scholarly journals “See it Now” in Lurid Black and White: Good Night, and Good Luck, a film by Warner Independent Pictures, directed by George Clooney (2005)

Contexts ◽  
2006 ◽  
Vol 5 (3) ◽  
pp. 65-66
Author(s):  
Gary Alan Fine
Babel ◽  
2010 ◽  
Vol 56 (2) ◽  
pp. 101-118 ◽  
Author(s):  
Anna Matamala

This article aims to describe how written translations of audiovisual products change along the dubbing process until they reach the audience, focusing mainly on the synchronisation stage. The corpus is made up of the first reel of the Catalan and Spanish translations of three different films released in 2006 (Casino Royale, Good night, and good luck, and The Da Vinci Code). After a brief summary of the dubbing process and a short overview of the approaches to synchronisation found in the literature, the specific strategies found in a bottom-up analysis are highlighted, offering both a wide analysis of the general changes throughout the process and a closer analysis of the specific changes that occur in the synchronisation stage. A comparison of the strategies found in Catalan and Spanish is also included in order to assess whether different languages result in different strategies.


2006 ◽  
Vol 93 (3) ◽  
pp. 985-986
Author(s):  
R. Briley
Keyword(s):  

2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Colette Leung

Bobet, Leah. Above. New York: Arthur A. Levine Books-Scholastic, 2012. PrintThis Young Adult urban fantasy novel takes place in present-day Toronto, Canada. The main character is Matthew, a teenager growing up in an underground, secret community known as Safe. This community was founded by Matthew’s guardian, Atticus, for disabled outcasts and people with abnormalities.  For example, Atticus has claws for hands, and Matthew has scales. In this underground community, Matthew is Teller, which means that he collects and remembers the stories of different individuals living in Safe. Matthew is in love with the traumatized girl Ariel, who can shape-shift into a bee and has wings. Ariel came to the Safe as a teenager, and lived in the city before then, but she is slow to trust others, including Matthew, and runs away frequently.Safe is threatened by an exile, known as Corner, who works with an army of shadows. Eventually, Corner invades Safe by following Ariel home after one of the times she ran away. This causes the community to disperse Above, which is actually downtown Toronto.  Once there, with the help of Ariel, Matthew has to reunite his community, and reclaim Safe. In order to do this, Matthew must discover the history of Corner, and its connection to Safe. He learns that there are two sides to every story, and not everything is black and white. Good people can make mistakes, and love and relationships are complex and defining elements of what it means to be human.Above has important messages about themes of “good” and “evil” and the gray areas in between. By blurring the lines between fantasy, magic, and medicine, these themes are easy to bridge into the real world. The focus on outcasts and disabled people gives the book a unique perspective, and the setting takes readers to both well-known and often passed over areas of downtown Toronto.The book suffers from poor setup, however, and slow character development.  Leah Bobet uses a stilted writing style, meant to reflect the main character’s education and state of mind.  Often this style makes the plotline difficult to follow, and undercuts some of the more intriguing descriptions of Toronto.  Readers are also launched into the world without explanation, which can make it difficult to figure out what is going on for the first half of the book. The story can be even more confusing as it is told in patchworks. Outside of Matthew’s main storyline, the narratives of other characters are interwoven into the book, so not all events are chronological.Above has a good premise that will appeal to the right group of young adults, but with the difficult writing level and the lack of setup, some of the target audience might lose interest before finishing the novel. It is worth nothing that some of the content deals with difficult topics, including mental illness, abuse, disability, poverty, gender-identification, people of different and mixed ethnicities, experimentation on people, and death.Recommended with Reservations: 2 out of 4 starsReviewer: Colette LeungColette Leung is a graduate student at the University of Alberta, working in the fields of Library and Information science and Humanities Computing who loves reading, cats, and tea. Her research interests focus around how digital tools can be used to explore fields such as literature, language, and history in new and innovative ways.


Luck ◽  
2019 ◽  
pp. 89-96
Author(s):  
Chengwei Liu
Keyword(s):  

2009 ◽  
Vol 40 (5) ◽  
pp. 609-610 ◽  
Author(s):  
Bente Elkjaer ◽  
Russ Vince
Keyword(s):  

The Lancet ◽  
2012 ◽  
Vol 380 (9858) ◽  
pp. 1977
Author(s):  
Niall Boyce
Keyword(s):  

2007 ◽  
Vol 35 (2) ◽  
pp. 435-437
Author(s):  
Michael Cox
Keyword(s):  

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