Memory of a Tonal Center After Modulation

2016 ◽  
Vol 34 (1) ◽  
pp. 71-93 ◽  
Author(s):  
Morwaread M. Farbood

This study examines how long the percept of a tonal center is retained in memory following a modulation to a new key, and how harmonic context in the new key area affects recall of the original key. In Experiment 1, musically trained listeners (N = 50) were asked to rate perceived harmonic tension while listening to chord sequences that consisted of three parts: the first section established an initial key, the second section modulated to a new key, and the last section modulated back to the original key. The duration of the new key section ranged from 3 to 21 seconds. The tension slopes following the modulations indicated a gradual decay in the memory of the previous key as the length of the new key section increased. When sequences lacked cadences, traces of the initial key appeared to persist longer. In Experiment 2, musically trained listeners (N = 31) were asked to rate harmonic tension while listening to sequences with longer timescales of up to 45 s in a new key area. Additionally, responses to “closed” modulations, which returned to the original key, and “open” modulations, which departed from both the original and new keys, were compared. The combined results of Experiments 1 and 2 showed that the original key was retained in memory after 15-20 s in a new key. However, there was not enough evidence to conclude it persisted beyond 20 s.

Paleobiology ◽  
2021 ◽  
pp. 1-23
Author(s):  
Pablo S. Milla Carmona ◽  
Dario G. Lazo ◽  
Ignacio M. Soto

Abstract Despite the paleontological relevance and paleobiological interest of trigoniid bivalves, our knowledge of their ontogeny—an aspect of crucial evolutionary importance—remains limited. Here, we assess the intra- and interspecific ontogenetic variations exhibited by the genus Steinmanella Crickmay (Myophorellidae: Steinmanellinae) during the early Valanginian–late Hauterivian of Argentina and explore some of their implications. The (ontogenetic) allometric trajectories of seven species recognized for this interval were estimated from longitudinal data using 3D geometric morphometrics, segmented regressions, and model selection tools, and then compared using trajectory analysis and allometric spaces. Our results show that within-species shell shape variation describes biphasic ontogenetic trajectories, decoupled from ontogenetic changes shown by sculpture, with a gradual decay in magnitude as ontogeny progresses. The modes of change characterizing each phase (crescentic growth and anteroposterior elongation, respectively) are conserved across species, thus representing a feature of Steinmanella ontogeny; its evolutionary origin is inferred to be a consequence of the rate modification and allometric repatterning of the ancestral ontogeny. Among species, trajectories are more variable during early ontogenetic stages, becoming increasingly conservative at later stages. Trajectories’ general orientation allows recognition of two stratigraphically consecutive groups of species, hinting at a potentially higher genus-level diversity in the studied interval. In terms of functional morphology, juveniles had a morphology more suited for active burrowing than adults, whose features are associated with a sedentary lifestyle. The characteristic disparity of trigoniids could be related to the existence of an ontogenetic period of greater shell malleability betrayed by the presence of crescentic shape change.


2016 ◽  
Vol 116 (5) ◽  
pp. 2125-2139 ◽  
Author(s):  
Tobias Teichert ◽  
Kate Gurnsey ◽  
Dean Salisbury ◽  
Robert A. Sweet

Auditory refractoriness refers to the finding of smaller electroencephalographic (EEG) responses to tones preceded by shorter periods of silence. To date, its physiological mechanisms remain unclear, limiting the insights gained from findings of abnormal refractoriness in individuals with schizophrenia. To resolve this roadblock, we studied auditory refractoriness in the rhesus, one of the most important animal models of auditory function, using grids of up to 32 chronically implanted cranial EEG electrodes. Four macaques passively listened to sounds whose identity and timing was random, thus preventing animals from forming valid predictions about upcoming sounds. Stimulus onset asynchrony ranged between 0.2 and 12.8 s, thus encompassing the clinically relevant timescale of refractoriness. Our results show refractoriness in all 8 previously identified middle- and long-latency components that peaked between 14 and 170 ms after tone onset. Refractoriness may reflect the formation and gradual decay of a basic sensory memory trace that may be mirrored by the expenditure and gradual recovery of a limited physiological resource that determines generator excitability. For all 8 components, results were consistent with the assumption that processing of each tone expends ∼65% of the available resource. Differences between components are caused by how quickly the resource recovers. Recovery time constants of different components ranged between 0.5 and 2 s. This work provides a solid conceptual, methodological, and computational foundation to dissect the physiological mechanisms of auditory refractoriness in the rhesus. Such knowledge may, in turn, help develop novel pharmacological, mechanism-targeted interventions.


2014 ◽  
Vol 22 (1) ◽  
pp. 170-178 ◽  
Author(s):  
Chris Donkin ◽  
Robert Nosofsky ◽  
Jason Gold ◽  
Richard Shiffrin

Author(s):  
Vincenzo Deufemia ◽  
Giuseppe Polese ◽  
Mario Vacca

The problem of changes in software development is a complex one, and it is almost impossible to avoid it. Indeed, the continuous evolution of the real world causes frequent changes in functional requirements, which entail frequent modifications to the software, yielding a gradual decay of its overall quality. To tackle this problem, two methodologies have been proposed: waterfall methodologies, and incremental/iterative methodologies. The formers try to prevent changes, whereas the second ones consider system development as a step by step process.


2016 ◽  
Vol 166 ◽  
pp. 54-63 ◽  
Author(s):  
Anka Slana ◽  
Grega Repovš ◽  
W. Tecumseh Fitch ◽  
Bruno Gingras
Keyword(s):  

Author(s):  
Susan Holleran ◽  
Mari Riess Jones ◽  
David Butler
Keyword(s):  

2014 ◽  
Vol 135 (4) ◽  
pp. 2414-2414 ◽  
Author(s):  
Samuel R. Mathias ◽  
Christophe Micheyl ◽  
Barbara Shinn-Cunningham

2000 ◽  
Vol 88 (1) ◽  
pp. 3-9 ◽  
Author(s):  
A. S. Jordan ◽  
P. G. Catcheside ◽  
R. S. Orr ◽  
F. J. O'Donoghue ◽  
N. A. Saunders ◽  
...  

The gradual decay in ventilation after removal of a respiratory stimulus has been proposed to protect against cyclic breathing disorders such as obstructive sleep apnea (OSA). The male predominance of OSA, and the increased incidence of OSA in women after menopause, indicates that the respiratory-stimulating effect of progesterone may provide protection against OSA by altering the rate of poststimulus ventilatory decline (PSVD). It was therefore hypothesized that PSVD is longer in premenopausal women than in men and is longer in the luteal menstrual phase compared with the follicular phase. PSVD was measured in 12 men and in 11 women at both their luteal and follicular phases, after cessation of isocapnic hypoxia and normoxic hypercapnia. PSVD was compared between genders and between women in the luteal and follicular phases by repeated-measures ANOVA. There were no significant differences in PSVD between any of the groups after either respiratory stimulus. This suggests that the higher occurrence of OSA in men does not reflect an underlying gender difference in PSVD and implies the increased prevalence of OSA in women after menopause is not representative of an effect of progesterone on PSVD.


1994 ◽  
Vol 42 (3) ◽  
pp. 203-216 ◽  
Author(s):  
Keitha V. Lucas

The purpose of this study was to investigate the influence of harmonic context on the sightsinging skill of middle school choral music students. A nonrandomized control-group pretest-posttest design with one between-group (treatment method) and two within-group (trial and test context) factors was used. The treatment method used three harmonic contexts: (a) melody only, (b) piano harmony, and (c) vocal harmony. The trial condition had two levels (pretest and posttest), and the test context condition had four levels: (a) melody-only, (b) piano-harmony, (c) vocal harmony/upper with the melody in the higher of two voices, and (d) vocal harmony/lower with the melody in the lower of two voices. A repeated measures ANOVA revealed significant differences for the test context and trial main effects and for the trial by treatment group interaction; subjects obtained the highest sightsinging scores when tested in a melody-only context. Because of the significant interaction between trial and treatment group, one-way ANOVAs were used to test for simple main effects in both trial conditions (pretest and posttest). Although no significant differences were detected in the pretest ANOVA, the posttest ANOVA revealed significant differences among treatment groups. Post hoc analysis indicated that subjects in the melody-only treatment group showed more improvement in sightsinging skill than did subjects in the vocal-harmony treatment group. No difference was revealed, however, between the melody-only treatment group and the piano-harmony treatment group.


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