Sanctities, Blasphemies and the (Jewish) Nation

2010 ◽  
Vol 4 (2) ◽  
pp. 199-216
Author(s):  
Chaim Noy
Keyword(s):  
North American ◽  
Physical Environment ◽  
Civil Religion ◽  
Orthodox Jews ◽  
The Other ◽  
Nation State ◽  
Robert Bellah ◽  
The Dead ◽  
The One ◽  
Modes Of Interaction

In this article I rematerialize discourse that is articulated in the shape of commemorative visitor book entries, in a national-military commemoration site in Jerusalem, Israel. The materiality and communicative affordances of the commemorative visitor book, the physical environment in which it is situated and which grants it meaning, and the modes of interaction and inscription that it affords are examined. Located in a densely symbolic national commemoration site, the impressively looking book does not merely capture visitors' reflections. Instead, it serves as a device that allows participation in a collective-national rite. While seemingly designated as a visitor book, the discursive device functions performatively as a portal or interface between visitors, on the one side, and the nation and the dead and living soldieries, on the other side. Expectedly, the inscriptions that populate the book's pages are instances of iconic discourse (texts with graphic additions of sorts), that embody one of the heightened ideological and experiential moments of "civil religion" (Robert Bellah). They illustrate the resources used by nationalism in establishing sacred contexts and rituals. Also, they illustrate how different discourses of sanctity (and profanity), are juxtaposed on the same (Jewish) space. Specifically, while local Israeli sightseers present their appreciation for and participation in commemoration of the nation-state in terms of "civil religion," most of the international tourists, who are mostly north American Orthodox and Ultra-Orthodox Jews, perform their notions of sanctity and sacredness in messianic and primordial terms, which look through or beyond the nation state.

scholarly journals THE POST-MODERN AS NEO-MEDIEVAL: INTERSECTIONS OF RELIGION, NATIONALISM, AND EMPIRE IN MODERNITY AND BEYOND (WITH AN EXCURSUS ON ALBANIAN NATIONALISM)

SEEU Review ◽  
2017 ◽  
Vol 12 (2) ◽  
pp. 218-250
Author(s):  
Dritëro Demjaha
Keyword(s):  
National Identity ◽  
The Other ◽  
Nation State ◽  
Eu Integration ◽  
Nature And Culture ◽  
Robert Bellah ◽  
Print Capitalism ◽  
The One ◽  
Medieval Model

Abstract This essay connects Benedict Anderson’s analysis of print capitalism as the enabling feature of modernity for the emergence of nationalism with an account of pre-modern sacral imaginings. It argues, following Bronislaw Szerszynski, that the contemporary post-modern ordering of the sacred vis-à-vis nature and culture designates a ‘partial-return’ to pre-modern imaginings and a reterritorialisation of religions which engenders emerging multiplicities and co-existing differences. It argues furthermore that the nation state (and its corollaries), an institution of modernity cannot adequately respond to the antagonisms generated by the post-modern ordering of human communities and their identities. However, though this new ordering may be conceived, following Robert Bellah, as neo-archaic, it may also be conceived as neo-medieval. Accordingly, this essay proposes that the most congenial configuration to the post-modern ordering is the neo-medieval model of fuzzy borders and overlapping jurisdiction, particularly as it pertains to Albanian national identity and EU integration as a post-secular alternative to secular national-determination on the one hand, and neo-Ottomanist theocracy on the other.

Lxxix: Conrad's Revision of “the Lighthouse” in Nostromo

PMLA ◽  
1937 ◽  
Vol 52 (4) ◽  
pp. 1183-1190
Author(s):  
George W. Whiting
Keyword(s):  
Dead Wood ◽  
The Other ◽  
Final Version ◽  
Fresh Material ◽  
The Dead ◽  
To Come ◽  
The One ◽  
Consummate Skill

To the student of writing and literature few inquiries are more interesting and valuable than that into an author's practices in revising his own work. To observe the various stages in the evolution of the final version, to note carefully an artist at his work of pruning the dead wood, adding fresh material, smoothing away harsh phrases, selecting just words, and letting light into obscure places—to do this is to come somewhat nearer to an understanding of what in spite of all analysis will remain essentially a mystery. Especially fascinating and instructive is the study of Conrad's revision, for here one sees a supreme artist at work. In his vigorous hewing and rebuilding there is conclusive proof of the artist's untiring industry and consummate skill. Conrad's revision of Nostromo is of particular interest, for this novel occupies a critical place in the evolution of Conrad's prose. Mr. Richard Curie has justly characterized the change that came over Conrad's prose—a change perceptible in the “Amy Foster” of Typhoon and fully marked in from Under Western Eyes onward. This evolution has smoothed away the cadence, has concentrated the manner, has toned down the style of Conrad's former exuberance. At first glance the later and the earlier Conrad appear two totally different men. The unruly splendor of the one has given way to the subtle and elastic suavity of the other … His earlier prose is sometimes uncertain, sometimes exaggerated, but his later prose has the uniform temper of absolute mastery.

THE ROLE OF THE OBITUARY PAGES IN FACSBOOK, IS IT FOR IMMORTALIZATION OR FOR CRYING OVER THE RUINS

2021 ◽  
Vol 3 (4) ◽  
pp. 119-126
Author(s):  
Hadeel EJMAIL
Keyword(s):  
Content Analysis ◽  
Social Interaction ◽  
Qualitative Approach ◽  
The Other ◽  
Dead Person ◽  
Screen Capture ◽  
The Dead ◽  
The One ◽  
Facebook Pages

Death is one of the most difficult topics a person can talk about. The human being is busy with how to continue his life and improve its conditions. This study aims is to explore the writing of Facebook pages of the dead. The research used the qualitative approach through a content analysis, where (50) publications were found on fifteen pages of a dead person with an intentional sample, and the results of the research showed that writing people in the pages of the dead included two directions, the first direction is a desire to immortalize the dead and a kind of preserving their roots Alive. As for the other direction, it was weeping over their ruins and showing the end of a person's death and his end life. Sometimes in the same post include both directions together, meaning "the use of the deceased’s account by his family by changing the profile picture of the dead, and at the same time inviting the deceased’s friends through his page to the memorial event. People write on the pages of the dead in order to weep over their ruins on the one hand, and to immortalize their memories on the other side. Facebook as a social platform and the interaction of people with the pages of the dead shows the great social interaction that takes place in this space, and research in this field is not consistent with one and only claim, as some posts are either temporary or permanent; Therefore, I have used screen capture technology to collect and retain information. The pages of the dead included referring to them, writing memorials and longing, etc. Facebook has become a social platform that allows those who lose a dear person to share their grief through it, and enables them to deal with death and relieve their pain

Pop and the Nation-State: towards a theorisation

Popular Music ◽  
1999 ◽  
Vol 18 (2) ◽  
pp. 193-207 ◽  
Author(s):  
Martin Cloonan
Keyword(s):  
Popular Music ◽  
State Level ◽  
The Other ◽  
Nation State ◽  
Popular Music Studies ◽  
Music Scene ◽  
The One

Recent years have seen two noticeable trends in Popular Music Studies. These have been on the one hand a series of works which have tried to document the ‘local’ music scene and, on the other, accounts of processes of globalisation. While not uninterested in the intermediate Nation-State level, both trends have tended to regard it as an area of increasingly less importance. To state the matter more boldly, both trends have underplayed the continually important role of the Nation-State.

scholarly journals (Im)possible Escape? H. G. Wells, Utopia and the World State

2021 ◽  
Vol 6 ◽  
pp. 235-241
Author(s):  
Barbara Klonowska
Keyword(s):  
New York ◽  
The Other ◽  
The Political ◽  
Nation State ◽  
World State ◽  
Political Ideas ◽  
Utopian Studies ◽  
The World ◽  
The One ◽  
Recent Monograph

This article reviews the recent monograph by Maxim Shadurski, The Nationality of Utopia. H. G. Wells, England, and the World State (New York: Routledge, 2020) in the context of utopian studies on the one hand, and the political ideas of the nation state vs. world state on the other.

Greek Necromancy: Reality or Myth?

2021 ◽  
Vol 60 (1-2) ◽  
pp. 27-51
Author(s):  
Tomáš Vítek
Keyword(s):  
Historical Context ◽  
Roman Period ◽  
The Other ◽  
Classical Period ◽  
The Dead ◽  
The One ◽  
Source Ability

SummaryThe article investigates the extent to which Greek necromancy fits into the wider eschatological, cultic and historical context of an epoch demarcated on the one hand by Homer and on the other by the Classical period. The oldest purported necromantic ritual, with the help of which Odysseus descended into the underworld, is a literary construct inspired especially by the heroic tomb-cults. Scenes depicting funereal necromancy, written by dramatists of the Classical period, were also drawn from this source. Ability, behavior and appearance of heroes were additionally ascribed to the so-called restless spirits and revenants and later came to include all the dead. The main cause of this was a change in eschatological ideas and especially heroization, which in the Roman period spread nominally to all the dead. Reports about necromancy include a high percentage of mythical and literarily-dramatized elements that simply do not correspond with contemporary ideas about the soul, the dead, the underworld and chthonic deities. It therefore appears almost certain that, at least to the end of the period described, necromancy was not carried out in reality but remained only the literary surmise of the possibility indicated by Homer.

sacrifice. [17] Philoneos’ concubine went along for the sacrifice. When they were in Peiraieus, Philoneos sacrificed, of course. And when he had completed the sacrifice, the female wondered how to administer the drug to them, before or after dinner. And as she considered the matter she concluded that after dinner was better; she was also acting on the instructions of this Klytaimestra, my brother’s mother. [18] The full account of the dinner would be too longwinded for me to tell and you to hear. I shall try to give as brief an account as I can of the rest, of how the poison was administered. After dinner, naturally, since one was sacrificing to Zeus of Possessions and entertaining the other, and one was about to go on a voyage and was dining with a close friend, they made a libation and offered incense for their future. [19] And while Philoneos’ concubine was pouring the libation for them – as they offered prayers which would never be fulfilled, gentlemen – she poured in the poison. Thinking she was being clever, she gave more to Philoneos in the belief perhaps that if she gave him more she would win more affection from him – she had no idea that she was my stepmother’s dupe until disaster struck – while she poured less in our father’s drink. [20] They for their part after pouring their libations took their final drink, holding in their hands their own killer. Philoneos died at once on the spot; our father was afflicted with a sickness from which he died after twenty days. For this the assistant who carried out the act has the reward she deserved, though she was not to blame – she was put on the wheel and then handed over to the public executioner; the guilty party, the one who planned it, will soon have hers, if you and the gods will it. [21] Note how much more just my plea is than my brother’s. I urge you to avenge the dead man, who is the victim of an irreparable wrong. For the dead man my brother will offer no request, though he deserves your pity and support and vengeance for having his life taken in a godless and inglorious manner before his time by the last people who should have done this. [22] His plea will be for the murderess, a plea which is unprincipled, unholy, which deserves neither fulfilment nor attention either from the gods or from you; he will seek with his plea (to induce you not to convict her for her crimes) though she could not induce herself not to devise them.* But you must give your support not to those who kill but to the victims of deliberate

2002 ◽  
pp. 47-48
Keyword(s):  
Close Friend ◽  
The Other ◽  
Full Account ◽  
The Public ◽  
The Dead ◽  
The One ◽  
Dead Man ◽  
The Sacrifice

IX.—The Intellectual Resemblance of Twins

1934 ◽  
Vol 53 ◽  
pp. 105-129 ◽  
Author(s):  
Louis Herrman ◽  
Lancelot Hogben
Keyword(s):  
Physical Environment ◽  
Social Behaviour ◽  
Narrow Range ◽  
Single Gene ◽  
Experimental Methods ◽  
The Other ◽  
Genetic Constitution ◽  
Family Influences ◽  
Social And Physical Environment ◽  
The One

The characteristics of social behaviour in man are conditioned by previous experience. What is observed is the product on the one hand of a certain genetic constitution and on the other of an intricate, prolonged, and at present largely obscure, process of training and physical environment, including both the environment of the fœtus and family influences, social and physical. The experimental methods for detecting differences due to single gene substitutions cannot be applied directly. Indeed, we can see no immediate prospect of applying to social behaviour methods of genetic analysis such as have led to the mapping of the chromosomes in animals and in plants. With methods available at present, genetic inquiry can undertake to detect whether any gene differences are associated with observed differences, and whether such gene differences are recognisable throughout a comparatively wide or narrow range of social and physical environment.

scholarly journals Why Saying “I’m Sorry” Isn’t Good Enough: The Ethics of Corporate Apologies

2013 ◽  
Vol 23 (2) ◽  
pp. 239-268 ◽  
Author(s):  
Daryl Koehn
Keyword(s):  
Chief Executive Officers ◽  
Chief Executive ◽  
The Other ◽  
Nation State ◽  
The Past ◽  
Corporate Body ◽  
The One ◽  
Executive Officers ◽  
Public Apologies

ABSTRACT:The number of corporate apologies has increased dramatically during the past decade. This article delves into the ethics of apologies offered by chief executive officers (CEOs). It examines ways in which public apologies on the part of a representative (CEO) of a corporate body (the firm) differ from both private, interpersonal apologies, on the one hand, and nation-state/collective apologies, on the other. The article then seeks to ground ethically desirable elements of a corporate apology in the nature or essence of the corporate apology itself. It explores the largely ignored roles played by the speaker’s ethos and audience pathos in genuine or ethical apologies and suggests that attention needs to be paid to the problems posed by “role contamination,” context, and other overlooked factors. The reception by the actual audience of a given apology is a highly contingent matter. Ethicists should concentrate, therefore, on what makes a proffered apology, in principle, trustworthy and not merely efficacious for a given audience.

The Celtic Chariot

Antiquity ◽  
1965 ◽  
Vol 39 (156) ◽  
pp. 259-265 ◽  
Author(s):  
I. M. Stead
Keyword(s):  
The Other ◽  
Accurate Representation ◽  
Wheeled Vehicle ◽  
Western Germany ◽  
La Tène ◽  
The Dead ◽  
La Tene ◽  
The One

Spectacular discoveries in Marnian in Marnian graves, an ambiguous reference by Caesar, and the attentions of modern scholars such as Fox and Piggott have led to a great deal of interest and speculation about the Celtic chariot. The discovery of a number of chariot fittings at Llyn Cerrig Bach prompted Sir Cyril Fox to attempt a reconstruction, and the result has been generally accepted as a fairly accurate representation [I]. The material used for the Llyn Cerrig model was drawn from all over Europe, and much of it came from socalled ‘chariot-burials’. But whether or not the vehicle buried in La Thne graves was identical with the war-chariot has never been seriously questioned and is worth considering.In Champagne and Western Germany, where the two-wheeled vehicle is found in La Tène graves together with weapons, there are two possible interpretations of its purpose. On the one hand it could be associated with the weapons, and regarded as the dead warrior's chariot; on the other, it might be linked rather with death and the corpse, thus being either a hearse or a vehicle from a funeral procession. In Yorkshire this choice is less open. Weapons are never found in the same grave as the wheels and other fittings, and it would be more reasonable to identify the vehicle with a funerary cart.

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