scholarly journals O prvoj monografskoj obradi škrinje Svetog Šimuna u Zadru

Ars Adriatica ◽  
2011 ◽  
pp. 187
Author(s):  
Marijana Kovačević
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
The Body ◽  
Early Date ◽  
The Third ◽  
Monographic Study ◽  
History Of ◽  
Very High ◽  
Do So

This paper paraphrases the first monographic study of the silver casket which was commissioned in the last quarter of the fourteenth century as a reliquary for the body of St Simeon in Zadar. The author of the monograph ‘The Silberschrein des S. Simeone in Zara’ is Alfréd Gotthold Meyer, an art historian from Berlin. The manuscript was written in German, translated into Hungarian and published in Budapest in 1894. Both the manuscript and the book are available only in a few copies in Croatia and this was one of the incentives for writing this article, apart from the need to introduce and evaluate one of the key works ever written on this important subject, and to do so in a more detailed manner than it had been done before. Meyer divided the material in five chapters. In the first chapter he deals with the traditions about the relic. The second chapter is a summary of the documents concerning the history of the silver casket. In the third chapter Meyer describes the reliefs on the casket and discusses their iconography, while in the fourth chapter he analyses them stylistically and attempts to reconstruct the original arrangement of particular reliefs. The final, fifth chapter is the most important part of this work, because it emphasizes comparisons between the Zadar casket and similar works in Italy and Dalmatia. The book has all the qualities of a scholarly text which is rather surprising for such an early date. Meyer pointed out a number of key notions about the supposedly different authors of particular reliefs, for example several master pieces of Italian painting and sculpture which may have inspired these authors, and he also noted the important seventeenth-century restoration on the casket. A. G. Meyer set very high scholarly standards with his work, which were rarely achieved in many subsequent publications on the casket, especially during the first half of the twentieth century.

Presentation

2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH
Keyword(s):  
Cultural History ◽  
Social Reality ◽  
Point Of View ◽  
The Body ◽  
Literary Studies ◽  
The Third ◽  
The Social ◽  
Feminist Theories ◽  
History Of

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>

Music in the British Workplace: From Voice to a Technique of Control?

2020 ◽  
Author(s):  
Marek Korczynski
Keyword(s):  
Twentieth Century ◽  
Social Control ◽  
Social History ◽  
Singing Voice ◽  
Industrial Noise ◽  
The Third ◽  
The Social ◽  
History Of

This chapter examines music in the British workplace. It considers whether it is appropriate to see the history of music in the workplace as involving a journey from the organic singing voice (both literal and metaphorical) of workers to broadcast music appropriated by the powerful to become a technique of social control. The chapter charts four key stages in the social history of music in British workplaces. First, it highlights the existence of widespread cultures of singing at work prior to industrialization, and outlines the important meanings these cultures had for workers. Next, it outlines the silencing of the singing voice within the workplace further to industrialization—either from direct employer bans on singing, or from the roar of the industrial noise. The third key stage involves the carefully controlled employer- and state-led reintroduction of music in the workplace in the mid-twentieth century—through the centralized relaying of specific forms of music via broadcast systems in workplaces. The chapter ends with an examination of contemporary musicking in relation to (often worker-led) radio music played in workplaces.

The practice and theory of property in seventeenth-century Bengal

2017 ◽  
Vol 54 (2) ◽  
pp. 147-182 ◽  
Author(s):  
Samuel Wright
Keyword(s):  
Seventeenth Century ◽  
Final Section ◽  
Detailed Examination ◽  
The Third ◽  
Economic Practices ◽  
Shared Language ◽  
History Of ◽  
Analytical Category ◽  
Theoretical Issues

This study reconstructs the connected history of socio-economic and intellectual practices related to property in seventeenth-century Bengal. From the perspective of socio-economic practices, this study is concerned with the legal transfer of immovable property between individuals. From the perspective of intellectual practice, this study is concerned with how property was understood as an analytical category that stood in a particular relation to an individual. Their connected history is examined by analysing socio-economic practices exemplified in a number of documents detailing the sale and donation of land and then situating these practices within the scholarly analysis of property undertaken by authors within the discipline of nyāya—the Sanskrit discipline dealing primarily with ontology and epistemology. In the first section of the essay, I undertake a detailed examination of available land documents in order to highlight particular conceptions of property. In the second section of the essay, I draw out theoretical issues examined in nyāya texts that relate directly to the concepts expressed in the land documents. In the third and final section of the essay, I discuss the shared language and shared concepts between the documents and nyāya texts. This last section also addresses how the nyāya analysis of property facilitates a better understanding of claims in the documents and what nyāya authors may have been doing in writing about property.

scholarly journals Vile Sovereigns in Bioethical Debate

2013 ◽  
Vol 33 (4) ◽  
Author(s):  
Melinda Hall
Keyword(s):  
Twentieth Century ◽  
Michel Foucault ◽  
Human Enhancement ◽  
Reproductive Technology ◽  
The Body ◽  
Worth Living ◽  
Lecture Series ◽  
The Disabled ◽  
Bioethical Debate ◽  
Do So

<p>In this paper, I critically assess transhumanist philosophy and its influence in bioethics by turning to resources in the work of Michel Foucault. I begin by outlining transhumanism and drawing out some of the primary goals of transhumanist philosophy. In order to do so, I focus on the work of Nick Bostrom and Julian Savulescu, two prominent contributors to this thinking. I then move to explicate Foucault&rsquo;s work, in the early iterations of the <em>Abnormal</em> lecture series, on the concept of vile sovereignty. Foucault used the concept of vile sovereignty to critique psychiatric witnesses that had been utilized in mid twentieth-century French courts of law. Turning back to transhumanism, I analyze transhumanist discourse on the basis of Foucault&rsquo;s vile sovereignty. Transhumanists promote human enhancement in a way that rejects the body&mdash;especially the disabled body&mdash;and pose the question of what lives are worth living, as well as attempt to answer it. I conclude that because of the undeserved influence and ableism of transhumanism, it is important for feminist philosophers, philosophers of disability, and other disability scholars, who collide at the nexus of bioethical debate (especially with regard to reproductive technology and the body), to work together to intervene upon transhumanist discourse.&nbsp; &nbsp;</p><p>Keywords: bioethics; enhancement; Foucault; transhumanism; ableism</p><p>&nbsp;</p><p>&nbsp;</p>

Fate of the Flesh

2021 ◽  
Author(s):  
Daniel Juan Gil
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
World View ◽  
Natural World ◽  
Social Identities ◽  
The Body ◽  
The Self ◽  
Avant Garde ◽  
Scientific World ◽  
The Social

In the seventeenth century, the hope for resurrection starts to be undermined by an emerging empirical scientific world view and a rising Cartesian dualist ontology that translates resurrection into more dualist terms. But poets pick up the embattled idea of resurrection of the body and bend it from a future apocalypse into the here and now so that they imagine the body as it exists now to be already infused with the strange, vibrant materiality of the “resurrection body.” This “resurrection body” is imagined as the precondition for the social identities and forms of agency of the social person, and yet the “resurrection body” also remains deeply other to all such identities and forms of agency, an alien within the self that both enables and undercuts life as a social person. Positing a “resurrection body” within the historical person leads seventeenth-century poets to use their poetry to develop an awareness of the unsettling materiality within the heart of the self and allows them to reimagine agency, selfhood, and the natural world in this light. In developing a poetics that seeks a deranging materialism within the self, these poets anticipate twentieth-century “avant-garde” poetics. They do not frame their poems as simple representation nor as beautiful objects but as a form of social praxis that creates new communities of readers and writers that are assembled by a new experience of self-as-body mediated by poetry.

Introduction

2017 ◽  
Author(s):  
John M. Chenoweth
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
Virgin Islands ◽  
Religious Communities ◽  
Background Information ◽  
The Political ◽  
Society Of Friends ◽  
British Virgin Islands ◽  
History Of

This introductory chapter sketches the questions and goals of the overall project and the needed background information about Quakerism. It introduces the Tortola Monthly Meeting of the Religious Society of Friends (“Quakers”) which formed in the British Virgin Islands about 1740 and addresses how archaeology can approach the study of religion and religious communities. This chapter also serves as an introduction to Quakerism itself, including its ideology based on individual, un-mediated communion with God, and a brief history of the group from its foundation in the political and economic turmoil of mid-seventeenth-century England, to the “Quietism” of wealthy “Quaker Grandees” in Philadelphia, to a nineteenth and twentieth century history of schism and reunion around pacifism. The Quaker structure of Monthly, Quarterly, and Yearly meetings is introduced, and connected to both community oversight and support structures. Finally, this chapter introduces three main Quaker ideals—simplicity, equality, and peace—which will be interrogated throughout the work as they change in their interactions with Caribbean slavery and geography.

Introduction

2021 ◽  
pp. 1-44
Author(s):  
Benjamin Hill ◽  
Henrik Lagerlund ◽  
Stathis Psillos
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
Laws Of Nature ◽  
Causal Powers ◽  
History Of ◽  
Ontic Status

Causal powers have been posited to ground and explain activity in nature. And yet, powers are subject to scrutiny and criticism today as they were in the seventeenth century and for more or less the same reasons. The detailed and substantive Introduction sketches the key conceptions of, and arguments for and against, powers from Aristotle up to the present. In the first part (Sections 1.1–1.5), there is an account of the history of the powers debate, starting with the Aristotelian conception and moving through medieval accounts to the revolt against powers by the novatores of the seventeenth century. Various criticisms of powers, notably by Descartes, the occasionalists, Boyle and Newton, as well as endorsements, notably by Leibniz, are presented. Then there is an account of Hume’s systematic critique of the epistemology and ontology of powers, of the transition from a power-based to a law-based conception of nature (notably in the work of Mill) and finally a recounting of the various attempts to eliminate or reduce powers and dispositions in the twentieth century. Sections 1.6–1.9 describe the key reasons for the comeback of powers in the last quarter of the twentieth century, notably the issues concerning the nature of properties and the ontic status and necessity of the laws of nature. Sections 2.1–2.12 offer a detailed summary of the twelve contributions to the volume. Finally, the chapter concludes with questions for moving forward.

On the Applicability of Mathematics to Nature: Roger Bacon and his Predecessors

1982 ◽  
Vol 15 (1) ◽  
pp. 3-25 ◽  
Author(s):  
David C. Lindberg
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
Thirteenth Century ◽  
History Of Mathematics ◽  
Modern Science ◽  
Mathematical Physics ◽  
The Past ◽  
Applicability Of Mathematics ◽  
The Future ◽  
History Of

Roger Bacon has often been victimized by his friends, who have exaggerated and distorted his place in the history of mathematics. He has too often been viewed as the first, or one of the first, to grasp the possibilities and promote the cause of modern mathematical physics. Even those who have noticed that Bacon was more given to the praise than to the practice of mathematics have seen in his programmatic statements an anticipation of seventeenth-century achievements. But if we judge Bacon by twentieth-century criteria and pronounce him an anticipator of modern science, we will fail totally to understand his true contributions; for Bacon was not looking to the future, but responding to the past; he was grappling with ancient traditions and attempting to apply the truth thus gained to the needs of thirteenth-century Christendom. If we wish to understand Bacon, therefore, we must take a backward, rather than a forward, look; we must view him in relation to his predecessors and contemporaries rather than his successors; we must consider not his influence, but his sources and the use to which he put them.

scholarly journals CHERCHEUR, OBSERVATEUR ET MONDE SAVANT AU XVIIIe SICLE: LA RECHERCHE SCIENTIFIQUE DANS L'IMAGINAIRE DE CHARLES BONNET (1720-1793) *

Nuncius ◽  
1997 ◽  
Vol 12 (2) ◽  
pp. 329-358
Author(s):  
MARINO L. BUSCAGLIA ◽  
MARC J. RATCLIFF
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
Life Sciences ◽  
Research Traditions ◽  
History Of

Abstracttitle SUMMARY /title This article analyses the history of the term chercheur from the seventeenth century until the beginning of the twentieth century, focusing, in particular, on the work of the naturalist and philosopher Charles Bonnet (1720-1793) and on research traditions related to the life sciences. Although the term was initially used in a pejorative sense, to describe an English Puritanical sect, it came to assume its modern meaning through a series of transformations.

The Making of the "First Dog": President Warren G. Harding and Laddie Boy

2005 ◽  
Vol 13 (2) ◽  
pp. 109-138 ◽  
Author(s):  
Helena Pycior
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Cultural Factors ◽  
White House ◽  
Cultural Icon ◽  
The Third ◽  
The Press ◽  
American Press ◽  
History Of

AbstractThis paper traces the history of the cultural icon of the "First Dog" of the United States back to the administration of President Warren G. Harding (1921-1923). It briefly explores technological and socio-cultural factors—including the early-twentieth-century cult of human and nonhuman celebrities—that laid a basis for the acceptance of Laddie Boy, Harding's Airedale terrier, as the third member of the First Family and a celebrity in his own right. Following Laddie Boy, First Dogs would greet and entertain visitors to the White House, pose for the press, make public appearances, and "talk." While recognizing that Laddie Boy's personality was essential to his success at the White House, the paper also documents the steps taken by President Harding, his wife Florence Kling Harding, and the American press to establish Laddie Boy as the First Dog of the land. The paper argues that the construction of the cultural icon of the First Dog was not simply a political ploy to humanize the President but more a calculated attempt by President Harding to further animal welfare.

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