scholarly journals Monumentalne kompozycje z łysogórskich płyt ceramicznych w wystroju budowli sakralnych

2020 ◽  
Vol 13 ◽  
pp. 106-127
Author(s):  
Bożena Kostuch ◽  
Keyword(s):  
21St Century ◽  
Large Scale ◽  
Church Architecture ◽  
Second Vatican Council ◽  
Vatican Council ◽  
Materials Used

Ceramic panels produced since 1960 in the “Kamionka” cooperative in Łysa Góra are one of the most versatile materials used for architectural decorations. They made it possible to create small “ceramic accents” as well as large-scale and monumental works. Compositions made of Łysa Góra panels, at first found mainly in secular buildings, started to appear in church architecture from the mid-1960s. The earliest was the cladding on the facade of the Chapel of the Holy Cross in Piaseczno by Krzysztof Henisz in 1965. The article presents realisations found in Polish and foreign churches. Most of the discussed compositions were created in the period when new rules of organisation resulting from the recommendations of the Second Vatican Council were introduced into church interiors. This important theme is also highlighted in the article. The last mentioned work – the altar wall in Harmęże by Anna Praxmayer – was created in the 21st century, just before the definitive demise of the factory in Łysa Góra.

Modernity and Compromise: The Church of St. Michael the Archangel in Warsaw and its Designer Władysław Pieńkowski

Ikonotheka ◽  
2019 ◽  
Vol 28 ◽  
pp. 169-197
Author(s):  
Wojciech M. Głowacki
Keyword(s):  
Architectural Design ◽  
Large Scale ◽  
Western Europe ◽  
Church Architecture ◽  
Vatican Council ◽  
Ecclesiastical Architecture ◽  
History Of ◽  
Post War ◽  
Religious Nature ◽  
The Church

Despite the considerable influence he exerted on post-war church architecture in Poland, the designer Władysław Pieńkowski (1907–1991) is today an altogether forgotten figure. The current paper outlines his biography and his early oeuvre; this is because his experience in designing office blocks and industrial plants gained while working under the supervision of the most outstanding Polish architects of the mid-20th century, was to be of key importance to his later, independent designs for ecclesiastical buildings. The paper focuses on a particularly important work, one which in many ways constitutes a breakthrough in the architect’s career, namely the church of St. Michael the Archangel in the Mokotów district of Warsaw. This was the first entirely new church to be erected in the capital of Poland after the year 1945. Its construction depended on the dynamic changes in the balance of political forces. The church could be built owing to the support of the PAX Association circle, including the direct involvement of Bolesław Piasecki. In spite of their patronage, however, construction works were repeatedly halted and extended over several years, and the architectural design had to be reworked. The paper contains an analysis of three fundamental designs for the church, now held in the St. Michael the Archangel parish archive and in the architect’s records preserved by his heirs. The first design dates from the period of 1948/9–1951, the subsequent one from the year 1954, and the final one from 1956–1961. The evolution of the design moved from the initial continuation of forms typical of the pre-war Modernised Revivalism, through a peculiar reference to Socialist Realism, to rigorous Modernism. The church of St. Michael the Archangel became Pieńkowski’s testing ground; there, he tried out several solutions which he would consistently utilise in the subsequent years of his career, e.g. the large-scale application of prefabricated elements in both the construction and the decoration of the edifice. The construction of this church was concurrent with important events of a political (the Thaw) and religious nature (the Second Vatican Council). Tracing the history of the design for the Warsaw church and clarifying its connections with contemporaneous church architecture in Poland and in Western Europe made it possible to present the key problems faced by the Polish designers of ecclesiastical architecture in the first decades of the People’s Republic of Poland.

scholarly journals Tamed Mobilization. Marian Messages, Pilgrim Masses and Papal Moderateness in Fatima since Paul VI

Religions ◽  
2021 ◽  
Vol 12 (9) ◽  
pp. 671
Author(s):  
Mariano P. Barbato
Keyword(s):  
Quantitative Analysis ◽  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Religious Discourse ◽  
Second Vatican Council ◽  
Vatican Council ◽  
Marian Apparitions ◽  
The Masses ◽  
The 19Th Century

Marian apparitions attract modern masses since the 19th century. The radical message of the apparition asking for penitence and the return of public and politics to God resonated well within major parts of Catholicism. While popes kept promoting Marian pilgrimages in order to secure their public and political standing throughout the 20th and 21st century, they tried to control the masses and to attenuate the messages. Particularly since the Second Vatican Council, the popes tamed mobilization. Instead of stirring up the masses, popes kept modest at Marian apparitions sites. A quantitative analysis of the papal documents issued during papal journeys to Fatima, the most political apparition of the 20th century, shows that a modest religious discourse about God and world had been presented instead of promoting the critical messages of the apparition. Following the methodological ideal of parsimony, the analysis concentrates on the most uttered words during the journeys and compares the four pontificates since Paul VI. Instead of stressing the radical message of Fatima, which is introduced in the discussion of the findings, the pontificates share a modest Catholic discourse.

On Their Own Behalf

2020 ◽  
pp. 1-16
Author(s):  
Mary J. Henold
Keyword(s):  
Gender Roles ◽  
Vatican Ii ◽  
Large Scale ◽  
Historical Record ◽  
Feminist Movement ◽  
Second Vatican Council ◽  
Vatican Council ◽  
Catholic Women ◽  
1960S And 1970S ◽  
The 1960S

This chapter introduces the argument that Catholic laywomen expanded on the changes of Vatican II by exploring shifting understandings of gender on a large scale in the ten years following the Second Vatican Council. The historical record reveals a significant output of written material in these years, written by laywomen, and intended to probe unsettled questions about gender rising in those uncertain times. Despite the official church’s reluctance to reassess its teaching on gender roles, moderate and often non-feminist laywomen used ideas from the feminist movement in the 1960s and 1970s to challenge accepted definitions of Catholic womanhood. In particular, Catholic women questioned the immutability of gender roles, and the accepted and wide-spread teaching of complementarity. They also challenged narrow conceptions of laywomen’s vocation, both spiritual and professional.

Menggali Metode Berteologi Pastoral dari Pentalogi R. Hardawiryana SJ

2015 ◽  
Vol 14 (2) ◽  
pp. 270
Author(s):  
C. Putranto
Keyword(s):  
Theological Method ◽  
Second Vatican Council ◽  
Main Interest ◽  
Vatican Council ◽  
Theological Foundation ◽  
Unpublished Manuscripts ◽  
Intellectual Formation

Abstrak: Dalam tulisan ini penulis berusaha mencermati karya-karya dari almarhum Pater Robertus Hardawiryana, SJ (1926-2009), salah satu teolog Indonesia yang terkemuka segera seusai Konsili Vatikan II. Berdasarkan karya-karya beliau terakhir yang sudah diterbitkan, yakni Pentalogi, tetapi juga memanfaatkan beberapa manuskrip yang belum diterbitkan, penulis memusatkan diri pada pandangan Hardawiryana tentang metode berteologi sejauh tercermin dalam tulisan-tulisannya. Pada umumnya, pandangan Hardawiryana tentang metode bisa dilihat pada awal karangan-karangannya, di mana tampak bahwa dia sangat sadar akan pentingnya metode dalam berteologi. Dalam hal ini Hardawiryana sejalan dengan arah-arah baru yang dibuka oleh Federasi Konferensi-konferensi Uskup Asia dalam pelbagai dokumennya. Meskipun demikian, sulit diharapkan suatu paparan teoretis yang menyeluruh dan sistematis tentang metode berteologi dari teolog ini, mengingat bahwa minat utamanya lebih tertuju pada pengupayaan suatu arah pastoral yang kuat pada tulisan-tulisan teologi, dan sebaliknya juga, pada pemberian dasar teologis yang kuat pada kebijakan-kebijakan pastoral. Selain itu, penulis juga memandang perlu untuk menilik sejenak pembentukan intelektual Hardawiryana agar lebih menolong untuk memahami kecenderungan-kecenderungannya kelak dalam berteologi. Kata-kata Kunci: Teologi, metode berteologi, pembinaan teologi, orientasi pastoral, inkulturasi, FABC. Abstract: In this essay the author attempts to explore the works of the late Fr. Robert Hardawiryana, S.J., (1926-2009), one of prominent Indonesian theologians in the wake of the Second Vatican Council. Based on this theologian’s latest published works, the Pentalogi, but also making use of some yet unpublished manuscripts, the author focuses on Hardawiryana’s view of theological method as reflected in his writings. In most cases, his view on method can be seen from the introduction he provides at the beginning of his articles, as he is highly aware of the importance of method in doing theology. In this way he concurs with the new trends opened up by the Federation of Asian Bishops’ Conference in its various documents. However, one can hardly expect a thorough and systematic theoretical exposition on theological method from this theologian, as his main interest lies elsewhere, namely, to bring a truly responsible pastoral thrust to theological writings, and vice versa, to provide sound theological foundation to pastoral policies. The author also considers that a glimpse at his intellectual formation would be of considerable help to understand Hardawiryana’s future leanings in theology. Keywords: Theology, method of theology, theological formation, pastoral orientation, inculturation, FABC.

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