THE DEVELOPMENT OF RUSSIAN MUSEUM TRADITIONS IN THE PROJECT "CRIMEAN MUSEUM SCHOOL "MUSEUM STUDIO""

Abstract: In this paper, I focus on two teachers’ experiences with project-based museum-school partnerships that they participated in with their students. The partnerships implied collaborations with scientists, archaeologists, and artists in their classrooms, as well as informal educators from museums tied to the projects. The projects made new ways to engage in student interest-driven cross-setting learning available to the students and teachers. The participating teachers seemed to suggest a need to move towards the co-design of such partnerships in the future with youth—a process that could be initiated in teacher education programs or supported through innovative approaches to professional development.KEYWORDS: Museum-school partnership; project-based learning; cross-setting learning;archaeology education; science education; arts education, robotic.Résumé: Je traite dans cet article de l’expérience de deux enseignants dans le cadre de projets de partenariats musée-école auxquels ont participé leurs étudiants. Ces partenariats exigeaient de collaborer avec des scientifiques, des archéologues et des artistes en salles de cours, sans oublier des éducateurs officieux des musées impliqués. Les projets ont exploré de nouvelles voies d’apprentissage croisé axé sur les intérêts des étudiants, accessibles aux étudiants et aux enseignants. Il appert que les enseignants participants jugent nécessaire de privilégier à l’avenir ce type de partenariats concertés avec la jeunesse, un processus qui pourrait être initié dans le cadre de programmes de formation des enseignants ou soutenu par le biais d’approches novatrices dans le domaine de perfectionnement professionnel.MOTS CLES: Programme de partenariat entre l’école et la musée; apprentissage basé au projet; apprentissage de cadre transversal; éducation archéologique; la formation artistique en sciences; la robotique;

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Museum-School Partnerships—A Resource For Principals

NASSP Bulletin ◽

10.1177/019263658707150324 ◽

1987 ◽

Vol 71 (503) ◽

pp. 122-124

Author(s):

Bertram L. Linder

Keyword(s):

School Partnerships ◽

Museum School

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Between Russia, Lithuania and Poland: The Life, Pedagogique Activity and Work of Stefan NaręBski – the Architect-Artist of the Vilnius School

Between Russia, Lithuania and Poland: The Life, Pedagogique Activity and Work of Stefan NaręBski – the Architect-Artist of the Vilnius School ◽

10.31483/r-74325 ◽

2020 ◽

Author(s):

Svetlana Mikhailovna Chervonnaia

Keyword(s):

Architectural Design ◽

Residential Buildings ◽

Theoretical Development ◽

Practical Implementation ◽

Childhood And Adolescence ◽

European Culture ◽

History Of ◽

Post War ◽

Museum School ◽

Nicolaus Copernicus

It cannot be said that the creative biography of the artist-architect Stefan Narębski (1892–1966) remains a completely unknown page in the history of art, but everything that has been written and published so far about the life and work of Stefan Narębski is only the top of the iceberg which is his complete biography. The author restores many forgotten and unknown facts of this biography, mainly based on the materials of the Archive of the Nicolaus Copernicus University, first of all, the artist’s own notes (“Diaries”), which had never been published before. Discoveries of this kind relate primarily to the childhood and adolescence of Narębski, held in the Caucasus and Vilnius; his participation in the 1905 revolution; his educational and creative activities in Włocławek in the 1920s; his connections with Stephen Batory University; as well as the repressions that he faced both during the years of the Nazi occupation of Lithuania and during the restoration of Soviet power here, in 1944–45. In the artistic heritage of Narębski, a close-up is highlighted by the types of residential buildings developed by him, educational institutions (museum, school, university department), modern churches, projects for the artistic transformation and decoration of public interiors (the residence of the archbishop; town halls in Vilnius and Torun). The theoretical development of the artistic training program for masters of architectural design (design and decoration of interiors), carried out by Narębski, and the practical implementation of this program at the Nicolaus Copernicus University contained an innovative beginning and provided the most important breakthrough of Polish post-war artistic pedagogy towards a modern, progressive methodology. Of great importance is the international aspect of the work of Narębski, whose personal biography is connected not only with Poland and the strongest impulses of Polish patriotism, but also with Lithuania, Russia, Belarus, Ukraine (with the places where he studied, lived, worked, built and planned the construction of new objects). His contribution to the development of art and artistic pedagogy is subject to measurement on the scale of not only national but also Eastern European culture.

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