Quelques anticipations de “notre” _Commedia_ : confirmations et nouveautés textuelles

2020 ◽  
pp. 131-140
Author(s):  
Paolo Trovato

The paper addresses some features of a forthcoming critical edition of the _Commedia_. After a short presentation of the state of the art and of the possibilities offered by a neo-lachmannian approach, it lists and comments upon some new readings which can give some idea of the outcome of our research.

Author(s):  
Claus Huitfeldt

This chapter describes how digital critical edition supposes a mastery of markup systems, providing an overview in the form of an inventory of standards, and of markup, presentation, and archiving techniques. It discusses the state of the art while focusing on key architectures and techniques considered as the basis of digital critical edition. The chapter introduces some aspects of markup technology that are particularly relevant to textual scholarship, such as the Extensible Markup Language (XML) and the Text Encoding Initiative (TEI), and considers some of their limitations, possibilities, and future potential. Since there is no need to be conversant with all aspects and details of the markup technology, most of what is covered here is of a general nature, albeit focusing on issues assumed to be of particular relevance for textual scholarship.


2019 ◽  
Vol 12 (2) ◽  
pp. 57-70
Author(s):  
Paola Italia

L’articolo propone una riflessione sullo stato dell’arte del romanzo italiano nel mondo digi- tale svolta attraverso l’analisi dei testi in prosa della modernità presenti nel portale Biblio- teca Italiana e affronta i casi di studio di Manzoni, Pirandello e Tozzi, per analizzare tre progetti complementari e diversi di edizione cartacea e digitale, e di interazione tra ricerca accademica, istituzioni bibliotecarie ed editoria. I casi mostrano come il romanzo, per la sua polifonia, le sue dinamiche genetiche, la sua contaminazione con le arti visive e drammati- che, richieda una infrastruttura digitale che metta in relazione tutti questi aspetti tra loro, anche in chiave didattica, costituendo un banco di prova della necessaria trasformazione dell’edizione critica digitale in un sito di ricerca e conoscenza dei testi e dei loro autori. This article proposes a reflection on the state of the art of the Italian novel in the digital world carried out through the analysis of modern prose texts in the website BibliotecaItaliana.it, examining the case studies of Manzoni, Pirandello, and Tozzi, and in particular three com- plementary projects and several digital editions as well as interactions among academic rese- arch, institutions, librarians, and publishers. The case studies show how the novel — thanks especially to its polyphony, its genetic dynamics and contamination with the visual and dra- matic arts — requires an infrastructure that also links all these aspects from an educational point of view. The novel may be considered as a testing ground for the necessary transforma- tion of the digital critical edition into a “knowledge site” of texts and their authors.


Author(s):  
T. A. Welton

Various authors have emphasized the spatial information resident in an electron micrograph taken with adequately coherent radiation. In view of the completion of at least one such instrument, this opportunity is taken to summarize the state of the art of processing such micrographs. We use the usual symbols for the aberration coefficients, and supplement these with £ and 6 for the transverse coherence length and the fractional energy spread respectively. He also assume a weak, biologically interesting sample, with principal interest lying in the molecular skeleton remaining after obvious hydrogen loss and other radiation damage has occurred.


2003 ◽  
Vol 48 (6) ◽  
pp. 826-829 ◽  
Author(s):  
Eric Amsel
Keyword(s):  

1968 ◽  
Vol 13 (9) ◽  
pp. 479-480
Author(s):  
LEWIS PETRINOVICH
Keyword(s):  

1984 ◽  
Vol 29 (5) ◽  
pp. 426-428
Author(s):  
Anthony R. D'Augelli

1991 ◽  
Vol 36 (2) ◽  
pp. 140-140
Author(s):  
John A. Corson
Keyword(s):  

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