scholarly journals Balys Sruoga – the first translator of Anna Akhmatova’s poetry

Literatūra ◽  
2019 ◽  
Vol 61 (2) ◽  
pp. 23-35
Author(s):  
Aliona Sofija Ivinskaja
Keyword(s):  
Sergei Prokofiev ◽  
History Of ◽  
Russian Modernism ◽  
The Creation ◽  
First Time ◽  
Anna Akhmatova

The article considers both the history of the creation of translations of the writer Balis Sruoga, who translated poems by Anna Akhmatova, and the translations themselves. Three verses translated by Sruoga were intended for the creative evening of the Lithuanian author in Moscow and are the first transcriptions of the Russian poet into Lithuanian. Akhmatova’s poems were part of the creative interests of the Lithuanian translator as the work of a representative of Russian modernism, not so much as a post-Symbolic plan, but rather a symbolic one. For the first time, taking into account the fact that Sruoga relied on the verbal texts of Akhmatova and their musical adaptation’s by the composer Sergei Prokofiev when translating, the analysis of the equirhythmic correspondence of the translations to the original is proposed.

Education as Arikara Spiritual Renewal and Cultural Evolution

2014 ◽  
Vol 54 (3) ◽  
pp. 303-322 ◽  
Author(s):  
KuuNUx TeeRIt Kroupa
Keyword(s):  
Deep Understanding ◽  
Cultural Development ◽  
Human Beings ◽  
Old People ◽  
New Beginning ◽  
The People ◽  
History Of ◽  
The Creation ◽  
First Time ◽  
The Universe

In May 2009, the Arikara returned to the land of their ancestors along the Missouri River in South Dakota. For the first time in more than a half century, a Medicine Lodge was built for ceremony. The lodge has returned from its dormant state to regain its permanent place in Arikara culture. This event will be remembered as a significant moment in the history of the Arikara because it symbolizes a new beginning and hope for the people. Following this historic event, Arikara spiritual leader Jasper Young Bear offered to share his experience and deep insight into Arikara thought: You have to know that the universe is the Creator's dream, the Creator's mind, everything from the stars all the way to the deepest part of the ocean, to the most microscopic particle of the creation, to the creation itself, on a macro level, on a micro level. You have to understand all of those aspects to understand what the lodge represents. The lodge is a fractal, a symbolic representation of the universe itself. How do we as human beings try to make sense of that? That understanding, of how the power in the universe flows, was gifted to us through millennia of prayer and cultural development… It is important for us to internalize our stories, internalize the star knowledge, internalize those things and make that your way, make that your belief, because we're going to play it out inside the lodge. It only lives by us guys interacting with it and praying with it and bringing it to life… We're going to play out the wise sayings of the old people… So you see that it's an Arikara worldview. A learning process of how the universe functions is what you're actually experiencing [inside the Medicine Lodge]. What the old people were describing was the functioning of how we believed the universe behaves. And we had a deep, deep understanding of what that meant and how it was for us. So that's what you're actually seeing in the Medicine Lodge.

scholarly journals The General Intonation in the Performance of “Boris Godunov” of Vsevolod Meyerhold — Sergei Prokofiev

ICONI ◽  
2019 ◽  
pp. 36-48
Author(s):  
Ivan D. Porshnev ◽  
Keyword(s):  
Communist Party ◽  
Collaborative Work ◽  
Central Committee ◽  
Semantic Content ◽  
Sergei Prokofiev ◽  
Soviet State ◽  
History Of ◽  
Centennial Anniversary ◽  
The Creation ◽  
Boris Godunov

The article dwells upon the process of the artistic cooperation between Vsevolod Meyerhold and Sergei Prokofi ev by the example of their collaborative work on Alexander Pushkin’s play “Boris Godunov.” The preparation for the actualization of the conception had started long before the main rehearsing period — in 1934, after the issuance of the edict of the Politburo of the Central Committee of the VKP(b) (Communist Party) “Concerning the Foundation of the All-Union Pushkin Committee in connection with the centennial anniversary of the death of Alexander Sergeyevich Pushkin.” The performance was supposed to have become the appropriate response to the festivities of the Pushkin jubilee, but it never got round to being performed at that time. The peculiarities of the interpretation of the drama in the dialogue of the two Masters are examined on the basis of the materials connected with the history of the creation of the performance and the music to it. Analysis is made of the semantic content of the musical numbers (“The Song of the Lonely Wanderer” and the “Songs of Loneliness”), which carry out the function of the through leit-motifs and indirectly characterize Boris Godunov and the Pretender, and also play an important role in the formation of the “general intonation” of the performance. The conclusion is arrived at that the “politically saturated” production of Vsevolod Meyerhold and Sergei Prokofi ev touched upon the prohibited “territory of meanings”: the denoted implication unwittingly projected itself on the personal fate of the ruler of the Soviet state.

scholarly journals Iron and Steel Institute in the system of the National Academy of Sciences of Ukraine. Experience and prospects.

2018 ◽  
pp. 3-17
Author(s):  
A.I. Babachenko ◽  
A.S. Vergun ◽  
L.G. Tuboltsev
Keyword(s):  
National Academy Of Sciences ◽  
Iron And Steel ◽  
Strategic Direction ◽  
History Of ◽  
Rolling Production ◽  
The Creation ◽  
Basic And Applied Research ◽  
Academy Of Sciences ◽  
First Time ◽  
Steel Institute

The history of the creation of the Iron and Steel Institute is given. It is shown that the creation and establishment of the Institute was determined by the need to develop the country's ferrous metallurgy. The Institute has united groups of metallurgical scientists, scattered in their activities, who worked in various institutes of the country. The program of the Institute, despite its youth, was wide and relevant, which can be explained by the experience, initiative and scale of the activities of the scientists who headed the departments of the institute. The origins of the creation of the scientific themes of the Institute, which covered all the major redistribution of the steel industry, are given. The major scientific developments created by the Institute’s staff for the first time in world and domestic practice, which currently form the basis of world metallurgy, are given. Outstanding scientists of the Institute created quite a few scientific schools, which even today continue to make an invaluable contribution to the development of scientific subjects, the implementation of the results of basic and applied research in metallurgical enterprises. The analysis shows that the strategic direction of development of the domestic metallurgy in the future is an evolutionary change in metallurgical technologies. In this regard, the main areas of scientific and technical support of blast furnace, steelmaking and rolling production, heat treatment of rolled products developed at the Institute are given. Examples of modern scientific developments of the Institute are given.

scholarly journals THE HISTORY OF THE CREATION AND OPERATION OF THE TU-144 SUPERSONIC AIRLINER (according to memoir sources)

2020 ◽  
pp. 87-92
Author(s):  
Alsu Sh. Ayzatullova ◽  
Mikhail A. Sudakov
Keyword(s):  
Science And Technology ◽  
Historical Sources ◽  
Political Processes ◽  
History Of ◽  
The Creation ◽  
The 1960S ◽  
First Time ◽  
Design And Testing

For the first time, the history of the creation and operation of the Tu-144 airliner is investigated on the basis of the memoirs of aviation specialists. The development of an airliner has been studied taking into account the socio-political processes of the 1960s-1970s, and that left a serious imprint on the development of science and technology in this period. The specifics of the historical sources used, highlighting important aspects of the topic, are shown, and their criticism is carried out. The results of the analysis of memories that capture the key moments of the programme of the Soviet supersonic airliner are presented. A comparison was made of the opinions of the authors of memoirs on certain issues (the reasons for the creation of the airliner, problems in its design and testing, as well as the reasons for the completion of the programme). The differences in the assessments of the memoirists of certain aspects of the project are revealed. It is pointed out exactly what lessons can be learned from the project by contemporary Russian statesmen and aviation specialists

Ethiopia: the Victory of the Sidama in the Longer Than a Century’s Struggle for the Self-determination

2021 ◽  
pp. 47-65
Author(s):  
Roza Ismagilova ◽  
Keyword(s):  
Self Determination ◽  
Ethnic Communities ◽  
Ethnic Stratification ◽  
Ethnic Federalism ◽  
Imperial Period ◽  
History Of ◽  
The Creation ◽  
A Chain ◽  
The Impact ◽  
First Time

For the first time in the history of domestic Ethiopian studies, the article analyzes in detail the successful struggle of one of the Ethiopian peoples’, the Sidama, for self-determination. On the 20th of November, 2019 a truly historic event took place in Ethiopia: one of the country’s many ethnic communities, the Sidama, achieved self-government. At a referendum about 98% voted in favor of the creation of the Sidama state. This provoked a chain reaction in the Southern Nations, Nationalities and Peoples’ Region: already 13 ethnic communities – Wolaita, Gamo, Gurage, Kaffa and others – are demanding the creation of their own states. Centrifugal processes in the country have become noticeably more active. The present paper is divided in four sections. The first section, “Who are the Sidama?”, offers a detailed description of the Sidama and emphasizes the vitality of traditional social and cultural institutions, including ethnic stratification and the continued presence of castes of artisans. At the same time, it is noted that globalization and urbanization are introducing significant changes in the life of the Sidama. The second section, “The Sidama under ethnic federalism”, analyzes the positive and negative aspects of ethnic federalism and the reasons for the discontent of the Sidama, as well as the causes of Sidama’s grievances and conflicts over power and resources with other ethnic communities, which ultimately led to their struggle for self-government. The third section, “The Sidama’s struggle for self-government”, provides a detailed account of the Sidama’s struggle against the policy of Amharization during the imperial period, the discrimination in Derg rule (1974–1991) and, since 1991, during the period of ethnic federalism. The fourth section, “Referendum”, is devoted to a detailed description of this important event in the life of the Sidama and their victory: the difficulties and obstacles to organizing the referendum, the attitude of the federal government, the referendum itself and victory. Finally, in the fifth section, “The impact of the creation of the Sidama state on the situation in the region”, the author analyzes the Constitution of the new state. The creation of the new 10th state on the ethnic basis means the strengthening of ethnic federalism in Ethiopia. It is important to stress that the author has conducted several e-mail interviews with Sidama scholars and journalists – active participants in the Sidama movement for self-determination – on the topic of post-referendum events.

"Pinyin Tzimu Project" — a Landmark Event in the History of Chinese Civilization Initiated and Supported by the CPC

2021 ◽  
pp. 160
Author(s):  
Alexey Aleksakhin
Keyword(s):  
Chinese Language ◽  
Chinese Society ◽  
Internet Communication ◽  
Chen Yi ◽  
The People ◽  
History Of ◽  
The Creation ◽  
Writing Chinese ◽  
First Time ◽  
Chinese Mandarin

The Creation of the Alphabet and words spelling of Chinese Mandarin (Pinyin tsimu project) is a landmark event in the history of Chinese civilization. It breathes new life into ancient Chinese characters. Great "dumb" − the Chinese character − for the first time since 1958 has become known to the whole world by sounds of Beijing speech. Today the two types of writing − Chinese Mandarin traditional ideographic and innovative phonographic writing, in their unity, provide the linguocultural unity of the Chinese society and the progress of science and technology of China. Millions of people in China and beyond are studying the Chinese language based on the sound letter standard of the words of Chinese Putonghua. Letter orthogramms of Chinese words provide tele- and Internet communication of hundreds of millions of Chinese. In the 20 century the first Latinized alphabet for the Chinese language was created with the leading participation of one of the founders and leaders of the CPC, Qu Qiubo, (included in the official list of "100 Greatest Figures of New China") under the influence of the experience of creating alphabets for the peoples of the USSR in 1921-26. Chinese alphabet, based on Latin letters and letter-spelling forms of Putonghua words are a huge scientific achievement of Chinese linguists. Outstanding contribution to the creation of the alphabet and letter words of Chinese Mandarin was made by a brilliant Chinese linguist Zhou Youguang (1906-2011), called the «father of pinyin zimu» or Chinese alphabet in China. The top leaders of the Communist Party of China, Mao Tsedong, Zhou Enlai, Chen Yi led the creation of the "pinyin" alphabet. The political will and wisdom of the CPC's senior leadership, combined with the creative genius of Chinese linguists, ensured the creation of a letter writing for the people of China, which was "an epochal event in the history of the development of Chinese civilization".

scholarly journals Notes on Xiaoshuo: “Bao guang lu”

2020 ◽  
pp. 71-78
Author(s):  
Igor' Alimov
Keyword(s):  
Research Project ◽  
Ongoing Research ◽  
History Of ◽  
The Creation ◽  
First Editions ◽  
First Time

The article in the series “Notes on xiaoshuo” is a part of large ongoing research project under the general title “A Concise History of the I—XIII Century Chinese Xiaoshuo Prose” and is devoted to one of the little-known collections of Xth century. “Bao guan lu” (葆光 о “Records of Storing the Light”) by Chen Zuan (陳 纂 X c.). This article for the first time in Russian examines the history of the creation of the text of this collection, analyzes its composition, examines the question of the existence of “Bao guan lu”, starting with the first editions and finishing with modern ones, analyzes the composition and themes of the collection.

scholarly journals The Imperial alley and Bykov grove in museum-estate «Arkhangelskoye»: the history of creation, restoration and adaptation to modern conditions

2021 ◽  
Vol 25 (1) ◽  
pp. 64-71
Author(s):  
A.V. Frolova ◽  
◽  
V.A. Leonova ◽  
Keyword(s):  
Chronological Order ◽  
Stages Of Development ◽  
Historical Information ◽  
Current State ◽  
History Of ◽  
The Creation ◽  
First Time

Historical information about the owners, stages of development of the estate «Arkhangelskoye» and the creation of the Park is presented. Special attention is paid to the planning structure of the estate, its main compositional axis in the Northern part-the Imperial alley and the Bykov grove. The current state and problems of restoration of the Imperial alley and the possibility of adapting the Bykov grove to modern recreational conditions are considered in detail. The main wood assortment of the Bykov grove is indicated and the recommendations for care are given. For the first time, the archives of the estate Museum (projects in 1978, 2001, and 2017) were worked out all data about the Bykov grove and the Imperial alley are collected in chronological order and described in the article. The authors conducted the last research before the restoration and adaptation in 2018.

scholarly journals From the history of the creation of the Department of Psychiatry of the Dagestan Medical Institute (1936–1941)

2019 ◽  
pp. 115-120
Author(s):  
S. B. Manyshev ◽  
K. B. Manysheva
Keyword(s):  
Scientific Work ◽  
Medical Institute ◽  
State Archive ◽  
Central State ◽  
History Of ◽  
The Creation ◽  
The Republic ◽  
Psychiatric Department ◽  
Medical University ◽  
First Time

The work is devoted to the history of the establishment of the Department of Psychiatry of the Dagestan Medical Institute. In the article, based on the first time archival materials introduced into the scientific circulation from the funds of the Central State Archive of the Republic of Dagestan and the archive of the Dagestan State Medical University, the organization of the psychiatric department and the clinic is highlighted. The contribution of the first employees was noted, the difficulties encountered in the first years of the department’s existence were highlighted. Also reviewed is the scientific work of the Department of Psychiatry of the Dagestan Medical University in the late 1930s.

scholarly journals On the History of P.Chevalier de Brissol’s Ballet “The Village Heroine” (1800)

2021 ◽  
Vol 11 (1) ◽  
pp. 4-20
Author(s):  
Alexandra E. Maximova ◽  
Keyword(s):  
Musical Score ◽  
Musical Drama ◽  
Orpheus And Eurydice ◽  
History Of ◽  
Textual Features ◽  
The Creation ◽  
First Time ◽  
The Village

The article is devoted to the history of the creation and compositional features of P.Chevalier de Brissol’s ballet to the music of G.A. Pari “The Village Heroine”. Information was collected and clarified on the performances of the play, its authors and performers. Discrepancies were revealed in the studies (the date and place of the premiere, the number of acts, the names of choreographers and composers do not match). The creative continuity of the choreographers in working with the plot is noted and documentary information on the resumption of the ballet performed by A. Poireau, I. Walberh and A. Glushkovsky is provided. The libretto compositions were found and studied. In the article, the history of the plot related to the opera of P.Monsigny “Deserter”, the ballet of the same name by J.Doberval and other works are considered. For the first time, little-known handwritten musical sources of the ballet and its musical material are discussed. Textual features were studied, including handwritten litters containing the names of the creators, the dates of the ballet, as well as a rare autograph of the composer and bandmaster I. F. Kerzelli. The place of the composition in the work of Pari is determined and the conclusion is made that the musical score was compiled from the well-known works of different authors. In search of the authors of musical fragments, a complete verification of the score of the opera by P.Monsigny “Deserter” and the musical source “Village Heroine” was conducted. In the course of checking the score, a quote from the opera “Orpheus and Eurydice” by C.W. Gluck was discovered. The advantages of instrumentation and musical drama of ballet, built on thorough development and a system of thematic reprise, are revealed. It is established that Pari wrote music for its sequel — the ballet in three acts “The Consequence of the Village Heroine” (1806?), choreographed by Poireau and Valberkh.

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