scholarly journals Aphrodite of Knidos, Trendsetter: Depictions of the Female Nude and Sexuality in Ancient Greek Sculpture

2016 ◽  
Author(s):  
Krista Buell
1966 ◽  
Vol 59 (7) ◽  
pp. 219
Author(s):  
Cornelius Vermeule ◽  
Ernst Langlotz ◽  
Audrey Hicks

1969 ◽  
Vol 62 (8) ◽  
pp. 327
Author(s):  
Patricia Neils Boulter

2013 ◽  
Author(s):  
Nigel Spivey

Ancient Greek sculpture seems to have a timeless quality – provoking reactions that may range from awe to alienation. Yet it was a particular product of its age: and to know how and why it was once created is to embark upon an understanding of its 'Classic' status. In this richly illustrated and carefully written survey, encompassing works from c.700 BC to the end of antiquity, Nigel Spivey expounds not only the social function of Greek sculpture but also its aesthetic and technical achievement. Fresh approaches are reconciled with traditional modes of study as the connoisseurship of this art is sympathetically unravelled, while source material and historical narratives are woven into detailed explanations, putting the art into its proper context. Greek Sculpture is the ideal textbook for students of classics, classical civilisation, art history and archaeology – and an accessible account for all interested readers.


2021 ◽  
Vol 17 (6) ◽  
pp. 29
Author(s):  
Jing Chen ◽  
Yiqiang Cao

Sculpture in the ancient Greek period has an extremely lofty position in the history of Western art, and the drapery is one of the most important modeling characteristics of ancient Greek sculpture. This article summarizes the style evolution of drapery in ancient Greek sculptures through the performance of ancient Greek costume characteristics and dressing methods in sculptures. And through the drapery produced by the different postures of the human body in the sculptures, it is explored how the ancient Greek artists used drapery to show the dialectical relationship between clothing, the human body and the posture, thereby shaping the beauty model of classical clothing.


2020 ◽  
Author(s):  
Sergelen Batchuluun ◽  
Orgilbold Narandorj

This article describes the results of a comparative analysis of the ancient Greek sculpture Doryphoros in the western and eastern art canons, as well as the selected sculptures of the Bodhisattva Bodhisattva Maitreya from Gandharan, Indian, Nepalese, and Mongolian art. The authors also explore and integrate the aspects of the artistic notion of an ideal beauty, including aspects of oriental philosophy, aesthetics, human body’s proportion and compilation theory. This comparative analysis is based on G. Zanabazar’s sculpturing features and his skills through theoretical aspects. Studies have shown that Zanabazar’s Bodhisattva Maitreya is fully compatible with the classic western proportions and Buddhist strict canon. We show that both western and eastern artistic iconography have been developed to produce perfection in anthropomorphic expression. The classic correspondence was in religious art, as the western mentality seems to be the opposite and the imitation of both nature and the beauty of one’s sense of beauty. Keywords: human body proportion relevance with art, corporeality, Buddhist art, Zanabazar, Bodhisattva Bodhisattva Maitreya, golden ratio, artistic canon


2021 ◽  
Vol 9 (62) ◽  

Ancient Greek art and culture had served as a significant guide for Western civilisation for centuries. Greek philosophy, literature and mythology as well as art and architecture had a major impact on artists especially in the periods of Renaissance and Neoclassicism. It is interesting to see that Ancient Greek sculpture has still been inspiring for the 20th century western painters, sculptors and performance artists. This article will focus on the visual representations of four statues -Apollo Belvedere, Venus of Milo, Nike of Samothrace and Sleeping Ariadne- in the imagination of artists working in various styles. Depictions of aforenamed statues and their novel and distinctive interpretations had been the subject of this descriptive research. 20th century creations have been scanned for traces of Ancient Greek sculpture. These timeless paragons of Classical and Hellenistic periods acquired a fresh life thanks to the 20th century art world’s admiration and respect for the Ancient Greek sculpture. It can be concluded that by juxtaposing classical and contemporary imagery, artists created memorable and engrossing works. Keywords: Ancient Greek Sculpture, 20th century, Western Art


2015 ◽  
Vol 11 ◽  
pp. 207-219
Author(s):  
Natalija Gončarova ◽  
Anton Belikov

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