scholarly journals Bronislovas Ketarauskas (1905–1978) as the exile author of a textbook of higher mathematics

2008 ◽  
Vol 48 ◽  
Author(s):  
Juozas Banionis
Keyword(s):  
World War Ii ◽  
World War ◽  
Integral Calculus ◽  
The West ◽  
The World ◽  
End Of The World ◽  
Essential Knowledge ◽  
Illustrative Material

B. Ketarauskas successfully finished mathematics studies at Vytautas Magnus University in 1931 and at the end of the World War II retreated to the West, where not only was he distinguished as a talented pedagogue,but in 1947 his „The Basics of Differential and Integral Calculus“ was publishedfor the second time, too. This two-part textbook covered the main topical areas of higher mathematics, i.e., mathematical limits, derivatives, differentials, definite and indefinite integrals. The text in the book abounds in illustrative material. It enables the student to obtain essential knowledge in higher mathematics. Presumably, this textbook can also be useful in nowadays.

scholarly journals Analyzing Musical Terminology in Slovene Music Textbooks up until the End of World War II: a case study of the term “note” and some other related terms

2014 ◽  
Vol 50 (1) ◽  
pp. 107-138
Author(s):  
Jelena Grazio
Keyword(s):  
World War Ii ◽  
Music Theory ◽  
Contrastive Analysis ◽  
World War ◽  
The World ◽  
History Of ◽  
End Of The World

The following article deals with technical terminology in the field of music. Its intention is to present a chronological-contrastive analysis of musical terminology in Slovene music theory textbooks written up until the end of the World War II, exemplified by the terms selected. The author emphasizes the importance of such research for musicology, presents current contributions in this area and describes the history of musical textbooks that have been used as corpus for the analysis.

scholarly journals Doing Occidentalism in contemporary Japan: Nation anthropomorphism and sexualized parody in Axis Powers Hetalia

2012 ◽  
Vol 12 ◽  
Author(s):  
Toshio Miyake
Keyword(s):  
World War Ii ◽  
World War I ◽  
South Korea ◽  
World War ◽  
The West ◽  
National Assembly ◽  
National Characteristics ◽  
The World ◽  
The Cross

Axis Powers Hetalia (2006–present), a Japanese gag comic and animation series, depicts relations between nations personified as cute boys against a background of World War I and World War II. The stereotypical rendering of national characteristics as well as the reduction of historically charged issues into amusing quarrels between nice-looking but incompetent boys was immensely popular, especially among female audiences in Japan and Asia, and among Euro-American manga, anime, and cosplay fans, but it also met with vehement criticism. Netizens from South Korea, for example, considered the Korean character insulting and in early 2009 mounted a protest campaign that was discussed in the Korean national assembly. Hetalia's controversial success relies to a great extent on the inventive conflation of male-oriented otaku fantasies about nations, weapons, and concepts represented as cute little girls, and of female-oriented yaoi parodies of male-male intimacy between powerful "white" characters and more passive Japanese ones. This investigation of the original Hetalia by male author Hidekaz Himaruya (b. 1985) and its many adaptations in female-oriented dōjinshi (fanzine) texts and conventions (between 2009 and 2011, Hetalia was by far the most adapted work) refers to notions of interrelationality, intersectionality, and positionality in order to address hegemonic representations of "the West," the orientalized "Rest" of the world, and "Japan" in the cross-gendered and sexually parodied mediascape of Japanese transnational subcultures.

scholarly journals Violent Memory: Haruki Murakami’s Hard-Boiled Wonderland and the End of the World

2021 ◽  
Vol 10 (2) ◽  
pp. 34-48
Author(s):  
Netty Mattar
Keyword(s):  
World War Ii ◽  
Information Technologies ◽  
Human Experience ◽  
World War ◽  
Postwar Japan ◽  
Symbolic Resources ◽  
Mnemonic Devices ◽  
Complex Process ◽  
The World ◽  
End Of The World

Modern information technologies have radically transfigured human experience. The extensive use of mnemonic devices, for instance, has redefined the subject by externalizing aspects of inner consciousness. These transformations involve the incorporeal but deeply felt, violent dislocations of human experience, traumas that are grounded in reality but which challenge symbolic resources because they are difficult to articulate. I am interested in how the unseen wounding of mnemonic intervention is registered in the “impossible” language of speculative fiction (SF). SF is both rooted in the “real” and “estranged” from reality, and thus able to give form to impossible injuries. This paper argues that Haruki Murakami uses the mode of SF in his novel, Hard-Boiled Wonderland and the End of the World, to explore how mnemonic substitutes interfere with the complex process of remembering World War II in Japan. I will demonstrate how, through SF, Murakami is able to give form to an unseen crisis of memory in postwar Japan, a crisis marked by the unspeakable shock of war and by the trauma that results from the intrusion of artificial memories upon one’s consciousness of history.

scholarly journals Why Nations Fail? (Keynote Video Lecture)

2015 ◽  
Vol 54 (4I-II) ◽  
pp. 301-312
Author(s):  
Daron Acemoglu
Keyword(s):  
Economic Development ◽  
World War Ii ◽  
United States Of America ◽  
Indian Subcontinent ◽  
World War ◽  
Great Pleasure ◽  
Video Lecture ◽  
The World ◽  
Per Capita ◽  
End Of The World

First of all, it is a great pleasure to be here. Thank you for inviting me. Given that communicating from a far is not the easiest thing to do, what I have decided to do is to give a quick overview of the arguments that have emerged from the book that James and I wrote. In fact, this book is a synthesis of about 16 years of research that James and I did. I think it is fair to say that a lot of economic development and economic growth is motivated by patterns that are reported in the book. In particular, this is data from Angus Madison’s life’s work, which is not entirely uncontroversial, but the overall pattern here is fairly uncontroversial. The patterns that we observe have actually been in the background of many attempts to understand long patterns of economic development. I think they also point out that it is going to be very difficult to understand why certain parts of the world that were either on par with, say, Asia, in particular the Indian Subcontinent and China, have increased their income per capita and their prosperity so much in 500 years leading to today, particularly from the period around early 1800s to essentially to the end of the World War II, where there is this big divergence taking place. The trends in economic development show that United States of America, Canada, New Zealand and Australia have pulled so much ahead of, say, Asia, where both India, the Indian Subcontinent in this case, and China more or less show the same picture, where there is not much growth going on until the end of the World War II.

scholarly journals Errors in the West-European Books of the 15th — 17th centuries (from the Holdings of the Russian State Library)

2016 ◽  
Vol 1 (2) ◽  
pp. 157-161
Author(s):  
Tatiana A. Dolgodrova
Keyword(s):  
World War Ii ◽  
Cultural Values ◽  
Direct Evidence ◽  
World War ◽  
The West ◽  
Printed Books ◽  
Russian State ◽  
The World ◽  
Book Covers ◽  
State Library

The article is based on the revealed by the author and first described findings from the collection of foreign early-printed books of the Department of rare books of the Russian State Library. Among these editions there dominate the books belonging to the trophy cultural values received by the Library upon the end of the World War II. There are the Forty-two Line Bible of Johann Gutenberg from the collection of Heinrich Klemm, books from the collection of book-covers of Jacob Krause and his disciples (Dresden). The article discusses not only the early-printed books, but the manuscript of the 16th century from the collection H. Klemm. The author cites the examples of various errors: committed by the masters-rubricators in manuscript decorations of the books, engravings printed upside down, errors in the dates in the text and on the book covers, etc. These errors are the direct evidence of the work of masters on printing and decoration of the books committed due to the various reasons: inattention, haste. They impart to these books the unique individuality.

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