A Study on the Korean Vocabulary Education Using Cooking Lexical Fields - Based on Activities Before Cooking Cultural Experience

2021 ◽  
Vol 59 ◽  
pp. 135-155
Author(s):  
Seokjin Jang
2019 ◽  
pp. 26-43
Author(s):  
Vasyl Babenko ◽  
◽  
Maksym Pylypak ◽  
Denys Chernienko ◽  
◽  
...  

2019 ◽  
Vol 15 (2) ◽  
Author(s):  
Khatija Bibi Khan ◽  
Owen Seda

Feminist critics have identified the social constructedness of masculinity and have explored how male characters often find themselves caught up in a ceaseless quest to propagate and live up to an acceptable image of manliness. These critics have also explored how the effort to live up to the dictates of this social construct has often come at great cost to male protagonists. In this paper, we argue that August Wilson’s Ma Rainey’s Black Bottom and Joe Turner’s Come and Gone present the reader with a coterie of male characters who face the dual crisis of living up to a performed masculinity and the pitfalls that come with it, and what Mazrui has referred to as the phenomenon of “transclass man.” Mazrui uses the term transclass man to refer to characters whose socio-economic and socio-cultural experience displays a fluid degree of transitionality. We argue that the phenomenon of transclass man works together with the challenges of performed masculinity to create characters who, in an effort to adjust to and fit in with a new and patriarchal urban social milieu in America’s newly industrialised north, end up destroying themselves or failing to realise other possibilities that may be available to them. Using these two plays as illustrative examples, we further argue that staged masculinity and the crisis of transclass man in August Wilson’s plays create male protagonists who break ranks with the social values of a collectively shared destiny to pursue an individualistic personal trajectory, which only exacerbates their loss of social identity and a true sense of who they are.


2020 ◽  
Vol 1 (100) ◽  
pp. 77-82
Author(s):  
V.P. Kultenko ◽  
◽  
K.M. Mamchur ◽  

The article deals with the concept of flat Earth. There has a adherents and defenders in the modern world, despite the solid age of heliocentric teaching. Flat Earth apologists point out, that the evidence in favor of the scientific heliocentric theory is held on confidence. People should trust the testimony of astronauts, space exploration data, and more. However, the vast majority of people cannot verify this data from their own practical experience. If science is a criterion for truth, then the heliocentric concepts and flat Earth are far removed from this criterion. Moreover, in the cultural experience of the past we can find arguments in favor of the concept of a flat Earth. These testimonies are contained, in particular, in the Old Testament Bible, the sacred texts of Christianity and Judaism. The mythological and religious texts of other nations and cultures also refer to the idea of a flat Earth.


2020 ◽  
pp. 168
Author(s):  
بلال فايز عبيدات ◽  
محمد سلمان فياض الخزاعلة

Author(s):  
N.R. Krayushkin

Abstract In the 16th and 17th centuries Ottoman Turks conquered most countries of the Middle East and North Africa and reached Vienna. As а result, the power of Istanbul was established in the heterogeneous spaces of the Mediterranean. The seized territories in Europe became part of Dar al-Islam, increasing the area of direct spread of the Arab-Muslim spiritual tradition. In this context, the journey in search for knowledge (rihla) acquired special significance it contributed to the intensification of cultural and intellectual life of the Ottoman society and establishment of its ideological unity. The author examines the materials from the treatises of Medina theologian Muhammad Kibrit, Istanbul explorer Evliya Celebi and Damascus Sufi Abd al-Ghani al-Nablusi, who travelled through the territory of the Ottoman Empire in the 17th century, to explore the main pilgrimage routes and cultural centers of the region. The goal of this article is to analyze the content of civilizational exchange and to identify basic characteristics of new Ottoman cultural experience.


Sign in / Sign up

Export Citation Format

Share Document