scholarly journals A Study of Geumgangsan Travel Poetry by Kim Jeong with the Pen Name of Chungam

EOMUNYEONGU ◽  
2017 ◽  
Vol 94 (null) ◽  
pp. 131-155
Author(s):  
이송희
Keyword(s):  
PMLA ◽  
2020 ◽  
Vol 135 (2) ◽  
pp. 272-298
Author(s):  
James Mulholland

This article proposes a new literary history of British Asia that examines its earliest communities and cultural institutions in translocal and regional registers. Combining translocalism and regionalism redefines Anglo‐Indian writing as constituted by multisited forces, only one of which is the reciprocal exchange between Britain and its colonies that has been the prevailing emphasis of literary criticism about empire. I focus on the eighteenth century's overlooked military men and lowlevel colonial administrators who wrote newspaper verse, travel poetry, and plays. I place their compositions in an institutional chronicle defined by the “cultural company‐state,” the British East India Company, which patronized and censored Anglo- India's multilingual reading publics. In the process of arguing for Anglo‐Indian literature as a local and regional creation, I consider the how the terms British and anglophone should function in literary studies of colonialism organized not by hybridity or creolization but by geographic relations of distinction. (JM)


2018 ◽  
Vol 92 ◽  
pp. 7-31
Author(s):  
Do-Gyu Jang
Keyword(s):  

2021 ◽  
Vol 44 ◽  
pp. 273-312
Author(s):  
Hyun-a Bang
Keyword(s):  

Literator ◽  
2006 ◽  
Vol 27 (1) ◽  
pp. 189-210
Author(s):  
A. Nel

The poet in transit: travel poetry and liminality in Joan Hambidge’s Lykdigte and Ruggespraak In the poem “Versugting” the first person narrator confesses: “reis na reis het ek in gedigte gekarteer, / in woorde opgevang elke slopende liefdeservaring”. The most important themes in Hambidge’s poetry converge in these two lines, namely the travel experience, reflection on the writing process, and love. These themes are the focus of this article. In both volumes under discussion the poet is presented as a traveller in real life. This concrete experience of reality becomes the isolated journey of the psyche and is “translated” and mapped in verse form. The journey as a liminal experience, the poet as the traveller and the writing process as the journey are some of the aspects that will be examined. For the poet the travel experience also implies the search for the beloved/love/the poem, while the transferral of the self causes a feeling of displacement. The city as destination also plays a role in the travel experience, which is experienced in a spatial-poetic manner, and finally becomes a poem itself.


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