The Concept of Cosmic Harmony of Music in Lüshi chunqiu and “Yueji” of Liji

The Shenzi Fragments is the first complete translation in any Western language of the extant work of Shen Dao (350–275 B.C.E.). Though his writings have been recounted and interpreted in many texts, particularly in the work of Xunzi and Han Fei, very few Western scholars have encountered the political philosopher’s original, influential formulations. This volume contains both a translation and an analysis of the Shenzi Fragments. It explains their distillation of the potent political theories circulating in China during the Warring States period, along with their seminal relationship to the Taoist and Legalist traditions and the philosophies of the Lüshi Chunqiu and the Huainanzi. These fragments outline a rudimentary theory of political order modeled on the natural world that recognizes the role of human self-interest in maintaining stable rule. Casting the natural world as an independent, amoral system, Shen Dao situates the source of moral judgment firmly within the human sphere, prompting political philosophy to develop in realistic directions. Harris’s sophisticated translation is paired with commentary that clarifies difficult passages and obscure references. For sections open to multiple interpretations, he offers resources for further research and encourages readers to follow their own path to meaning, much as Shen Dao intended. The Shenzi Fragments offers English-language readers a chance to grasp the full significance of Shen Dao’s work among the pantheon of Chinese intellectuals.

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Do Not Serve the Dead as You Serve the Living: The Lüshi chunqiu Treatises on Moderation in Burial

Early China ◽

10.1017/s0362502800004521 ◽

1995 ◽

Vol 20 ◽

pp. 301-330 ◽

Cited By ~ 4

Author(s):

Jeffrey Riegel

Keyword(s):

The Other ◽

Third Century ◽

Conservation Of Resources ◽

Prominent Feature ◽

Philosophical Literature ◽

The Third ◽

Burial Rites ◽

Points Of View ◽

Lushi Chunqiu ◽

Insight Into

The dispute over whether burial rites should be frugal or lavish is a prominent feature of late Zhou philosophical literature. It originated with Mozi's attack on ritual and then continued unabated as the Ru and Mo schools argued the issue and hurled epithets at each other. The two Lüshi chunqiu chapters “Jiesang” and “Ansi” represent the arguments in favor of moderation in the middle of the third century B.C. While the chapters clearly owe their overall position to their Mohist forebears, they nonetheless ignore or reject several arguments that are central to the Mozi. Nowhere in them do we see, for example, Mozi's urgent call for the conservation of resources. On the other hand, they embrace Ruist concepts, most prominently the innate feeling of loyalty and concern that the Mengzi claims mourners have for their deceased relatives. The Lüshi chunqiu justifies its arguments by pointing to changing social realities, most notably an uncontrollable epidemic of grave robbery. Other features of style of disputation in the Lüshi chunqiu can be traced to the text7s attempts to blend together harmoniously what were originally conflicting points of view. None of the sources in the debate provides much insight into ancient conceptions of death and the afterlife. The elaborate architecture and rich furnishings of tombs excavated in the last several decades are not so much a contradiction of arguments in favor of moderation as they are testimony of a system of religious belief not at all reflected in philosophical literature.

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