Natural Histories of Form

2020 ◽  
Vol 151 (1) ◽  
pp. 51-73
Author(s):  
Ian Duncan
Keyword(s):  
Scientific Knowledge ◽  
Charles Darwin ◽  
Natural Basis ◽  
Alternative Account ◽  
Aesthetic Sense ◽  
Aesthetic Autonomy ◽  
And Gender ◽  
The Aesthetic ◽  
Natural Histories ◽  
Descent Of Man

Arguing that aesthetic preference generates the historical forms of human racial and gender difference in The Descent of Man, Charles Darwin offers an alternative account of aesthetic autonomy to the Kantian or idealist account. Darwin understands the aesthetic sense to be constitutive of scientific knowledge insofar as scientific knowledge entails the natural historian’s fine discrimination of formal differences and their dynamic interrelations within a unified system. Natural selection itself works this way, Darwin argues in The Origin of Species; in The Descent of Man he makes the case for the natural basis of the aesthetic while relativizing particular aesthetic judgments. Libidinally charged—in Kantian phrase, “interested”—the aesthetic sense nevertheless comes historically adrift from its functional origin in rites of courtship.

Evolutionary Writings

2010 ◽  
Author(s):  
Charles Darwin
Keyword(s):  
Climate Change ◽  
Intelligent Design ◽  
Charles Darwin ◽  
Global Impact ◽  
The World ◽  
Correspondence Project ◽  
Darwin Correspondence Project ◽  
Descent Of Man ◽  
Controversial Nature ◽  
Beagle Voyage

‘Man still bears in his bodily frame the indelible stamp of his lowly origin.’ On topics ranging from intelligent design and climate change to the politics of gender and race, the evolutionary writings of Charles Darwin occupy a pivotal position in contemporary public debate. This volume brings together the key chapters of his most important and accessible books, including the Journal of Researches on the Beagle voyage (1845), the Origin of Species (1871), and the Descent of Man, along with the full text of his delightful autobiography. They are accompanied by generous selections of responses from Darwin’s nineteenth-century readers from across the world. More than anything, they give a keen sense of the controversial nature of Darwin’s ideas, and his position within Victorian debates about man’s place in nature. The wide-ranging introduction by James A. Secord, Director of the Darwin Correspondence Project, explores the global impact and origins of Darwin’s work and the reasons for its unparalleled significance today.

scholarly journals ‘Constitutions selection’: Darwin, race and medicine

BJHS Themes ◽  
2021 ◽  
pp. 1-19
Author(s):  
Suman Seth
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Charles Darwin ◽  
Skin Colour ◽  
Race Science ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
History Of Race ◽  
Descent Of Man

Abstract In the course of his discussion of the origin of variations in skin colour among humans in the Descent of Man, Charles Darwin suggested that darker skin might be correlated with immunity to certain diseases. To make that suggestion, he drew upon a claim that seemed self-evidently correct in 1871, although it had seemed almost certainly incorrect in the late eighteenth century: that immunity to disease could be understood as a hereditary racial trait. This paper aims to show how fundamental was the idea of ‘constitutions selection’, as Darwin would call it, for his thinking about human races, tracking his (ultimately unsuccessful) attempts to find proof of its operation over a period of more than thirty years. At the same time and more broadly, following Darwin's conceptual resources on this question helps explicate relationships between conceptions of disease and conceptions of race in the nineteenth century. That period saw the birth of a modern, fixist, biologically determinist racism, which increasingly manifested itself in medical writings. The reverse was also true: medicine was a crucial site in which race was forged. The history of what has been called ‘race-science’, it is argued, cannot and should not be written independent of the history of ‘race-medicine’.

Fatal asymmetries

2021 ◽  
pp. 1-15
Author(s):  
Luis Sánchez
Keyword(s):  
Natural Selection ◽  
Artificial Selection ◽  
Political Institutions ◽  
Charles Darwin ◽  
The Impact ◽  
Descent Of Man

Abstract In Descent of Man, Charles Darwin noted the impact of political institutions on natural selection. He thought that institutions such as asylums or hospitals may deter natural selection; however, he did not reach a decisive answer. Questions remain as to whether the selective impacts of political institutions, which in Darwin’s terms may be referred to as “artificial selection,” are compatible with natural selection, and if so, to what extent. This essay argues that currently there appears to be an essential mismatch between nature and political institutions. Unfitted institutions put exogenous and disproportionate pressures on living beings. This creates consequences for what is postulated as the condition of basic equivalence, which allows species and individuals to enjoy similar chances of survival under natural circumstances. Thus, contrary to Darwin’s expectations, it is sustained that assumed natural selection is not discouraged but becomes exacerbated by political institutions. In such conditions, selection becomes primarily artificial and perhaps mainly political, with consequences for species’ evolutionary future.

Evolution of bowerbirds' bowers: animal origins of the aesthetic sense

Nature ◽  
1982 ◽  
Vol 297 (5862) ◽  
pp. 99-102 ◽  
Author(s):  
Jared M. Diamond
Keyword(s):  
Aesthetic Sense ◽  
The Aesthetic

scholarly journals THE BODY IN THE HISTORY OF WESTERN EUROPEAN AND RUSSIAN THEATRE: CULTURAL VARIABILITY OF SHAME

Articult ◽  
2021 ◽  
pp. 19-31
Author(s):  
Leila F. Salimova ◽  
◽  
Keyword(s):  
Scientific Knowledge ◽  
Performing Arts ◽  
Point Of View ◽  
The Body ◽  
Ethical Aspect ◽  
Close Relationship ◽  
History Of ◽  
The Spectator ◽  
The Aesthetic ◽  
Considerable Body

Modern scientific knowledge approaches the study of the physical and aesthetic bodies with a considerable body of texts. However, on the territory of the theater, the body is still considered exclusively from the point of view of the actor's artistic tools. Theatrical physicality and the character of physical empathy in the theater are not limited to the boundaries of the performing arts, but exist in close relationship with the visual and empirical experience of the spectator, performer, and director. The aesthetic and ethical aspect of the attitude to the body in the history of theatrical art has repeatedly changed, including under the influence of changing cultural criteria of "shameful". The culmination of the demarcation of theatrical shame, it would seem, should be an act of pure art, independent of the moral restrictions of society. However, the experiments of modern theater continue to face archaic ethical views. The article attempts to understand the cultural variability of such a phenomenon as shame in its historical and cultural extent using examples from theater art from antiquity to the present day.

scholarly journals The Beliefs and Aesthetics of Isaan Heritage Trees

2021 ◽  
Vol 10 (3) ◽  
pp. 158
Author(s):  
Surasak Sornsena ◽  
Preechawut Apirating ◽  
Sipp Suksamran
Keyword(s):  
Descriptive Analysis ◽  
Structured Interviews ◽  
The People ◽  
Study Results ◽  
And Gender ◽  
The Aesthetic ◽  
Surrounding Areas ◽  
Art Elements ◽  
Heritage Trees ◽  
Heritage Tree

This article is a part of a Doctoral Thesis titled “Isaan Heritage Tree: From the Belief and the Aesthetic to the Creation of Visual Arts,” with the objectives of studying the belief and the aesthetic that exist in the Isaan Heritage Tree using the qualitative method. The study’s target groups can be divided into three following groups: the experts, the practitioners, and the related people. The area of study is in the Isaan region. The region is divided into upper Isaan, mid-Isaan, and lower Isaan. The research tools consist of surveys, non-participatory observation, and structured and non-structured interviews. The data collected from documents and field data was analyzed using Aesthetic Theory and Symbolic Interactionism Theory and presented using descriptive analysis.  The study results show that Isaan has a long history and development both in geography, the administration, society, the culture, and the migration of people who came to settle in the area from Luang Phrabang, Vientiane, and Champasak. This had caused the people and nation’s coming together and led to social management, which consists of regulations, religion, and belief. The beliefs of the Isaan people are connected to forest spirits, household spirits, or tree spirits. Five following characteristics of the Heritage Trees were also found: 1) The traditional beliefs related to the Heritage Trees of Isaan. 2) The new belief. 3) The beliefs that are connected to the locations. 4) The beliefs in the tree spirits whose identity and gender cannot be identified. 5) Auspicious and inauspicious beliefs. There are three aspects for the aesthetics: Aesthetic elements are the feeling of amazement due to the gigantic size filled with astonishment, mystery, and the fear of power. The interesting aspects of Art elements are the unity and relationship to the seasons, such as the Fall season, Rainy Season, and the blooming of flowers that contribute to the changes in the aesthetics changes. The visual art elements consist of six following components; bodies and shapes, lines, colors, textures, light and shadows, and area. It was found that the gigantic size and height cause amazements to the viewers. The physical lines of the Isaan Heritage trees were the lines along the trunks, the lines on the branches, and the lines that go along the leaves and flowers. There are different colors of the trunk, the leaves, and the flowers. The texture was rough, harsh, and the cracks follow the same directions as the trunk. There are botanical differences in the light and shadows of the heritage trees. As for the area, there are differences between the area of the heritage trees and the surrounding areas, as well as the differences within the Isaan Heritage Trees area.   Received: 25 January 2021 / Accepted: 31 March 2021 / Published: 10 May 2021

scholarly journals Identifying the Perceptual Qualities of a Heritage Precinct - Entrance Gateway (Rajagopuram)

2019 ◽  
Vol 9 (1) ◽  
pp. 931-935
Keyword(s):  
Cultural Heritage ◽  
Urban Design ◽  
Perceptual Quality ◽  
Thought Process ◽  
Rural Space ◽  
Aesthetic Sense ◽  
Basic Meaning ◽  
The Aesthetic ◽  
The One

Existence of a heritage / historical structure is the one that adds meaning to urban or rural space. The perceptual quality of the structure enhances the aesthetic sense to the settings or place. The aesthetic sense makes the place, a visual appealing entity with augment of identity. It develops a sign and symbol to the place. Without that, the meaning is lost, identity is destroyed and placelessness is formed. Urbanization and globalization always concentrate more on development, without understanding the basic meaning and cultural heritage of any built environment with its tangible and intangible aspects. This paper explores the ideas and thought process of the architects, urban design theorists, and psychologist in considering perceptual qualities of a structure and it turns in relation with the feature of a Dravidian style Rajagopuram that acts as an entrance gate way to a heritage precinct .

Islands of Discovery: Scientific Curiosity in the Works of Darwin, Huxley and Wells

Dark Paradise ◽  
2016 ◽  
Author(s):  
Jennifer Fuller
Keyword(s):  
Science Fiction ◽  
Pacific Islands ◽  
Charles Darwin ◽  
Thomas Henry Huxley ◽  
Scientific Curiosity ◽  
Unknown Species ◽  
The Pacific ◽  
New Ideas ◽  
Theories Of Evolution ◽  
Descent Of Man

Intrigued by the descriptions of hitherto unknown species, Victorian naturalists embarked on Pacific journeys to study new flora and fauna. The third chapter follows a young Charles Darwin and Thomas Henry Huxley as they develop theories that would challenge the assumed boundaries between “civilized” and “savage” man. Their often overlooked travel narratives, The Voyage of the Beagleand The Voyage of the Rattlesnake respectively, displayed not only emerging theories of evolution and natural selection, but also early biological and anthropological observations that questioned whether Pacific islanders were truly so different from British ones. These radical new ideas, spurred on by later works such as Origin of the Species and The Descent of Man, influenced novelists to use the Pacific islands as a testing ground for new theories of regressive evolution. Capitalizing on the emerging genre of “science fiction,” H.G. Wells imagined the Pacific in The Island of Doctor Moreau not as an idyllic paradise but as a horrific nightmare that reduced all islanders, British and native, to their most bestial forms displaying distinctly Pacific resonances and the changing British perspectives on the islands.

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