From combat boots to sweep nets: Experience in outreach with America’s veterans

2016 ◽  
Author(s):  
Adam Joseph Ingrao
Keyword(s):  
1996 ◽  
Vol 86 (3) ◽  
pp. 117-122 ◽  
Author(s):  
RA Sherman ◽  
KW Karstetter ◽  
H May ◽  
AL Woerman

The utility of shock-absorbing boot and sneaker inserts for reducing the occurrence of lower limb pain among male US Army basic trainees was evaluated. Every other training unit was given inserts. The inserts were issued prior to the start of training when combat boots and sneakers were fitted. According to post-training questionnaires and the participants' medical records, the inserts did not have any preventive effect on occurrence of lower limb problems during training. Five hundred seventeen trainees were issued inserts, 397 were followed but not issued inserts, and 218 were not issued but purchased them on their own. Thirty-eight percent of those issued inserts had lower limb pain problems compared with 29% of those not issued inserts and 38% of those who bought their own. There was no statistical difference between these rates of occurrence. Prior to training, there were minor differences between the groups' scores on physical fitness test scores and run times. These differences disappeared during training so that there were no differences among the groups on either training or clinical variables during or after basic training.


Public Health ◽  
2016 ◽  
Vol 141 ◽  
pp. 186-191 ◽  
Author(s):  
R. Crawford ◽  
D.C. Rutz ◽  
D.P. Evans
Keyword(s):  

2018 ◽  
pp. 159-188
Author(s):  
Morten Ender
Keyword(s):  

2008 ◽  
Vol 27 (3) ◽  
pp. 535-538 ◽  
Author(s):  
Peter Hinz ◽  
Anders Henningsen ◽  
Gerrit Matthes ◽  
Bernd Jäger ◽  
Axel Ekkernkamp ◽  
...  

2010 ◽  
Vol 13 (2) ◽  
pp. 173-180
Author(s):  
Harry van der Linden ◽  
Keyword(s):  

1989 ◽  
Vol 33 (1) ◽  
pp. 13 ◽  
Author(s):  
Sally Banes ◽  
Susan Manning
Keyword(s):  

Author(s):  
Rodrigo Rico Bini ◽  
Daniel D. Kilpp ◽  
Pedro D. Junior ◽  
Adriane D. Muniz

It is unclear whether military shoes (combat boots and sports shoes) attenuate loading rate or affect force transfer during walking. Therefore, this study compared ground reaction forces (GRF) related to impact and force transfer between combat boots, military sports shoes and running shoes. Ten army recruits walked over a walkway with two force plates embedded. GRF were measured when walking barefoot (for data normalization) and with combat boots, military sports shoes and running shoes. Loading rate, first and second peak forces and push-off rate of force were computed along with temporal analysis of waveforms. Reduced loading rate was observed for the running shoe compared to the combat boot (p = 0.02 and d = 0.98) and to the military sports shoe (p = 0.04 and d = 0.92). The running shoe elicited a smaller second peak force than the combat boot (p < 0.01 and d = 0.83). Walking with military shoes and combat boots led to larger force transfer then running shoes potentially due to harder material used in midsole composition (i.e. styrene-butadiene rubber). These results could lead to a potentially larger risk of injuries while long duration walking in military shoes and boots compared to traditional running shoes.


2016 ◽  
Vol 92 ◽  
pp. 26-31 ◽  
Author(s):  
T. Pandelani ◽  
T.J. Sono ◽  
J.D. Reinecke ◽  
G.N. Nurick
Keyword(s):  

2013 ◽  
Vol 54 (1) ◽  
pp. 87-106
Author(s):  
Steve Luber

In the Theatre of a Two-Headed Calf's production of Drum of the Waves of Horikawa, Jess Barbagallo plays the curiously named Eesogay Yougayman, bedecked in a flowing black coat, a wig fit for Ziggy Stardust, and a badgerlike streak of black makeup across her face. The live music falls somewhere between the rhythmic, repetitive structures of kabuki and the more chaotic yet just as percussive style of punk rock, allowing Yougayman (implied to be a traditionally male character) to strut and plunge with violent swagger. She stalks the stage and falls to her knees before the object of her affection, Otane, played by Heidi Shreck, who wears a blood-red kimono and combat boots. Yougayman stares lasciviously into the audience, describing how she abandoned her studies as a samurai to see Otane: “My sickness was a ruse and yet not entirely so, for I was suffering from the malady called love. And you were the cause, Otane!” An exaggerated, almost parodic struggle ensues, in which Otane is caught by Yougayman, whose tongue wags in rhapsodic anticipation of the sexual conquest she is about to force upon Otane as the music and guttural “huhs” from the musicians heighten to a rough, almost unbearable climax.


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