scholarly journals Prostor i funkcije sakristije u ranokršćanskom razdoblju na primjeru zadarskoga episkopalnog sklopa

Ars Adriatica ◽  
2013 ◽  
pp. 7
Author(s):  
Ana Mišković
Keyword(s):  
Middle Ages ◽  
Eighth Century ◽  
Late Antique ◽  
The West ◽  
Additional Function ◽  
Early Christian ◽  
Byzantine Architecture ◽  
East End ◽  
And Function ◽  
The Church

The sacristy is an ancillary but also a necessary liturgical space in every religious complex. Judging from late-antique and early-medieval written records, a chamber adjacent to the façade or the east end (frequently one of the pastophoria) of the main congregational church had the function of a sacristy. In the regions practising the Western rite, the sacristy was located next to the church façade. It housed liturgical vessels, ecclesiastical objects, liturgical vestments for the clergy and books. The sacristy was the place where priests were robed for the eucharistic celebration and from which they emerged in the solemn procession marking the beginning of the service. In the West, the sacristy was not the place where the gifts of the congregation were accepted; instead, they brought them to the church’s chancel screen. on the other hand, in the east, the additional function of the sacristy was that of the place where gifts were presented (prothesis). Therefore, the congregation had access to it so that they could deposit their offerings which the clergy then carried to the altar. In any case, in the West and east alike, there was no separate room set aside exclusively for the offerings of the congregation. In fact, it cannot be said that the prothesis and diaconicon – the chambers flanking the presbytery – had the function of a sacristy at this point because they appeared in Byzantine architecture only in the early middle ages. Constantinopolitan sources confirm that a liturgical reform took place between the first three decades of the eighth century, that is, the office of Patriarch Germanus i, and the mid-tenth century reign of emperor Constantine Porphyrogenitus: the previously unified liturgical function of the sacristy split into two. Therefore, the application of the terms prothesis and diaconicon to the chambers (pastophoria) flanking the main apse in early Christian architecture should be discarded.  Focusing on the example of the chamber situated next to the façade of the early Christian Cathedral in the episcopal complex at Zadar, it can be noted that its architecture and function were that of a sacristy, especially if one compares it to liturgical documents from Rome (Ordines romani). This chamber and its location are interpreted on the basis of the historical records of local chroniclers who mention a custom of offerings – the so-called Varina – during the office of Bishop Felix, and all of this, taken together, suggests that in the earliest Christian times the Church of Zadar practised a romanstyle Westernrite.

The Early Christian bema churches of Syria revisited

Antiquity ◽  
2001 ◽  
Vol 75 (289) ◽  
pp. 509-510 ◽  
Author(s):  
Emma Loosley
Keyword(s):  
Late Antique ◽  
Architectural Style ◽  
The West ◽  
Early Christian ◽  
The World ◽  
The 1950S ◽  
East End ◽  
The Many

The Limestone Massif of northwest Syria has the largest concentration of late antique churches in the world. All date from between the second half of the 4th century and the first decade of the 7th century and are remarkably consistent in their conformity to a recognizably ‘Syrian’ architectural style. Almost without exception they are apsed basilicas varying only in terms of size and the quality of decoration.This region was extensively surveyed in the 1950s by Georges Tchalenko, whose monumental three-volume study Villages antiques de la Syrie du nord remains the definitive work on the area. Of the many ecclesiastical buildings included in this survey Tchalenko identified a group of approximately 45 churches possessing a bema. The bema is a horseshoe-shaped structure in the nave that mirrors the curve of the apse. Entered via steps at the east end, it provided benches for the clergy and a pulpit at the west end that was used for scriptural expositions and homilies.

scholarly journals Prilozi proučavanju crkve Svetog Mateja u Splitu

Ars Adriatica ◽  
2011 ◽  
pp. 67
Author(s):  
Ivan Basić
Keyword(s):  
Eighteenth Century ◽  
Middle Ages ◽  
Fourteenth Century ◽  
Thirteenth Century ◽  
Ninth Century ◽  
Eighth Century ◽  
Early Christian ◽  
Existing Structures ◽  
The Church ◽  
East West

The church of St Matthew, which stood next to the south entrance to Split cathedral until 1881, was constructed between the peripteros and temenos of Diocletian’s mausoleum, along its east-west axis. A large number of pre-existing structures in the church of St Matthew and their degree of preservation indicate that it was erected at the beginning of the early middle ages, when the original layout of diocletian’s building had been well preserved. The church was the original setting for the sarcophagus with the epitaph of Archbishop John from the second half of the eighth century, which can be linked to the restorer of the Salonitan archbishopric in Split, John of Ravenna, who is mentioned by Thomas, the Archdeacon of Split, in his thirteenth-century chronicle, Historia Salonitana. The analysis of the sources relevant for the burial place of Archbishop John of Ravenna (the fourteenth-century chronicle of A. Cutheis and his catalogue of the archbishops of Split) showed that the data from these records are also of early medieval origin. The chronological frame in which the formula carved on the lid of the Archbishop’s sarcophagus existed, its epigraphic features and comparisons with the deceased’s epitaph, link it with the time when the longer inscription and the decoration of the sarcophagus front were carved - the end of the eighth century, and point to Archbishop John (c. 787) as the likeliest owner of the sarcophagus.  The choice of place for the sarcophagus of prior Peter, immediately next to the entrance to the church of St Matthew, in the ninth century, as well as the decoration and its relationship with the epitaph inspired by that on the sarcophagus of Archbishop john, corroborate that the prior’s sarcophagus was later than that of the Archbishop and the church in which it stood. The description of the church’s interior by D. Farlati in the eighteenth century, together with other indications, confirms that the sarcophagus and the church were made at the same  time, and that the Archbishop’s tomb was originally envisaged within the architectural setting of this church where an arcosolium contributed to its monumentality. The iconographic variant of the crossed-lily decoration and its specific symbolism originated in early christian Ravenna, which corresponds not only to the origin of the  Archbishop buried in the chapel but to the dedication to St Matthew, also of ravennate provenance, which creatively matches the iconographic programme of the sarcophagus. Thus, the sarcophagus, the church of St Matthew and John of Ravenna are connected to John,  the Archbishop of Split in the late eighth century.

The Early Medieval Textiles at Maaseik, Belgium

1985 ◽  
Vol 65 (2) ◽  
pp. 353-389 ◽  
Author(s):  
Mildred Budny ◽  
Dominic Tweddle
Keyword(s):  
Middle Ages ◽  
Eighth Century ◽  
Anglo Saxon ◽  
Early Medieval ◽  
The West ◽  
Missing Link ◽  
History Of ◽  
Western European ◽  
The Church ◽  
The Middle Ages

This article offers an account of the components, the structure and the history of the so-calledcasulaandvelaminaof Sts Harlindis and Relindis preserved at the Church of St Catherine at Maaseik in Belgium as relics of the two sisters who founded the nearby abbey of Aldeneik (where the textiles were kept throughout the Middle Ages). The compositecasulaof Sts Harlindis and Relindis includes the earliest surviving group of Anglo-Saxon embroideries, dating to the late eighth century or the early ninth. Probably similarly Anglo-Saxon, a set of silk tablet-woven braids brocaded with gold associated with the embroideries offers a missing link in the surviving corpus of Anglo-Saxon braids. The ‘David silk’ with its Latin inscription and distinctly western European design dating from the eighth century or the early ninth offers a rare witness to the art of silk-weaving in the West at so early a date. Thevelamenof St Harlindis, more or less intact, represents a remarkable early medieval vestment, garment or cloth made up of two types of woven silk cloths, tablet-woven braids brocaded with gold, gilded copper bosses, pearls and beads. Thevelamenof St Relindis, in contrast, represents the stripped remains—reduced to the lining and the fringed ends—of another composite textile. Originally it was probably luxurious, so as to match the two other composite early medieval textile relics from Aldeneik. As a whole, the group contributes greatly to knowledge of early medieval textiles of various kinds.

The church in the West Highlands in the late middle ages

2003 ◽  
Vol 54 (1) ◽  
pp. 23-46
Author(s):  
A. D. M. Barrell
Keyword(s):  
Middle Ages ◽  
The West ◽  
Late Middle Ages ◽  
The Church

Christus Virgo

2012 ◽  
Vol 41 (2) ◽  
pp. 22-27
Author(s):  
Sissel Undheim
Keyword(s):  
Moral Status ◽  
The Other ◽  
Late Antique ◽  
Church Fathers ◽  
Early Christian ◽  
Female Sex ◽  
The One ◽  
The Church

The description of Christ as a virgin, 'Christus virgo', does occur at rare occasions in Early Christian and late antique texts. Considering that 'virgo' was a term that most commonly described the sexual and moral status of a member of the female sex, such representations of Christ as a virgin may exemplify some of the complex negotiations over gender, salvation, sanctity and Christology that we find in the writings of the Church fathers. The article provides some suggestions as to how we can understand the notion of the virgin Christ within the context of early Christian and late antique theological debates on the one hand, and in light of the growing interest in sacred virginity on the other.

What Is Hidden in the Small Box? Narratives of Late Antique Roman Palestine in Dialogue

AJS Review ◽  
2021 ◽  
Vol 45 (1) ◽  
pp. 76-94
Author(s):  
Reuven Kiperwasser
Keyword(s):  
Cultural Context ◽  
Late Antique ◽  
Early Christian ◽  
Narrative Tradition ◽  
Judaic Studies ◽  
Roman Palestine ◽  
The Church ◽  
Shared Narrative

This study is a comparative reading of two distinct narrative traditions with remarkably similar features of plot and content. The first tradition is from the Palestinian midrash Kohelet Rabbah, datable to the fifth to sixth centuries. The second is from John Moschos's Spiritual Meadow (Pratum spirituale), which is very close to Kohelet Rabbah in time and place. Although quite similar, the two narratives differ in certain respects. Pioneers of modern Judaic studies such as Samuel Krauss and Louis Ginzberg had been interested in the question of the relationships between early Christian authors and the rabbis; however, the relationships between John Moschos and Palestinian rabbinic writings have never been systematically treated (aside from one enlightening study by Hillel Newman). Here, in this case study, I ask comparative questions: Did Kohelet Rabbah borrow the tradition from Christian lore; or was the church author impressed by the teachings of Kohelet Rabbah? Alternatively, perhaps, might both have learned the shared story from a common continuum of local narrative tradition? Beyond these questions about literary dependence, I seek to understand the shared narrative in its cultural context.

The Maaseik embroideries

1984 ◽  
Vol 13 ◽  
pp. 65-96 ◽  
Author(s):  
Mildred Budny ◽  
Dominic Tweddle
Keyword(s):  
Middle Ages ◽  
Eighth Century ◽  
Anglo Saxon ◽  
Form Part ◽  
The Church ◽  
Made In ◽  
The Middle Ages

Among the relics in the treasury of the church of St Catherine at Maaseik in Limburg, Belgium, there are some luxurious embroideries which form part of the so-called casula (probably ‘chasuble’) of Sts Harlindis and Relindis (pls. I–VI). It was preserved throughout the Middle Ages at the abbey church of Aldeneik (which these sister-saints founded in the early eighth century) and was moved to nearby Maaseik in 1571. Although traditionally regarded as the handiwork of Harlindis and Relindis themselves, the embroideries cannot date from as early as their time, and they must have been made in Anglo-Saxon England. Indeed, they represent the earliest surviving examples of the highly prized English art of embroidery which became famous later in the Middle Ages as opus anglicanum.

scholarly journals The missional church structure and the priesthood of all believers (Ephesians 4:7�16) in the light of the inward and outward function of the church

2017 ◽  
Vol 38 (1) ◽  
Author(s):  
Timothy A. Van Aarde
Keyword(s):  
Kingdom Of God ◽  
Missional Church ◽  
Priesthood Of All Believers ◽  
The West ◽  
Church Structure ◽  
The New Testament ◽  
Institutional Church ◽  
Church Structures ◽  
And Function ◽  
The Church

The missional church is a new consciousness which has been raised for the missionary sending of the church in the West to be a witness for the Kingdom of God in its own context. The missional church has returned mission to the centre of ecclesiology. A structural functioning of the missional church and its relation to existing church structures are essential to rescue the missional church from simply becoming the latest fad. The present missional church conversation in advocating for an organic church structure undermines existing institutional church structures. A dynamic functioning church structure in which the inward and outward dimensions of the church�s single ecclesiological structure are able to function in a cohesive unity is set out in Ephesians. The function of the gifted persons in the task of equipping of the believers to fulfil their missional calling, vocation and function is paramount to the healthy integration of the missional church model in existing mission and church paradigms and for it to function within the framework of existing church structures.Interdisciplinary and/or interdisciplinary implications: The article suggests that a dynamic unity exists between the ecclesiology of the church and missional structure and function of the church. The article explores interdisciplinary implications from the fields of the New Testament and missiology.

scholarly journals Tòpics retòrics dels textos hagiogràfics bizantins i catalans

2018 ◽  
Vol 12 ◽  
pp. 135
Author(s):  
Ángel Narro
Keyword(s):  
Middle Ages ◽  
Literary Genre ◽  
Late Antique ◽  
The West ◽  
Lives Of Saints ◽  
Starting Point ◽  
Catalan Literature ◽  
The Middle Ages

Resum: El present treball analitza comparativament els principals tòpics retòrics presents als pròlegs de textos hagiogràfics bizantins i catalans. El punt de partença és la consolidació del gènere hagiogràfic com a tal en la literatura grega tardo-antiga i d’època bizantina i la seua influència sobre el desenvolupament de l’hagiografia en Occident, primer en llatí i després en les llengües romàniques a partir de l’Edat Mitjana. En aquest sentit, podrem observar l’ús d’un mateix repertori de caràcter retòric per presentar i embellir el text i analitzarem l’explicació d’aquest fenomen i les perspectives d’estudi a explorar.    Paraules clau: hagiografia, literatura bizantina, literatura catalana, vides de sants.   Abstract: This article is aimed to compare the main rhetorical topoi of the prologues of both Byzantine and Catalan Hagiographical texts. The starting point is the consolidation of Hagiography as a literary genre in Late Antique Greek and Byzantine literature and its influence on the development of Hagiography in the West, first on Latin and then on Romance texts from the Middle Ages. In this way, we will observe the use of similar rhetorical resources to introduce and embellish the texts and analyze the explanation of this issue and the different approaches to explore.   Keywords: hagiography, byzantine literature, catalan literature, lives of saints.  

Suffering and Sacrifice

2019 ◽  
Vol 3 (1) ◽  
pp. 56-76
Author(s):  
Sarah Wolf
Keyword(s):  
Late Antique ◽  
Babylonian Talmud ◽  
Early Christian ◽  
Close Analysis ◽  
Physical Suffering ◽  
The Status ◽  
Spiritual Self ◽  
And Function ◽  
A Site ◽  
The Relationship

This article offers the argument that suffering (yisurin) in the Babylonian Talmud functions as a locus for the relationship between God and rabbinic Jews. Scholars of rabbinic martyrdom and asceticism have tended to claim that the Talmud's positive portrayal of suffering is a theodical apology for unexplained evil in the world. However, the article argues that the Talmud—in contrast to earlier rabbinic texts—presents suffering as spiritually relevant not primarily to justify preexisting suffering, but rather to develop a site at which to interpret information about an individual's spiritual status. The article draws on theories of sacrifice's structure and function, in conjunction with close analysis of rabbinic texts that relate suffering to sacrifice. The pericope at the core of the article's argument demonstrates a strikingly technical approach to the human experience of suffering, describing four examples of yisurin in which no real physical suffering occurs; in each instance the “victim” experiences extremely mild discomfort at most, and at the least barely registers an experience of inconvenience. Nonetheless, these experiences all qualify as “suffering,” and are thus still understood to bear indisputable soteriological import. Physical suffering in the Talmud is thus open for interpretation, yielding information about the status of the sufferer's spiritual self. Human suffering is viewed as religiously desirable in both late rabbinic and early Christian literatures. By developing an understanding of its hermeneutical function for the rabbis, this article helps to elucidate the value of suffering for rabbinic literature as a subset of late antique religious discourse.

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