scholarly journals THE ROLE OF ART EDUCATION ON THE CREATIVE THINKING SKILLS OF STUDENTS IN MUSIC AND VISUAL ARTS EDUCATION: A COMPARISON FROM THE PERSPECTIVE OF THE MUSIC EDUCATION

Author(s):  
Kani ÜLGER
Author(s):  
Sandra Palhares - University of Minho

This article discusses contemporary visual arts education current changes. Visual Arts Education is frequently underestimated by most European Curriculum which often gave and still gives priority to other knowledge areas. Nevertheless, culture industries like museums and a wide range of culture and social organizations are doing the opposite, leading visual art education to an increasingly dissemination, even if it is always less than we all expect. This article also focus on a current shift and which seems to be a kind of paradox: visual art education services from alternative culture institutions are becoming integrated on school activities. By recognizing Visual Art Education Value, culture institutions are trying to develop different approaches in order to engage visual arts with communities. By informing and promoting creative thinking, they are trying to reach community involvement and, consequently, breaking down barriers when necessary. In a more and more globalized world, it is urgent to rethink culture, ethnical, social, economical and political diversities and here is where visual arts education can become a more active player. Art always allowed man to create different worlds in our world as Nelson Goodman affirmed. By creating new worlds, art offers possibilities on new world perspectives and therefore it also might make possible a great miracle, which is the possibility of changing into a better world! Isn´t that what next Documenta 14 is doing? Documenta 14, Kassel, considered the world's largest and most prestigious exhibition of contemporary art, will be held in Athens, Greece, and Kassel, Germany, under the following theme: Learning from Athens. Both - visual art education and contemporary art - seem to share this wish and determination in changing to a better world by implicating local, national and international community. And Art always seemed to be a great `educator´ throughout mankind history.


2021 ◽  
Vol 9 (61) ◽  

The dynamics of life styles changing with an unprecedented momentum in the current Visual Culture Age; It affects many fields such as communication, aesthetics, visual arts, art history, art education. Visual culture in lifestyles that develop as a result of a process in which the individual is consciously or unconsciously involved; It represents an interdisciplinary field and refers to the connection of culture with visual elements. Having an aesthetic experience in the dynamics of life styles produced in today's world, developing a solution-oriented identity with a visionary perspective, presents a model of a qualified individual as a part of visual culture. Through visual arts education, which will provide a rationalist response to the requirements of the current era, activities that will increase the individual's life experiences and provide optimum benefit can be organized. Education has a great role in the integration of the individual into society and adaptation to life, and in this case, prioritizing a visual culture-based approach in art education gains value. Keywords: Visual arts education, culture, visual culture, visual culture education


Pedagogika ◽  
2014 ◽  
Vol 114 (2) ◽  
pp. 141-153
Author(s):  
Birutė Banevičiūtė ◽  
Jolita Kudinovienė

The article analyses arts teacher education in Lithuanian University of Educational Sciences, the only university in Lithuania which prepares teachers of four arts subjects – dance, music, theater and visual arts both on bachelor and master’s level. Analyzing this phenomenon input of Arts Education Department of the university is revealed through scientific and pedagogical activities which are closely connected with arts teacher education programmes implemented by the department. Since 1993 when Arts Education Department was founded it went through various changes which led from general university study subject of Arts education towards six arts teacher preparation programmes: dance pedagogy bachelor, theater and film, pedagogy bachelor, dance education, theater education, visual arts education and music education master. Over 500 arts education teachers graduated from Arts Education Department study programmes in the period of 1997–2013.


2016 ◽  
Vol 5 (2) ◽  
Author(s):  
Ayse Cakır İlhan

  Dear Readers It is the great honor for us to publish fifth issue of Global Journal of Arts Education The scope of the journal includes, but is not limited to the following major topics like visual arts, creativity, crafts, design, art history, aesthetics, art theory, music education, sculpturing, visual arts education, drama education, dance education, education in literature, contemporary arts education and narrative and holistic integrated studies that cross or transcend these fields A total of ten (10) manuscripts were submitted for this issue and each paper has been rigor peer reviewed by the reviewers specialized in the related field. At the end of the review process, a total of five (5) high quality research papers were selected and accepted for publication. We thank all the contributors who helped us to publish this issue. Best regard Prof. Dr. Ayse Cakir IlhanEditor – in Chief 


2022 ◽  
Author(s):  
Christopher Ifeanyi Ibenegbu

Abstract The existence of informal arts education centres has raised a lot of controversy in arts education and practice in Nigeria. Often people do not regard the products of these informal arts centres as artists. They regard them as artisans even though most of them are being trained by formal artists and are being imbibed by their artistic traditions. It is, therefore, pertinent to investigate these informal arts centres and assess their existence and their influence on formal arts centres. This study was, therefore, designed to explore the assessment of informal arts education and its influence on formal art education in southeast Nigeria. The research questions were on the: educational relevance of informal arts education on formal art education, the influence of arts education on formal art education and on whether informal and formal art education can co-exist. The questionnaire was used to elicit vital information from the respondents. The findings revealed that the existence of informal arts education is relevant to formal art education, informal arts education influences formal art education and informal arts education can co-exist with formal art education. The paper recommended that the Ministries of Education should encourage and ensure that the formal art schools and informal arts centres co-exist.


2017 ◽  
Vol 41 (4) ◽  
pp. 50 ◽  
Author(s):  
Lisa Terreni

<div class="page" title="Page 1"><div class="section"><div class="layoutArea"><div class="column"><p><span>Visual art education plays a significant role in fostering </span><span>young children’s learning, thinking, and communicating. </span><span>In New Zealand, approaches to early childhood visual </span><span>art education have developed in response to international educational theories and trends, which, over the years, have often resulted in changes to pedagogy and practice in this domain. Currently, the national early childhood curriculum Te </span><span>Whāriki includes references to visual art education in many </span><span>of its learning strands. Whilst the curriculum has a strong sociocultural orientation to learning and teaching, approaches to early childhood visual art education are diverse. A brief historical overview of early childhood visual arts education in </span><span>New Zealand is presented and, to conclude, three examples of </span><span>current, innovative art projects are discussed. </span></p></div></div></div></div>


2016 ◽  
Vol 9 (2) ◽  
pp. 143-157
Author(s):  
Martha Christopoulou

Moving from primary to secondary school is a major challenge. This article presents the concept of educational transition, makes a case for its relationship with identity formation, and discusses its e ects on students’ academic achievement, social adjustment, and self-concepts. It explores the role of art and creativity to foster resilience and presents an example of how visual arts were used to help students negotiate and reframe transition. It concludes with further practical considerations for art education with the hope that visual arts can play a critical role in ensuring that students successfully meet the challenges along the way to secondary school.


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