ΣϒPIΣKOΣ EΓPΦΣEN: Loaded Names, Artistic Identity, and Reading an Athenian Vase

2010 ◽  
Vol 29 (2) ◽  
pp. 222-253 ◽  
Author(s):  
Seth D. Pevnick
Keyword(s):  
World View ◽  
Artistic Identity ◽  
Ancient Greek ◽  
Political Messages ◽  
Central Figure ◽  
The Many ◽  
Greek Pottery ◽  
Supreme Deity

This paper examines the importance of artist names and artistic identity, especially as expressed in artist signatures, to the interpretation of ancient Greek pottery. Attention is focused on a calyx krater signed ΣϒPIΣKOΣ EΓPΦΣEN [sic], and it is argued that the non-Greek ethnikon used as artist name encourages a non-Athenian reading of the iconography. The painted labels for all six figures on this vase, together with parallels from other Athenian red-figure vases—including others from the Syriskos workshop—all suggest the presentation of an alternative, un-Athenian world view. Okeanos, Dionysos, and Epaphos are read as representing faraway lands at the edges of the Ge Panteleia, or “entire earth,” while the central figure of Themis, Greek personification of divine right, is depicted pouring a libation to Balos, the Hellenized form of the Syrian supreme god Baal, thereby recognizing his status as a supreme deity. Other overtly political messages have been read elsewhere in the oeuvre of the Syriskos Workshop, where it seems that at least two distinct artistic identities were at play—the explicitly foreign “little Syrian,” and the more conventional Pistoxenos, or “trustworthy foreigner.” When explicitly signed on vessels, these artistic identities necessarily sway interpretation, whereas on the many unsigned pieces, the viewer is left to consider which identity is at play.

The Physical Cosmos: Aristotelian Dialectics

2018 ◽  
pp. 76-109
Author(s):  
Anthony Cordingley
Keyword(s):  
World View ◽  
Narrative Structure ◽  
Ancient World ◽  
Ancient Greek ◽  
Trinity College Dublin ◽  
Creative Transformation ◽  
Cosmic Order ◽  
Spatio Temporal ◽  
The Many ◽  
The Impact

This chapter explores the impact of the dialectics of the Ancient world after Plato upon Beckett’s French novels and the peculiar set of relations between characters and their physical environment in How It Is. It accounts for the presence of Aristotelian ideas of cosmic order, syllogism, space and time. Beckett’s study of formal logic as a student at Trinity College, Dublin and his private study of philosophy in 1932 is examined in this light; particularly his “Philosophy Notes,” along with further sources for his knowledge. The Aristotelian world view of his “I” is shown to be confronted with a set of relations resembling those of the Ancient Greek Stoics. The materiality of spatio-temporal relations in How It Is and the metaphysical coordinates between the “I”, its cosmos and any transcendent other are interrogated. The dialectic between Aristotelian and Stoic physics and metaphysics in How It Is emerges as a conceptual framework for exploring many of the novel’s contradictions, as well as the many confusions and digressions of its narrator/narrated. Beckett’s creative transformation of this ancient dialectic is shown, furthermore, to lead him to formal innovations, such as the novel’s continuous present tense and its complex narrative structure.

Toward An Islamic Alternative In Thought and Knowledge

1989 ◽  
Vol 6 (1) ◽  
pp. 1-12
Author(s):  
Taha Jabir Al Alwani
Keyword(s):  
Present State ◽  
Traditional Approach ◽  
World View ◽  
Cultural Transformation ◽  
Modern Culture ◽  
Selective Approach ◽  
Cultural Systems ◽  
Eclectic Approach ◽  
Basic Approaches ◽  
The Many

IntroductionCurrent developments and the many acute problems facing the MuslimUmmah, especially at the intellectual level, present a serious challenge toIslam. This is why an attempt to outline an intellectual Islamic alternativein thought and knowledge has never been so urgent and imperative. Thiwill, insha 'Allah, help in formulating a clear and coordinated policy withregard to cultural transformation based on firm principles and sound strategy.It is also hoped that this policy will lead to scientific findings.By way of introduction, I will give a brief description of the state ofknowledge and thought. and of the educational and cultural systems in thecontemporary Arab and Muslim world.The Present State of ThoughtWhen examining the present state of thought among the Muslim peoples.three basic approaches can be identified:• The first can be described as the traditionalist approach which,by and large, considers the "traditional'' thought of the Ummahto be self-sufficient and capable of being presented asit is or with very little alteration. This approach suggeststhat the Ummah's contemporary intellectual life can be formedand organized and that the structure of its civilization canbe built on this basis. This approach i often described asthe approach of authenticity.• The second approach considers contemporary Western thoughtand its world-view-its concepts of existence, of life and ofman-to be universal, without it a modern culture and civilizationcannot be built. This tendency maintains that Westernthought must be adopted in toto, and any consequent negativeaspects are the price that must be paid if a modern cultureand civilization are to be established. This view is oftendescribed as mcdemistic.• The third trend, or the eclectic approach, advocates yetanother view. It contends that one must select from traditionalthought what is most sound, and from "modern" contemporarythought that which one considers and proves tobe correct, and weld the two to form an intellectual structurethat will provide a guaranteed basis for achieving what isrequired.However, the traditional approach, in the manner it has been presentedand applied, did not help to prevent the Ummah from falling into Lhe stateof decline and failure from which it is still suffering. Likewise, Western thought,as it also is presented and applied, cannot protect the Ummah from its inherentadverse, harmful and even disastrous effects. The advocates of theeclectic selective approach have not yet presented the details of this proposedblend, let alone tried to put it into effect. All this is conducive to the widerangingquestion: Is the Umrnah going through a serious intellectual crisis;and . if so, what is the way out of it? ...

Precursors to Public Choice

2019 ◽  
pp. 796-816
Author(s):  
Iain McLean
Keyword(s):  
Public Choice ◽  
Social Choice ◽  
Choice Theory ◽  
Social Choice Theory ◽  
Ancient Greek ◽  
The Social ◽  
Mathematical Skill ◽  
The Many ◽  
Selection Of

This chapter reviews the many appearances, disappearances, and reappearances of axiomatic thought about social choice and elections since the era of ancient Greek democracy. Social choice is linked to the wider public-choice movement because both are theories of agency. Thus, just as the first public-choice theorists include Hobbes, Hume, and Madison, so the first social-choice theorists include Pliny, Llull, and Cusanus. The social-choice theory of agency appears in many strands. The most important of these are binary vs. nonbinary choice; aggregation of judgement vs. aggregation of opinion; and selection of one person vs. selection of many people. The development of social choice required both a public-choice mindset and mathematical skill.

scholarly journals On the dynastic cult of the rulers of Bukhara Sogd in the Early Middle Ages (to the interpretation of the murals of the Varakhsha palace)

2021 ◽  
pp. 28-39
Author(s):  
T.I. Gyul
Keyword(s):  
Middle Ages ◽  
Visual Arts ◽  
Bactrian Camel ◽  
High Status ◽  
Wall Paintings ◽  
Early Middle Ages ◽  
Bird Of Prey ◽  
Central Figure ◽  
South Wall ◽  
Supreme Deity

Varakhsha hillfort is located in the Bukhara oasis (Uzbekistan). From the 6th to 8th c., it was the residence of the rulers of Bukhara Sogd. Archaeological investigations of the Varakhsha were carried out in the late 1930s, and then later in 1947 and 1949–1954. During the excavations of the palace, wall paintings were discovered in the Red (Hindu) and East (Blue) Halls (7th–8th c.). In the East Hall, the center of the art composition on the south wall was dominated by a massive figure of a ‘king’ with a golden sword, seated on a throne with protomas of winged camels. Depicted next to him was a group of five people sitting on their knees — the king's family. The elder man is making an offering to the fire on an altar. On the base of the altar, there is a male figure, seated on a throne in the form of a lying camel. This figure represents Vretragna, the Avestan deity of Victory. Mythogenically, Vretragna is close to the Vedic god of thunder Indra. In Avesta, Vretragna appears in various guises: a Bactrian camel; the bird of prey Varagn; a man with a golden sword. In Sogdian iconography, the image of the Bactrian camel is most often associated with Vretragna. The characters of the murals in the Blue Hall (the king’s family) bring offering to the fire lit in tribute to the deity — to Vretragna. The central figure of this composition was identi-fied by V.A. Shishkin as a king. In our opinion, it rather depicts Vretragna. This is implicitly indicated by the protomas of the throne in the form of winged camels and by the image of ‘the king with the golden sword’. The walls of the Red Hall of Varakhsha were decorated with a scene of hunters riding elephants. Each elephant was ridden by a servant-mahout and a lord, whose figure would be disproportionately large. They are slaying huge monsters. According to researchers, an image of the Sogdian deity Adbag is repeated here. The epithet ‘Adbag’ — ‘Supreme deity’ is associated with Ahuramazda. B.I. Marshak and A.M. Belenitsky note, that here Adbag-Ahuramazda is likened to Indra riding a white elephant. It seems to us quite probable that such an epithet could be applied to various gods of a high status. Notably, it could be Vretragna depicted here, who is akin to Indra. We think that the image of Vretragna held a special place in the visual arts of Varakhsha, as the patron deity of the Bukhar-Khudat dynasty. He was depicted in the center of the com-position in the Blue Hall in his Avestan hypostasis, and in the Red Hall he was depicted in the form of Indra.

EARLY CHRISTIAN REPRESENTATIONS OF MAN BETWEEN THE BIBLE AND GREEK PHILOSOPHY – THE FEATURES OF THE RELATIONSHIP

2021 ◽  
Vol 12 (1) ◽  
pp. 104-111
Author(s):  
A. V. Laputko ◽  
Keyword(s):  
Old Testament ◽  
World View ◽  
Modern World ◽  
Greek Philosophy ◽  
Ancient Greek ◽  
Early Christian ◽  
The Bible ◽  
Ancient Greek Philosophy ◽  
The New Testament ◽  
Final Design

The article examines the preconditions for the formation of Christian ideas about man. The emphasis is on the fact that the doctrine of a person has never been a separate problem of theology, and, consequently, was formed in parallel and within the basic tenets of Christianity. The author focuses attention on the contradiction in understanding the origin of representations of a person between the traditional branches of Christianity. On the whole, while remaining in common positions, each denomination identifies its own fundamental source of the origin of anthropological ideas, not taking into account the complex and contradictory path of interpenetration of the ideas of ancient Greek philosophy and Christianity. The author shows the path of formation of the main anthropological representations from the Old Testament notions to the New Testament, which receive their final design only in the works of apologists of Christianity brought up by the logic and culture of thinking of ancient philosophy. Thus, the birth of a new world-view anthropological paradigm, which remains one of the most popular and discursive in the modern world, takes place within the framework of a dialogue between ancient Greek philosophical thought and Old Testament ideas.

‘Do you Think you’re Clever? Solve this Riddle, then!’ The Comic Side of Byzantine Enigmatic Poetry

2017 ◽  
Author(s):  
Simone Beta
Keyword(s):  
Fifth Century ◽  
Ancient Greek ◽  
Old Comedy ◽  
The Many

‘Comic’ is not an adjective one would normally use in connection with or ancient Greek Byzantine riddles. Yet Greek riddles began to show their comic side after the fifth century BCE, when they became typical sympotic pastimes. At some point, ainigmata turned into griphoi and, according to the definition given by the Peripatetic philosopher Clearchus of Soli, became a ‘a problem put in jest’. The comicality we see in in the many griphoi Athenaeus took from Attic comedy in the tenth book of the Deipnosophists is more evident, and less dangerous; and it is generally agreed that such drollery is mostly absent from Byzantine riddles. A survey shows how the unknown Byzantine authors who took pleasure in composing these little conundrums were even able, in some circumstances, to jest with Holy Scripture and to linger on topics more suitable for Old Comedy.

The Periodic System

2019 ◽  
Author(s):  
Eric Scerri
Keyword(s):  
Middle Ages ◽  
Point Of View ◽  
Platonic Solid ◽  
Ancient Greek ◽  
Platonic Solids ◽  
System P ◽  
Chemical Inertness ◽  
Dimensional Shape ◽  
The Many

In ancient Greek times, philosophers recognized just four elements—earth, water, air, and fire—all of which survive in the astrological classification of the 12 signs of the zodiac. At least some of these philosophers believed that these different elements consisted of microscopic components with differing shapes and that this explained the various properties of the elements. These shapes or structures were believed to be in the form of Platonic solids (figure 1.1) made up entirely of the same two-dimensional shape. The Greeks believed that earth consisted of microscopic cubic particles, which explained why it was difficult to move earth. Meanwhile, the liquidity of water was explained by an appeal to the smoother shape possessed by the icosahedron, while fire was said to be painful to the touch because it consisted of the sharp particles in the form of tetrahedra. Air was thought to consist of octahedra since that was the only remaining Platonic solid. A little later, a fifth Platonic solid, the dodecahedron, was discovered, and this led to the proposal that there might be a fifth element or “quintessence,” which also became known as ether. Although the notion that elements are made up of Platonic solids is regarded as incorrect from a modern point of view, it is the origin of the very fruitful notion that macroscopic properties of substances are governed by the structures of the microscopic components of which they are comprised. These “elements” survived well into the Middle Ages and beyond, augmented with a few others discovered by the alchemists, the precursors of modern-day chemists. One of the many goals of the alchemists seems to have been the transmutation of elements. Not surprisingly, perhaps, the particular transmutation that most enticed them was the attempt to change the base metal lead into the noble metal gold, whose unusual color, rarity, and chemical inertness have made it one of the most treasured substances since the dawn of civilization.

scholarly journals Seeing the Dog: Naturalistic Canine Representations from Greek Art

Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 14
Author(s):  
Kenneth F. Kitchell
Keyword(s):  
Real Life ◽  
Ancient Greek ◽  
Seminal Work ◽  
Greek Art ◽  
The Many ◽  
Animal World

This study attempts to demonstrate that ancient Greek authors and vase painters (mostly of the late sixth and early fifth centuries) were well attuned to the many bodily gestures and positions exhibited by dogs in real life and utilized this knowledge in producing their works. Once this is clear, it becomes evident that the Greek public at large was equally aware of such canine bodily gestures and positions. This extends the seminal work on gestures of Boegehold and Lateiner to the animal world and seeks also to serve as a call for further study of similar animals throughout ancient Greek times.

scholarly journals Automated SEM‐EDS pottery classification based on minero‐chemical quantitative parameters: An application on ancient Greek pottery from Adrano (NE Sicily, Italy)

2019 ◽  
Vol 49 (2) ◽  
pp. 291-301 ◽  
Author(s):  
R. Cossio ◽  
P. Davit ◽  
F. Turco ◽  
L. Operti ◽  
V. Pratolongo ◽  
...  
Keyword(s):  
Ancient Greek ◽  
Quantitative Parameters ◽  
Ne Sicily ◽  
Greek Pottery

Puritan Radicalism and the Enlightenment

1960 ◽  
Vol 29 (4) ◽  
pp. 424-439 ◽  
Author(s):  
George L. Mosse
Keyword(s):  
Eighteenth Century ◽  
World View ◽  
Difficult Problem ◽  
Point Of View ◽  
Religious Truth ◽  
The Enlightenment ◽  
The World ◽  
Christian Thought ◽  
The Many ◽  
The Relationship

The relationship between Christianity and the Enlightenment presents a subtle and difficult problem. No historian has as yet fully answered the important question of how the world view of the eighteenth century is related to that of traditional Christianity. It is certain, however, that the deism of that century rejected traditional Christianity as superstitious and denied Christianity a monopoly upon religious truth. The many formal parallels which can be drawn between Enlightenment and Christianity cannot obscure this fact. From the point of view of historical Christianity, both Protestant and Catholic, the faith of the Enlightenment was blasphemy. It did away with a personal God, it admitted no supernatural above the natural, it denied the relevance of Christ's redemptive task in this world. This essay attempts to discover whether traditional Christian thought itself did not make a contribution to the Enlightenment.

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