European White Glass Trade Beads as Chronological and Trade Markers

1996 ◽  
Vol 462 ◽  
Author(s):  
R.G.V. Hancock ◽  
S. Aufreiter ◽  
I. Kenyon
Keyword(s):  
Chemical Analysis ◽  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
Glass Beads ◽  
Aboriginal Peoples ◽  
Archaeological Sites ◽  
Late 18Th Century ◽  
Over Time

ABSTRACTEuropean explorers and traders, on their arrival in North America, found the aboriginal peoples willing to exchange furs and other goods for European-made metal objects and glass beads, the remains of which may be found at archaeological sites. Specific trade goods, including multi-coloured or curiously shaped glass beads that are visually distinctive, are used as chronological markers by archaeologists. Most of the single coloured, mainly blue or opaque white beads are very common and cannot be visually, chronologically differentiated. Non-destructive analysis (INAA) of turquoise blue or white beads from known-age archaeological sites in Ontario has revealed chemical changes in glass manufacturing compositions over time. This allows these otherwise nondescript, single coloured beads to be used as chronological and trade markers. Although the turquoise beads were always coloured by Cu, the white beads employed different opacifiers over time. First came Sn-rich beads (early to late 17th century); then Sb-rich beads (late 17th century to mid-19th century); finally As-rich beads (very late 18th century to early 20th century) and even F-whitened beads (19th century to 20th century). Within each major group, it appears that changes in glass making recipes may be found using the Na, K, Ca, Al and Cl contents. Therefore, chemical analysis of white glass trade beads may be as profitable as chemical analysis of turquoise blue trade beads in establishing chemical chronologies.

scholarly journals Sites in Northern Louisiana with Major Collections of Historic Caddo and Other Native American Pottery

2007 ◽  
Author(s):  
Jeffery S. Girard
Keyword(s):  
Native American ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
Archaeological Sites ◽  
Mississippi Valley ◽  
Archaeological Record ◽  
Early 19Th Century ◽  
Late 18Th Century

Archaeological sites in northern Louisiana that date to the 18th and 19th centuries which have yielded significant amounts of Native American pottery are plotted on the accompanying map, and briefly summarized below. A common feature of ceramic collections from these sites is the prevalence of shell temper, a trait that is rare prior to the late 17th century in the region. The earliest contexts probably date from the late 17th to the early 18th centuries and include utilitarian types that were common during the Late Caddo period (ca. A.D. 1500-1700). By the middle 18th century, these types apparently were no longer used as shown by their absence at Los Adaes and sites along Cane River. Many traditional Caddo vessel forms (such as bottles and carinated bowls) appear to have dropped out of use during the late 18th century. Several early 19th century sites that relate to occupants of the ethnically-mixed Bayou Pierre community north of Natchitoches contain Native American shell-tempered pottery, but represented vessel forms are similar to the "Colonoware" that is widespread in the eastern U.S. A small number of engraved and incised sherds have been recovered at these sites, but it is possible that they are from earlier Caddo occupations. Groups that originated east of the Mississippi Valley moved into northern Louisiana during the late 18th century, and new types such as Zimmerman Black, Chickashae Red, Chickashae Combed, and Chattahoochee Roughened appear in the archaeological record. Native American pottery disappears from the archaeological record in the region by 1830.

Origine et diffusion des expressions romanes du type jaune paille

2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Romance Languages ◽  
Short Discussion ◽  
Colour Term ◽  
The 19Th Century ◽  
And Diffusion

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.

scholarly journals KRYASHENS OF UDMURT PRIKAMYE REGION IN THE LAST THIRD OF THE XVIII - MIDDLE XIX CENTURY

2019 ◽  
Vol 13 (3) ◽  
pp. 485-494
Author(s):  
Nikolai Viktorovich Pislegin ◽  
Vladimir Sergeevich Churakov
Keyword(s):  
Ethnic Group ◽  
19Th Century ◽  
18Th Century ◽  
Territorial Unit ◽  
Late 18Th Century ◽  
Udmurt Republic ◽  
Class Status ◽  
Xix Century ◽  
The 19Th Century ◽  
Over Time

The article comes to view the development of Kryashens, which are connected with Udmurts or with the territory of the modern Udmurt Republic, in the last third of the 18th - middle 19th century. The area in question is the Malmyzh and Elabuga counties of Vyaka province and Mamadysh county of Kazan province. The “Udmurt old-christened” ethno-class status of the inhabitants of the settlements of the Srednekushket volost’ of the Malmyzh county, noted by the sources, was to some extent a “tribute to tradition”. In Mamadysh county in 1834 historically associated with the Udmurts Kryashen settlements were located in 3 volosts; the tendency for their assimilation, which was reflected in the middle of the 18th century, was completed here even earlier, in the first third of the 19th century. In Yelabuga county since its formation there was a old-christened small administrative-territorial unit. In the historical settlements of Kryashens, located in our days in the territory of the Udmurt Republic (Grakhov and Kizner districts), their Udmurt origin, with few exceptions, is not traced. The appearance of this sub-ethnic group of Tatars here was mainly due to migration processes from the nearest southern territory. In this period the norm for the Kryashens was shared with other peoples - Tatars, Mari, Udmurts, and later - Russians. The presence of Russians in historical Kryashen villages steadily increased over time. From the late 18th century the Kryashen volosts often included villages with different ethnic-caste identity. From the second quarter of the 19th century the disappearance of the Kryashen small administrative-territorial units began. It was caused, first of all, by transformations of the state in this sphere.

scholarly journals Palača Benzoni – primjer stambene arhitekture 18. stoljeća u riječkom Starom gradu

Ars Adriatica ◽  
2016 ◽  
pp. 185
Author(s):  
Petar Puhmajer ◽  
Krasanka Majer Jurišić
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
Apartment Building ◽  
Wrought Iron ◽  
Late 18Th Century ◽  
Archival Documentation ◽  
The 19Th Century ◽  
Storey Building ◽  
Made In

This paper focuses on the construction history and renovations of the Benzoni Palace located in Grivica Square in the Old Town of Rijeka. The three-storey building was designed by architect Antonio de Verneda and erected during the second quarter of the 18th century as a family palace of Giovanni Antonio Benzoni, bishop of Senj (1693-1745). The palace was renovated in the late 18th century, at the time when it was owned by the bishop’s nephew, Giulio Benzoni (1732-1798), who was a city councillor. He had the front façade redesigned in the late-baroque classicist style, by adding a monumental stone portal, two balconies, and rich window decoration made in wrought iron. The palace underwent further adaptations during the second half of the 19th century, when it was repurposed to serve as an orphanage, then as army barracks, and eventually as a rental apartment building. The 20th century saw several major interventions undertaken by its tenants, which to some extent degraded the palace’s architecture. Based on the archival documentation, the authors present a proposal for the reconstruction of its original façade and the context of its design in the late 18th-century Rijeka.

scholarly journals Old Romanian Meteorological Terms

2016 ◽  
Vol 10 (2) ◽  
pp. 51-62
Author(s):  
Liviu-Ioan Pelin ◽  
Liviu Apostol
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
Science Literature ◽  
Late 18Th Century

Abstract This paper aims to present the evolution of the meteorological terminology, from the 17th century Grigore Ureche’s chronicle and bishop Amfilohie Hotiniul's manuscript on Physics (Moldavia, late 18th Century) to the mid 19th century writings of Teodor Stamati (Moldova) and Julius Barasch (Wallachia), also considering pop science literature, newspapers, such as “Albina Românească” and weather superstitions published in various calendars, and disputed by intelectuals like Mihail Kogălniceanu.

1. Introducing criminology

2018 ◽  
pp. 1-4
Author(s):  
Tim Newburn
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Small Groups ◽  
18Th Century ◽  
The Body ◽  
Social Phenomenon ◽  
Body Of Knowledge ◽  
Late 18Th Century ◽  
Court Proceedings ◽  
The 19Th Century

‘Introducing criminology’ explains that according to American criminologist, Edwin Sutherland, criminology is the body of knowledge regarding crime as a social phenomenon including within its scope the process of making and breaking laws, and reacting to the breaking of laws. Criminology dates back to the late 18th century when small groups of people developed an interest in explaining crime alongside their main occupations such as running asylums or collecting statistics on prisons or court proceedings. There was no form of collective enterprise until the end of the 19th century. During the 20th century, ‘criminology’ gradually formed and solidified. Its constitutive disciplines include sociology, history, psychology, law, and statistics.

scholarly journals TWO PRINTS BY LEONTY BUNIN IN THE 18TH CENTURY SERBIAN GRAPHIC

2020 ◽  
Vol 16 (2) ◽  
pp. 100-113
Author(s):  
Oleg Khromov
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
Religious Art ◽  
History Of ◽  
Passion Of Christ ◽  
The 19Th Century ◽  
First Time ◽  
Made In

The article is devoted to two engravings depicting Jesus Christ and the Mother of God in lush ornamental cartouches. They are well known to Serbian art critics and are published in the catalogs of Serbian metal engravings of the 18th century. Copper engraved boards of these engravings, which Serbian researchers attribute to the end of the 18th or the beginning of the 19th century, are preserved in the Krka Monastery. Prints from them of the 18th-19th centuries are unknown in Serbian collections. In Serbia, the first prints from these boards were made in the 20th century. However, prints from these engravings were well known in Russia in the 17th-18th centuries. They were primarily used as illustrations in Russian manuscript books. The engravings were made by a Russian master at the end of the 17th century. According to the features of engraving, manner, and stylistics, they can be attributed to Moscow engraver Leonty Bunin. In Russian manuscripts, they were usually used as illustrations in the book The Passion of Christ along with the 14-sheet series The Passion of Christ by Leonty Bunin. Cases of using them as independent illustrations are known. In the 1730s, these engravings disappeared from the illustrations in The Passion of Christ series in Russian manuscript books. Their later prints are unknown in Russia. The history of their appearance in Serbia, in the Krka Monastery, remains unknown. Perhaps they appeared there as gifts from Russia which the monastery regularly received. In the 18th century, Serbian religious art experienced a powerful influence from Dutch graphics. As iconographic sources, Serbian masters used Flemish and Dutch engravings of the 16th and 17th centuries. They were the same ones that were used by Russian masters of the 17th century, especially of the second half of the century, as iconographic examples. The identity of the artistic processes that took place in the art of Serbia in the 18th century and Russia of the 17th century turned out to be so close that Serbian art historians regarded the Russian prints of the 17th century by Leonty Bunin as Serbian works of an unknown engraver of the late 17th - early 19th centuries. The biography of Leonty Bunin is considered in detail in the article, some facts of his life are presented for the first time.

The ‘Genius of language’

2004 ◽  
Vol 31 (2-3) ◽  
pp. 367-388 ◽  
Author(s):  
Christiane Schlaps
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
Wide Range ◽  
Dynamic Form ◽  
Text Types ◽  
Scientific Value ◽  
The 19Th Century ◽  
Static Concept ◽  
Interior Part

Summary The so-called ‘genius of language’ may be regarded as one of the most influential, and versatile, metalinguistic metaphors used to describe vernacular languages from the 17th century onwards. Over the centuries, philosophers, grammarians, trans­lators and language critics etc. wrote of the ‘genius of language’ in a wide range of text types and with reference to various linguistic positions so that a set of rather diverse types of the concept was created. This paper traces three prominent stages in the development of the ‘genius of language’ argument and, by identifying some of the most frequent types as they evolved in the context of the various linguistic dis­courses, endeavours to show the major transformations of the concept. While early on, discussion of the stylistic and grammatical type of the ‘genius of language’ concentrates on surface features in the languages considered, during the middle of the 18th century, the ‘genius of language’ is relocated to the semantic, interior part of language. With the 19th-century notion of an organological ‘genius of language’, the former static concept is personified and recast in a dynamic form until, taken to its nationalistic extremes, the ‘genius of language’ argument finally ceases to be of any epistemological and scientific value.

Sign in / Sign up

Export Citation Format

Share Document