Poor and Blank: History's Marks and the Photographies of Displacement
Keyword(s):
Observing a conjunction between massive rural-to-urban migration and the recent documentary turn in Chinese art, this essay suggests some of the ways documentary photography works as a medium of historical thinking in contemporary China. Through the work of the photographer Zhang Xinmin, it examines the cultural politics of blankness and marked surfaces as representational strategies for exploring the intersection of historical remains and mass migration.
Keyword(s):
2016 ◽
Vol 134
(3)
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pp. 1113-1134
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2015 ◽
Vol 46
(2)
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pp. 241-263
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2006 ◽
Vol 108
(2)
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pp. 389-392
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Keyword(s):
2004 ◽
Vol 38
(4)
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pp. 1563-1563