scholarly journals SaltWalks: Vancouver, Nanaimo, Toronto

Author(s):  
Randy Lee Cutler

SaltWalks (2013-ongoing) is a performance series that takes participants on site-specific salt tasting walks through different city neighborhoods. Each walk begins at a designated meeting point where fellow walkers sample five different salts, including table salt, Celtic sea salt, Himalayan rock salt, Hawaiian clay salt, and Alderwood smoked salt. These tastings are served from a custom salt apron designed specifically for walking. Our savory comparisons initiate far-ranging conversations exploring the uses of salt across time and different cultures. Through an engagement with this elemental mineral, these walks become a pedagogical platform that embodies aesthetic and philosophical enquiries into the importance of this substance to ritual, survival, health, industry and the imagination.

2021 ◽  
Author(s):  
Rachatida Det-udom ◽  
Sarn Settachaimongkon ◽  
Chuenjit Chancharoonpong ◽  
Porrarath Suphamityotin ◽  
Atchariya Suriya ◽  
...  

AbstractBacterial diversity of the Thai traditional salt fermented fish with roasted rice bran or Pla-ra, in Thai, was investigated using classical and molecular approaches. Pla-ra fermentation could be classified into two types, i.e., solid-state fermentation (SSF) and submerged fermentation (SMF). Bacterial population ranged from 102-106 and 106-109 CFU/g in SSF and SMF, respectively. The rRNA detection revealed that Halanaerobium spp. and Lentibacillus spp. were the main genera present in all types and most stages of fermentation. Tetragenococcus halophillus were dominant during final stage of fermentation in the samples in which sea salt was used as one of the ingredients while Bacillus spp. were found in those that rock salt was used. In contrast, cultural plating demonstrated that Bacillus spp. were the dominant genera. B. amyloliquefaciens were the main species found in all types of Pla-ra whereas B. pumilus, B. autrophaeus, B.subtilis and B. velezensis were specifically associated with the samples in which rock salt was used. The main volatile metabolites in all Pla-ra samples were butanoic acid and its derivatives. Dimethyl disulfide was observed during earlier stage of fermentation under high salt condition with a long fermentation period. Key factors affected bacterial profiles and volatile compounds of salt fermented fish are type of salt, addition of roasted rice bran, and fermenting conditions.ImportanceProtein hydrolysates with high salt fermentation from soy, fish as sauces and pastes are important food condiments commonly found in Asian food cultures. In Thailand, an indigenous semi-paste product derived from salted fish fermentation also called Pla-ra is well recognized and extensively in demands. In-depth information on Pla-ra fermentation ecosystems, in which roasted rice bran and different types of salt are incorporated, are still limited. In this study, we found that Halanaerobium spp. was the key autochthonous microbe initiating Pla-ra fermentation. Addition of roasted rice brand and rock salt were associated with the prevalence of Bacillus spp. while sea salt was associated with the presence of Tetragenococcus halophillus, The risk of pathogenic Staphylococcus spp. and Clostridium spp. needed to be also concerned. Geographical origin authentication of Pla-ra products could be discriminated based on their distinctive volatile profiles. This research provides novel insights for quality and safety control fermentation together with conservation of its authenticity.


1983 ◽  
Vol 26 ◽  
Author(s):  
L. R. Pederson ◽  
D. E. Clark ◽  
F. N. Hodges ◽  
G. L. Mcvpy ◽  
D. Rai

ABSTRACTThis paper discusses results of recent efforts to define the very near-field (within approximately 2m) environmental conditions to which waste packages will be exposed in a salt repository. These conditions must be considered in the experimental design for waste package materials testing, which includes corrosion of barrier materials and leaching of waste forms. Site-specific brine compositions have been determined, and “standard” brine compositions have been selected for testing purposes. Actual brine compositions will vary depending on origin, temperature, irradiation history, and contact with irradiated rock salt. Results of irradiating rock salt, synthetic brines, rock salt/brine mixtures, and reactions of irradiated rock salt with brine solutions are reported.


Author(s):  
Shuyan Zhou

Regarding the question of politics and play in Chinese Internet culture, this chapter re-examines particular effects of netizens’ carnival practices, as well as the complex interactions and contradictions among cyberculture, the official culture, and consumerism in China, by centering on a specific case of “Looking for Leehom” (zhao Lihong) and its related media discourses in 2012 and 2013. The case serves as an influential online carnival, starting from an online Boy’s Love fandom of those who participated in the fantasy matchmaking of two male celebrities. Further, it raises large questions about resistance, complicity, and negotiation among different cultures and media, particularly considering that online carnival was appropriated by a performance on the CCTV Spring Festival Gala in 2013 and then commented on by newspapers and magazines. The chapter inspects how the pleasure of Boy’s Love fantasy has been transferred, censored, and re-enabled between cyberculture and offline societies. By rethinking Bakhtin’s interpretation of carnival, the chapter concludes by exploring the cultural and social implications of “Looking for Leehom” and the potential power of the netizens’ fantasy.


2020 ◽  
pp. 259-272
Author(s):  
Chun Wai (Wilson) Yeung

This paper emphasizes that curatorial practice and site-specific art are essential aspects of the transition from artistic collaboration to collaborative curatorial practice and discovers the new potential of ‘curator as collaborator’ practice to cultivate community-based, collaborative and engaging cultural projects in public spaces. By examining the curatorial residency of my participation in Public Space 50 at RMIT University, Melbourne, Australia in 2017, this portfolio investigates how I, as a curator, explore art curation locations and methods to enable students to actively work collaboratively to plan, facilitate and produce public art projects. It asks how to turn public spaces into laboratories; how can student artists work together in public space; how to empower a creative student community through artistic collaboration and how artistic activation can be developed among creative participators of different cultures and backgrounds?


2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Jyoti Mistry

This paper considers what decolonizing film education might mean through a series of research initiatives undertaken across different cultures which explore social media platforms for creating moving image sequences. The paper attends to three factors in the current climate of education: the accessibility of the medium, its immediacy in dissemination, and the democratizing effect that these conditions have had on the medium of film. Working with these three conditions in contemporary film education, the case studies described include workshops that aimed to shift the curriculum from film canons to proposing the introduction of concepts. Furthermore, elided histories are explored through site-specific projects that show how decolonial processes allow these histories to be reclaimed in film practice, and for marginal subjectivities to be made visible. Finally, the proposal of decolonial processes seeks to work with creating opportunities for social and historical visibilities. The proposition is to work with film(ed) evidence as material connected to broader social justice issues that are expressed through aesthetic forms closely associated with decolonial processes and described as decolonial aesthesis.


1980 ◽  
Vol 13 (2) ◽  
pp. 103-104 ◽  
Author(s):  
Peter W.F. Fischer ◽  
Mary L'Abbé
Keyword(s):  
Sea Salt ◽  

2015 ◽  
Vol 1 (1) ◽  
pp. 255
Author(s):  
Ella Parry-Davies ◽  
Eliesh S.D.

Beirut: Bodies in Public was a three-day workshop that took place in Beirut, Lebanon from 9-11 October 2014, supported by a Performance Philosophy grant for interim conference events. The workshop integrated academic research with performances, movement workshops, film, and site-specific responses to the city, and welcomed disciplinary perspectives from a broad range of fields. In this article, the convenors Ella Parry-Davies and Eliesh S.D. reflect on the central issues and encounters foregrounded by the event, and the disciplinary or methodological implications of the project for performance philosophy. Taking as its central provocation the controversial statement: “Art in public spaces doesn’t exist anymore”, the workshop sought to address the role of embodied practice in Beirut’s precarious public sites. Insofar as philosophy can be ‘performed’, it is grounded in the particularities of its social space, an utterance shaped by its historical and geopolitical locality. As a practice of performance philosophy, then, Beirut: Bodies in Public triangulated these two forms-of-knowing with a third: the interrogation presented by the site itself - its potentialities, contingencies and challenges.


2020 ◽  
Vol 2 (38) ◽  
pp. 1-31
Author(s):  
Evelyn Furquim Werneck Lima
Keyword(s):  

Espaços não convencionais utilizados para a performance e o teatro têm sido cada vez mais apropriados pelos encenadores contemporâneos, principalmente em razão das qualidades espaciais com quais a dinâmica cênica atual envolve performers e participantes, em geral intitulada site-specific. Com base nas teorias de Carlson (1989, 2012), Rufford (2015) e Pearson (2001), discutem-se neste artigo ocupações de diferentes configurações espaciais, seja em galpões industriais, seja em espaços públicos ou semipúblicos da cidade que asseguram uma relação participativa entre palco e plateia e estabelecem papel relevante na fruição entre o corpo e o espaço, fora do edifício teatral.  


Author(s):  
Allan Walker ◽  
Haiyan Qian

This chapter draws empirical findings from a larger study that compared principals' leadership across three different international cultural contexts (Hong Kong, Singapore and Perth, Australia) and explored the influence of culture on leadership. Data were collected using interviews and structured vignettes from a purposive sample of 21 principals across three different cultures and were analyzed to arrive at a set of site-specific and cross-cultural comparative propositions. One set of these propositions is reported in the chapter. Societal culture was found to act as a filter and mediator to create substantial differences in leadership behaviors relevant to collaboration. The paper suggests re-thinking in the preparation, training, hiring and selection, of principals, all of which – given multi-ethnic, diverse societies – require more culturally aware and sensitive policies and practices.


Author(s):  
Allan Walker ◽  
Haiyan Qian

This chapter draws empirical findings from a larger study that compared principals' leadership across three different international cultural contexts (Hong Kong, Singapore and Perth, Australia) and explored the influence of culture on leadership. Data were collected using interviews and structured vignettes from a purposive sample of 21 principals across three different cultures and were analyzed to arrive at a set of site-specific and cross-cultural comparative propositions. One set of these propositions is reported in the chapter. Societal culture was found to act as a filter and mediator to create substantial differences in leadership behaviors relevant to collaboration. The paper suggests re-thinking in the preparation, training, hiring and selection, of principals, all of which – given multi-ethnic, diverse societies – require more culturally aware and sensitive policies and practices.


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