Petrographic Examination of Large Stone for Durability

2009 ◽  
pp. 94-94-16
Author(s):  
GS Wong ◽  
RJ Lutton
2018 ◽  
Vol 1 (29) ◽  
pp. 148-165
Author(s):  
طالب منعم حبيب الشمري ◽  
عبد الرزاق حسين حاجم

  The obelisk is a large stone block with a height ranging from 50 cm to 3 m. It varies in width from one obelisk to another. It is sculptured from one side or two or four sides with prominent picture inscriptions, often accompanied by cuneiform texts for immortalising kings and their military campaigns. This obelisk is constructed in a rectangular or square, and some of them a dome convex or semi-circular or pyramid. The lower section of the obelisks is wide, similar to the base of the base, and another section is sculpted on a slightly sloping end, so that it can easily be attached to the ground or placed on a special base. The rulers and kings of Mesopotamia established and displayed the obelisk in public places in order to be seen by the public.  It also was placed in the yards of temples or public squares and squares and the streets of cities. It used to celebrate their religious, military and historical achievements in order to immortalise their actions. These obelisks are held to commemorate the deeds of kings and their achievements in peace and war as confirmed by the cuneiform texts and the artistic scenes implemented on them.


Archaeologia ◽  
1852 ◽  
Vol 34 (2) ◽  
pp. 265-272 ◽  
Author(s):  
Samuel Birch
Keyword(s):  

The object I propose to describe is a Disc of silver of very thin substance, being scarcely one-sixteenth of an inch thick, and beaten up from behind in the kind of metallic work called sphurelaton by the Greeks. It has apparently formed the top of a mirror-case, or box. (See Plate XXI.) The account of its discovery, which Mr. Vint, its possessor, has placed in my hands, is as follows :—“This bas-relief I purchased in Naples upwards of twenty years ago of a travelling jeweller, who collected and dealt in relics of antiquity. The following, to the best of my recollection, is the account he gave me of the place where it was found, and the manner in which it came into his possession. On one of his customary visits to Tarentum, in Calabria, he was invited by a silversmith, with whom he transacted business, to take some refreshment, and on entering a room behind the shop he observed this bas-relief placed against the wall, and two small lamps burning before it. Being at the very first sight sensible of its antiquity, he carefully asked the silversmith's wife, who was present, where it was found. Her answer was to this effect. Some excavators brought to their shop for sale a quantity of silver which they had found in digging among the ruins of the old city. On breaking up the mass her husband discovered these figures within it, and was about to put them into the crucible to melt them, when she snatched the rare relic from her husband, exclaiming with religious horror, ‘Would you melt the Madonna?’ Her husband confirmed his wife's account, and moreover stated it was soldered within a conical-shaped silver vase that was found covered up in the tight cavity of a large stone among the ruins of Tarentum.”


Author(s):  
Qingchang Lu ◽  
Jianmin Zi ◽  
Haijun Wang ◽  
Qiuxi Huang ◽  
Wei Wan

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