scholarly journals La fotografía como intermediaria en un proyecto artístico- educativo informal que retrató la vida de las mujeres saharauis

2016 ◽  
Vol 20 (2) ◽  
pp. 1
Author(s):  
Martha Ileana Landeros-Casillas

This investigation was carried out in one of the most unwelcoming areas of the Sahara Desert, in the argelian Tindouf Refugee Camps where part of the Sahrawi community lives. A photography workshop was held for the women with the aim of allowing their images show the reality around them and work to reweave the social fabric broken, not voluntarily but under imposition. Recovering the public space, through voices and looks, will let us understand, from the perspective and opinions of the Sahrawi women, their longings and feelings, in order that such visual, verbal and textual narratives generate more successful actions to support reality-aware and solidarity programs. In addition, the international community was sensitized about a reality that is present even if it seems unreal and far away. To understand the discourses of the sahrawi women, gender and subaltern studies were considered, and to visualize their voices and creations we focused on educational research from horizontality offered by the Entre Voces (Between Voices) methodology.

Author(s):  
Samuel Llano

This chapter provides an account of how organilleros elicited public anger because their activity did not fit into any of the social aid categories that had been in place since the late eighteenth century. Social aid in Spain relied on a clear-cut distinction between deserving and undeserving poor in order to rationalize the distribution of limited resources and reduce mendicancy on the streets. Organilleros could not, strictly speaking, be considered idle, since they played music, but their activity required no specific skills and was regarded with suspicion as a surrogate form of begging. The in-betweenness of the organillero caused further anger as it challenged attempts to establish a neat distinction between public and private spaces. On one hand, organillo music penetrated the domestic space, which conduct manuals of the nineteenth century configured as female; on the other, it brought women into the public space, which those manuals configured as male.


2018 ◽  
Vol 12 (1) ◽  
pp. 163-176
Author(s):  
Katarina Rukavina

The paper analyses the concept of space in contemporary art on the example of Suprematist Composition No. 1, Black on Grey by Kristina Leko from 2008. Referring to Malevich’s suprematism, in December 2008 Leko initiated a project of art intervention in Ban Jelačić Square in Zagreb, where she intended to cover in black all commercials, advertisements, signs and names of various companies. This poetic intervention, as the artist calls it, was intended to prompt people to relativise material goods in the pre-Christmas period. However, despite the authorisation obtained from the city authorities, the companies concerned refused to remove their respective advertisements, be it for only for 24 hours, so this project has never been realised. The project, however, does exist in the virtual space, which is also public, and continues to act in the form of documentation. The non-feasibility of the intervention, or rather its invisibility on Jelačić Square, makes visible or directly indicates the ordering of the powers and the constellation of values in the social sphere, thus raising new questions. Indeed, in this way it actually enters the public space, sensitising and expanding it at the same time.


2018 ◽  
pp. 86-105
Author(s):  
Carlos Hugo Soria Caceres

RESUMENLas infraestructuras de transporte presentes sobre el territorio condicionan las relaciones sociales y de comunicación de muchos espacios. Grandes estaciones, puertos o aeropuertos se presentan como ejes de centralidad sobre los que se distribuyen flujos de mercancías y personas, configurando a su vez el diseño y la funcionalidad de las ciudades. Hoy en día, con el avance producido en sectores como el ferrocarril de alta velocidad, las estaciones han transformado su función principal de nudo de intercambio, proyectándose como nuevos espacios comerciales y de negocio. En este artículo se analiza este nuevo fenómeno de transformación espacial y social vinculado a la alta velocidad ferroviaria, focalizando su ámbito en España. Se desgrana a su vez el papel de las comunidades sociales, políticas y empresariales para la ciudad y el espacio público presentes en las nuevas estaciones de ferroviarias. Palabras clave: ferrocarril; espacio público; urbanismo. ABSTRACTThis work aims to discuss the transport infrastructures presents on the territory and the conditions to the social and communication relations of many spaces. Large stations, ports or airports are presented as axes of centrality on which flows of goods and people are distributed, configuring in turn the design and functionality of cities. Nowadays, with the advance produced in sectors such as high-speed rail, the stations have transformed their main function as an exchange hub, projecting themselves as new commercial and business spaces. This article analyzes this new phenomenon of spatial and social transformation linked to high-speed rail, focusing its scope in Spain. At the same time, the role of the social, political and business communities for the city and the public space present in the new railway stations.Keywords: railroad; public space; urbanism.


2021 ◽  
Vol 6 ◽  
Author(s):  
Eni Maryani ◽  
Preciosa Alnashava Janitra ◽  
Reksa Anggia Ratmita

The fast-growing social media in Indonesia has opened up opportunities for spreading feminist ideas to a wider and more diverse audience. Various social media accounts especially Instagram that focus on gender advocacy and feminism such as @indonesiafeminis, @lawanpatriarki, and @feminismanis have developed in Indonesia. However, the development of the social media platform also presents groups that oppose feminists. One of the accounts of women’s groups that oppose feminists is @indonesiatanpafeminis.id (@indonesiawithoutfeminist.id). The research objectives are namely to analyze the diversity of issues and reveal the discourse contestation that developed in the @indonesiatanpafeminis.id, and dynamic relationships on the online and offline spaces between groups of feminists and anti-feminists or the other interest. This research employed the digital ethnography method that utilized observation, interview, and literature study as data collection techniques. This study found that the online conversations at @indonesiatanpafeminis.id revealed misconceptions on feminism from a group of women with a religious identity. Furthermore, the conversation also tends to strengthen patriarchal values with religious arguments that are gender-biased. However, the @indonesiatanpafeminis.id serves as a public space for open debates and education on feminist issues. The anti-feminist group behind the @indonesiatanpafeminis.id are women who identify themselves in a certain Muslim circle that has political, cultural, and religious agendas. One of the agendas is to influence the public to reject the Sexual Violence Eradication Bill. This study also noted the Muslim supporters of anti-feminism in Indonesia are less popular compared to progressive religious-based Muslim women organizations such as Aisyiyah (Muhammadiyah), Muslimat NU (Nahdlatul Ulama), and Rahima (Center for Education and Information on Islam and Women’s Rights). The study also evokes discussion on how the feminist and anti-feminist discourses can be utilized to criticize and develop the women’s movement or feminism in a multicultural context.


Author(s):  
Felipe Gaytán Alcalá

Latin America was considered for many years the main bastion of Catholicism in the world by the number of parishioners and the influence of the church in the social and political life of the región, but in recent times there has been a decrease in the catholicity index. This paper explores three variables that have modified the identity of Catholicism in Latin American countries. The first one refers to the conversion processes that have expanded the presence of Christian denominations, by analyzing the reasons that revolve around the sense of belonging that these communities offer and that prop up their expansion and growth. The second variable accounts for those Catholics who still belong to the Catholic Church but who in their practices and beliefs have incorporated other magical or esoteric scheme in the form of religious syncretisms, modifying their sense of being Catholics in the world. The third factor has a political reference and has to do with the concept of laicism, a concept that sets its objective, not only in the separation of the State from the Church, but for historical reasons in catholicity restraint in the public space which has led to the confinement of the Catholic to the private, leaving other religious groups to occupy that space.


Author(s):  
Guillaume Heuguet

This exploratory text starts from a doctoral-unemployed experience and was triggered by the discussions within a collective of doctoral students on this particularly ambiguous status since it is situated between student, unemployed, worker, self-entrepreneur, citizen-subject of social rights or user-commuter in offices and forms. These discussions motivated the reading and commentary of a heterogeneous set of texts on unemployment, precariousness and the functioning of the institutions of the social state. This article thus focuses on the relationship between knowledge and unemployment, as embodied in the public space, in the relationship with Pôle Emploi, and in the academic literature. It articulates a threefold problematic : what is known and said publicly about unemployment? What can we learn from the very experience of the relationship with an institution like Pôle Emploi? How can these observations contribute to an understanding of social science inquiry and the political role of knowledge fromm precariousness?


SAGE Open ◽  
2019 ◽  
Vol 9 (1) ◽  
pp. 215824401882449
Author(s):  
Noor-ul-Ain Sajjad ◽  
Ayesha Perveen

The article studies art, as presented in Orhan Pamuk’s My Name Is Red, as a heterotopia based on Michel Foucault’s six principles. After outlining the six principles of heterotopia as enunciated by Foucault, the study excavates heterotopia of crisis and deviation from the novel. Art as a medium of representation has cathartic potential creating heterotopia in societies dominated by public discourses against art. It provides the artist with a medium for personal and private expression, thus creating a desanctified space. The notion that art that is made public restricts such liberty for the artist is proposed and justified. In My Name Is Red, characters such as Elegant Effendi and Olive can be seen tormented by the conflict between the social and the heterotopic. True expression of their art makes both of them lose their place, albeit in different ways. This implies that if a heterotopia of deviation has to be made public, in most cases, the honesty of expression is tampered with by the artist, even if unconsciously, because of societal pressures. Heterotopia of deviation is not compatible with the public gaze and making it public will create a heterotopia of crisis for the honest artists. This is why the artist hides his real creative inspiration. If art could be accepted as a desanctified medium without any moral or hegemonic judgment, it might attain its desired impact which politicization of the medium restricts in many judgmental societies. Pamuk pens this dilemma down by taking his readers back to the 16th-century Istanbul while drawing a parallel to the present era.


2020 ◽  
Vol 39 (3) ◽  
pp. 347-364
Author(s):  
Marianne Thejls Ziegler ◽  

This article outlines different attempts to define integrity, and argues, with reference to the theory of moral particularism, that definitions acquire universal applicability at the expense of their informative value. The article then proceeds to more delimitating definitions that emphasise the social aspect, and argues that their ideas of the concept, like courage, require certain situations in order to unfold. Since not every person is challenged to act with integrity, the delimitation requires a distinction between manifest integrity and dormant integrity, or dormant lack of integrity. Persons of influence, like politicians and managers, on the other hand, are challenged on a regular basis because their position requires communication of values in a public space, against which the public can evaluate their actions. A delimitating definition therefore ties the question of integrity to people in leading positions.


2011 ◽  
Vol 13 (3) ◽  
pp. 190
Author(s):  
Nany Yuliastuti ◽  
Adinda Sekar Tanjung

<span class="hps">Streets are one of important network that will connect between area<span lang="EN-AU">.</span> Streets are the stage for commerce and exchange of goods, even for doing work, especially in eastern countries (Jacobs in Kiang et al, 2010<span lang="EN-AU">:</span>160). Street of Asia have been and continue to evolve as distinct from those of the west, reflecting the unique Asian cultures (Dayaratne in Kiang et al, 2010<span lang="EN-AU">:</span>63). The unique can be looked from street that used for held community festival, held funeral, street market, and social activity space, etc.Residential street became public space that very useful for social interaction space (visible in daily activity and community festival). Activities that happen on the street eventually will add other functions on the street as a space of social interaction. <span lang="EN-AU">Residential streets</span> in the <span lang="EN-AU">Bungur Sub District, Central Jakarta</span> used by the public as a space for exchanging ideas, buying and selling, children's playground, and an annual festival.The aim of this research is to analyze influence residential street and alley function as social interaction space on neighborhood environment<span lang="EN-AU">.</span> However, research method that used in this final project is quantitative with survey research strategy and statistic descriptive as analysis method. The results showed that the <span lang="EN-AU">residential streets</span> in <span lang="EN-AU">Bungur Sub District</span> has become a public space that allows people to interact with each other<span lang="EN-AU"> (</span>shown by a variety of activities<span lang="EN-AU">)</span>. Social interaction has strengthened the social ties <span lang="EN-AU">and realized a</span> strong kinship<span lang="EN-AU"> in these neighborhood</span>.<em><span> </span></em></span>


2021 ◽  
pp. 98-109
Author(s):  
V. V. Zotov ◽  
L. A. Vasilenko

The article shows that the ongoing processes of networkization, digitalization and hybridization lead to the creation of such a sociotechnical phenomenon as information and analytical platforms, which actualize a new type of social network relations between authorities and citizens in the public space of communications. In these conditions, a new methodology of public administration is required, which would take into account the digital realities of the modern world. According to the authors, the new concept of public administration should be built taking into account the development of a methodology for the following mutually conditioned processes: 1) creation of information and analytical platforms of the digital society; 2) formation of social structures in the network space; 3) configuration of relational networks for solving socially significant problems. It should be based on the actor-network concept and the digitalization ethics, the social network analysis, the relational sociology, the concept of figuration, the fractal-evolutionary concept, the concept of configuring a relational network of stakeholders.


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