously refer to historical memory, socio-economic development, the political system and the country’s foreign relations.


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