scholarly journals A quantitative approach to Swiss German – Dialectometric analyses and comparisons of linguistic levels

2016 ◽  
Vol 24 (1) ◽  
Author(s):  
Yves Scherrer ◽  
Philipp Stoeckle

AbstractGerman-speaking Switzerland can certainly be regarded as one of the liveliest and at the same time best researched dialect areas in Central Europe. It is all the more surprising that dialectometric analyses in this area have only recently been performed and none of them included an investigation into the level of syntax. In this paper we pursue two goals: First, we present digital data that has been made available in recent years on the basis of the

2015 ◽  
Vol 42 (2-3) ◽  
pp. 299-320
Author(s):  
Peter Barrer

Over the past two decades, Prague has cemented itself as a tourist hotspot in the popular imagination. But what of Bratislava, long considered a “poor cousin” to Prague? What images of Bratislava have foreign publics been presented with since the fall of communism in East-Central Europe and the establishment of the Slovak Republic? Building on previous research which has examined visitors’ historical perceptions of Bratislava primarily from a German-speaking perspective, this paper seeks to map the development of Bratislava’s image in media texts from English-speaking countries since 1989 by focusing on two central motifs: Bratislava as a post-communist space and Bratislava as a locus of touristic pleasures (“Partyslava”). The images presented herein will be evaluated and contrasted with local descriptions of Bratislava, thus offering a cross-cultural perspective which will contribute to the wider discussion of popular perceptions of post-communist urban spaces in East-Central Europe.


2018 ◽  
Vol 51 (1) ◽  
pp. 90-95
Author(s):  
Michael Meng

Why study the history of modern German-speaking Central Europe? If pressed to answer this question fifty years ago, a Germanist would likely have said something to the effect that one studies modern German history to trace the “German” origins of Nazism, with the broader aim of understanding authoritarianism. While the problem of authoritarianism clearly remains relevant to this day, the nation-state-centered approach to understanding it has waned, especially in light of the recent shift toward transnational and global history. The following essay focuses on the issue of authoritarianism, asking whether the study of German history is still relevant to authoritarianism. It begins with a review of two conventional approaches to understanding authoritarianism in modern German history, and then thinks about it in a different way through G. W. F. Hegel in an effort to demonstrate the vibrancy of German intellectual history for exploring significant and global issues such as authoritarianism.


2003 ◽  
Vol 15 (3) ◽  
Author(s):  
Beat Siebenhaar

The regional chat-rooms in Switzerland show an extremely high portion of dialectal contributions (up to 90%). This non-standardized spontaneous writing of a dialectal language still reflects the geolinguistic distribution described in the linguistic atlas of German speaking Switzerland SDS (1962-1997) based on recordings of the 1940s and 1950s. This paper shows some reflexes of this geolinguistic distribution in four chat-rooms. The graphemic representation of the ending vowel of infinitives clearly confirms the traditional structure. Deviating e-graphemes in chat-rooms of alpine regions can be rated as common Swiss German variants for centralized vowels. On the other hand ä-graphemes in chat-rooms of the Swiss midlands are to be rated as marking of the phonetic deviation from the standard German pronunciation. This variation is not only found in inherited words, but also in neologisms with an almost identical distribution. The SDS illustrates a distribution for the use of t-endings in the 2nd and 3rd singular of sein 'to be'. These t-flexives cannot be found anymore in midland chat-rooms. They appear only in alpine chat-rooms, and there they become morphologized in a new way. The dialectal writing of neologisms confirms the validity of the principles for the Standard German writing.


2013 ◽  
Vol 46 (2) ◽  
pp. 362-394 ◽  
Author(s):  
H. Glenn Penny

German interactions with Latin America have a long history. Indeed, early modern historians have demonstrated that people from German-speaking central Europe took part in all aspects of the European conquest of Central and South America. They have shown that these people were critical to mining operations and publishing in sixteenth-century Mexico; they have found them among Portuguese and Spanish sailors and soldiers almost everywhere; and they have located them playing important roles in a wide range of professions from Mexico to the south of Chile.


2018 ◽  
Vol 33 (1) ◽  
pp. 238-256
Author(s):  
Niklas Bernsand

This article is part of the special cluster titled Bukovina and Bukovinians after the Second World War: (Re)shaping and (re)thinking a region after genocide and ‘ethnic unmixing’, guest edited by Gaëlle Fisher and Maren Röger. Drawing on tropes, stories, and symbols emanating from lost layers of urban cultural diversity has been an important resource in post-socialist city branding in many cities in Eastern and Central Europe that saw significant ethno-demographic changes in connection with World War II. In Chernivtsi, this is usually framed by narratives emphasizing tolerance, cultural diversity, and Europeanness, notions that are prominent in myths about the city in German-speaking Central Europe. A common strategy here, found in municipal city branding and in commercial efforts to draw on the multiethnic past in restaurants and cafés, is to deemphasize difficult questions about what actually happened to the celebrated cultural diversity and soften or ignore the temporal break. The article analyses how the International Poetry Festival Meridian Czernowitz, that has taken place in Chernivtsi since 2010, works with the city’s culturally diverse past and its literary dimensions, drawing on tropes from both local multiculturalist narratives and on the Bukowina-Mythos popularised by intellectuals from German-speaking countries. Although the festival is not a venue for working through traumas, locating events in symbolically charged places such as the Jewish cemetery and highlighting Holocaust themes in poetry readings opens up for difficult questions where the lost cultural diversity might become something more than only a resource.


2002 ◽  
Vol 35 (1) ◽  
pp. 37-73 ◽  
Author(s):  
Heikki Lempa

In 1835, Ferdinand Gustav Kühne, a Saxon writer and teacher, estimated that the Germanic realm was inundated with spas and that nowhere else were there as many as in Central Europe. In France there were “only ten springs, in Italy eight, Hungary had twelve, Sweden three, Spain two, England two, in Denmark and in vast Russia there was only one mineral spring of note in each, whereas in German-speaking countries, that is, including Bohemia and Switzerland, 149 facilities claimed to possess healing springs.” Although Kühne's estimate of foreign spas was too low—according to recent studies, the number of spas in England and France was significantly higher—contemporary accounts and recent local studies support his finding that Germans had the most bathing facilities in Europe. Fred Kaspar has isolated ninety-nine spas and mineral springs in Westphalia alone. Beginning in the last third of the eighteenth century, the number of spas and spa goers in particular increased rapidly in the Germanic realm. Only 200 guests came to the Kissingen spa in the summer of 1800, whereas fifty years later there were close to 4,000 and by the turn of the century 15,000 guests proper and more than 20,000 day visitors. Pyrmont, one of the most popular spas in the eighteenth century, started with 1,424 guests proper (not including peasants who were not considered guests proper) reaching 2,800 guests by the middle of the century, and around 19,000 by 1900.


Tempo ◽  
2015 ◽  
Vol 69 (272) ◽  
pp. 77-78
Author(s):  
Marcus Zagorski

The focus of Wien Modern 2014, according to Artistic Director Matthias Lošek, is best summarised with the two English words ‘on screen’. In his editorial forward to the programme book, Lošek communicated the thinking behind the festival and explained that ‘“on screen” engages with the interface between film/television and contemporary music’. Perhaps it is no surprise, then, that the majority of events in the festival, which ran from 29 October until 21 November 2014, had a strong visual element. This precedence of the visual in a major contemporary music festival brought to mind a review of this year's Darmstadt courses: ‘Das Auge hört mit’, a reviewer of Darmstadt 2014 concluded in the latest issue of the Neue Zeitschrift für Musik, ‘the eye listens in’. The world, it seems, is not as we were taught: German-speaking Central Europe, for some the Mecca of absolute music, is looking elsewhere. How could this be?


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