scholarly journals “Heritage of Polish Music in Open Access”: digitalising and cataloguing Wawel music collection

2021 ◽  
Vol 19 (0) ◽  
pp. 131
Author(s):  
Marcin Konik
Keyword(s):  
Music Collection

Dibdin and Jane Austen

2018 ◽  
Author(s):  
Nicola Pritchard-Pink
Keyword(s):  
Subject Matter ◽  
Jane Austen ◽  
Musical Performance ◽  
Musical Education ◽  
Young Girls ◽  
Female Performance ◽  
The World ◽  
Music Collection ◽  
Conduct Book

Jane Austen was one of Dibdin’s greatest admirers and his songs feature prominently in her music collection. Yet the Dibdin songs she owned, with their bawdy comedy, political and social satire, and martial, masculine themes, were far removed from the musical diet prescribed for young ladies of Austen’s rank by conduct writers. Indeed, they were quite different from those advocated by Dibdin himself in his tract on the musical education of young girls, the Musical Mentor (1808), which suggested songs on ‘Constancy’, ‘A Portrait of Innocence’, or ‘Vanity Reproved’ as more suitable subject matter. By highlighting the contrasts between contemporary expectations of female performance and the contents of Austen’s collection, this interlude presents domestic musical performance less as an instrument of control and more as a means by which women could express themselves and participate in the world beyond the bounds of home, family, and conduct-book femininity.

scholarly journals ‘Livres de Musique’ in the Leufsta Library

2021 ◽  
Vol 28 (1) ◽  
pp. 41-61
Author(s):  
Monika Glimskär ◽  
Helena Backman
Keyword(s):  
Seventeenth Century ◽  
The Netherlands ◽  
Close Contact ◽  
Sheet Music ◽  
Content Type ◽  
The Family ◽  
Music Collection ◽  
Long Lifetime

Abstract The De Geer family established themselves in Sweden as iron industrialists during the early seventeenth century, but they maintained close contact with the Netherlands. The family built up a prestigious library at Leufstabruk, in northern Uppland. The objects in the Leufsta Music Collection contained a significant amount of music in the form of printed sheet music and manuscripts, which were most likely gathered during the long lifetime of baron Charles De Geer (1720-1778). Compared to the works he collected in his youth in the Netherlands, the printed scores linked to Charles De Geer’s later period in Sweden show a change of taste in both repertoire and collecting behavior. This article deals with the bindings of the sheet music in the Leufsta collection, which give us clues of both De Geer’s acquisition and his approach to his music scores from their purchase to binding, labelling, cataloguing and practical use.

scholarly journals RISM and Inventorying Early Music Manuscripts in Slovenia

2020 ◽  
Vol 56 (2) ◽  
pp. 73-84
Author(s):  
Jana Erjavec
Keyword(s):  
Early Music ◽  
Current State ◽  
Music Collection ◽  
The Creation ◽  
Music Manuscripts ◽  
Online Catalogue ◽  
The Church

Since its inception, the project Répertoire International des Sources Musicales (RISM) has played a major role in the creation of an inventory of preserved early music heritage in Slovenia. This article presents the background and the current state of cooperation between Slovenian musicology and the RISM project, focusing on the latest additions to the online catalogue from the music collection of the Church of St Daniel in Celje.

An interesting music collection

1945 ◽  
Vol 26 (3) ◽  
pp. 159-159 ◽  
Author(s):  
D. R. Wakeling
Keyword(s):  
Music Collection
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