scholarly journals Teoria splątana

2020 ◽  
Author(s):  
Anna Krajewska

Referring to her earlier articles, Anna Krajewska develops her own concept of “entangled theory”. Adopting the principles of operation of elementary particles in quantum physics, referred to as the “entanglement state”, she proposes to see literary studies through anti-binary, performative concepts, which include, above all, anamorphosis. She ties theory in with the process of experiencing art. She proposes to “entangle” seeing in art (the viewer in front of the painting) with the role of seeing in theory (the viewer as practising dramaturgy). In this approach, the theory appears as the theory of entanglement. In this concept, disciplines become dramaturgies.

Author(s):  
Iryna Rusnak

The author of the article analyses the problem of the female emancipation in the little-known feuilleton “Amazonia: A Very Inept Story” (1924) by Mykola Chirsky. The author determines the genre affiliation of the work and examines its compositional structure. Three parts are distinguished in the architectonics of associative feuilleton: associative conception; deployment of a “small” topic; conclusion. The author of the article clarifies the role of intertextual elements and the method of constantly switching the tone from serious to comic to reveal the thematic direction of the work. Mykola Chirsky’s interest in the problem of female emancipation is corresponded to the general mood of the era. The subject of ridicule in provocative feuilleton is the woman’s radical metamorphoses, since repulsive manifestations of emancipation becomes commonplace. At the same time, the writer shows respect for the woman, appreciates her femininity, internal and external beauty, personality. He associates the positive in women with the functions of a faithful wife, a caring mother, and a skilled housewife. In feuilleton, the writer does not bypass the problem of the modern man role in a family, but analyses the value and moral and ethical guidelines of his character. The husband’s bad habits receive a caricatured interpretation in the strange behaviour of relatives. On the one hand, the writer does not perceive the extremes brought by female emancipation, and on the other, he mercilessly criticises the male “virtues” of contemporaries far from the standard. The artistic heritage of Mykola Chirsky remains little studied. The urgent task of modern literary studies is the introduction of Mykola Chirsky’s unknown works into the scientific circulation and their thorough scientific understanding.


Author(s):  
Andrew Briggs ◽  
Hans Halvorson ◽  
Andrew Steane

Two scientists and a philosopher aim to show how science both enriches and is enriched by Christian faith. The text is written around four themes: 1. God is a being to be known, not a hypothesis to be tested; 2. We set a high bar on what constitutes good argument; 3. Uncertainty is OK; 4. We are allowed to open up the window that the natural world offers us. This is not a work of apologetics. Rather, the text takes an overview of various themes and gives reactions and responses, intended to place science correctly as a valued component of the life of faith. The difference between philosophical analysis and theological reflection is expounded. Questions of human identity are addressed from philosophy, computer science, quantum physics, evolutionary biology and theological reflection. Contemporary physics reveals the subtle and open nature of physical existence, and offers lessons in how to learn and how to live with incomplete knowledge. The nature and role of miracles is considered. The ‘argument from design’ is critiqued, especially arguments from fine-tuning. Logical derivation from impersonal facts is not an appropriate route to a relationship of mutual trust. Mainstream evolutionary biology is assessed to be a valuable component of our understanding, but no exploratory process can itself fully account for the nature of what is discovered. To engage deeply in science is to seek truth and to seek a better future; it is also an activity of appreciation, as one may appreciate a work of art.


Author(s):  
T. N. Palmer

A new law of physics is proposed, defined on the cosmological scale but with significant implications for the microscale. Motivated by nonlinear dynamical systems theory and black-hole thermodynamics, the Invariant Set Postulate proposes that cosmological states of physical reality belong to a non-computable fractal state-space geometry I , invariant under the action of some subordinate deterministic causal dynamics D I . An exploratory analysis is made of a possible causal realistic framework for quantum physics based on key properties of I . For example, sparseness is used to relate generic counterfactual states to points p ∉ I of unreality, thus providing a geometric basis for the essential contextuality of quantum physics and the role of the abstract Hilbert Space in quantum theory. Also, self-similarity, described in a symbolic setting, provides a possible realistic perspective on the essential role of complex numbers and quaternions in quantum theory. A new interpretation is given to the standard ‘mysteries’ of quantum theory: superposition, measurement, non-locality, emergence of classicality and so on. It is proposed that heterogeneities in the fractal geometry of I are manifestations of the phenomenon of gravity. Since quantum theory is inherently blind to the existence of such state-space geometries, the analysis here suggests that attempts to formulate unified theories of physics within a conventional quantum-theoretic framework are misguided, and that a successful quantum theory of gravity should unify the causal non-Euclidean geometry of space–time with the atemporal fractal geometry of state space. The task is not to make sense of the quantum axioms by heaping more structure, more definitions, more science fiction imagery on top of them, but to throw them away wholesale and start afresh. We should be relentless in asking ourselves: From what deep physical principles might we derive this exquisite structure? These principles should be crisp, they should be compelling. They should stir the soul. Chris Fuchs ( Gilder 2008 , p. 335)


2021 ◽  
Author(s):  
Kostiantyn Yanchenko

Narrative analysis represents the cutting edge in various domains of political communication research and has recently made its way into populism studies. Nevertheless, despite the growing academic interest in populist storytelling and populist narratives, a conceptual foundation of these phenomena remains scarce. Situated at the intersection of political communication and literary studies, the article fills this gap by proposing a systematized concept of a populist narrative. Building upon the minimum definitions of the background concepts, the study identifies a set of necessary attributes shared by populist narratives. It further discusses the effectiveness of populist narratives with the focus on four dimensions: archetypal structure, emotionality, suspensefulness, and ability to facilitate identification. Against the backdrop of the increasing role of storytelling in contemporary politics, the article facilitates a more coherent and meaningful examination of populist narratives.


Author(s):  
Iurievna Makarova Liudmila

The object of this research is the essay “The Vision of Mirza” by Joseph Addison. The relevance of studying J. Addison's essay is substantiated by undue attention to his works in the Russian literary studies, as well as the need for tracing the dynamics in the genre of vision in the Age of Enlightenment. The subject of this research is the title and epigraph as parts of the work that determine its structure and artistic distinctness. Analysis is conducted on the images of the viewer, visionary hero, and his guide, chronotope of the essay and allusive links. The essay is based on the combination of systemic-structural, comparative-historical, and hermeneutic methods. The novelty consists in the fact that the comprehensive examination of the role of the title ensemble within the structure of the essay allows reconstructing the link of the essay with the traditions of the medieval genre of vision manifested in the traditional topic and consistent motifs, imagery system, space and time arrangement, and dialogical structure of the text. The author provides interpretation to the allusive links between J. Addison's essay and Greco-Roman mythology, epic poem “The Aeneid” by Virgil, and psalms from the New Testament, and “The Voyage of St. Brendan”. It is established that the dialogue set by the epigraph passes through the entire plotline of the essay and reveal the characters of its participants. The extensively presented Christian theme alongside the images from ancient mythology and Virgil’s texts are essential for the author to express the enlightening program.


Sci ◽  
2021 ◽  
Vol 3 (4) ◽  
pp. 35
Author(s):  
Peter Verheyen

How does the world around us work and what is real? This question has preoccupied humanity since its beginnings. From the 16th century onwards, it has periodically been necessary to revise the prevailing worldview—but things became very strange at the beginning of the 20th century with the advent of relativity theory and quantum physics. The current focus is on the role of information, there being a debate about whether this is ontological or epistemological. A theory has recently been formulated in which spacetime and gravity emerges from microscopic quantum information—more specifically from quantum entanglement via entanglement entropy. A recent theory describes the emergence of reality itself through first-person perspective experiences and algorithmic information theory. In quantum physics, perception and observation play a central role. Perception of and interaction with the environment require an exchange of information. Via biochemical projection, information is given an interpretation that is necessary to make life and consciousness possible. The world around us is not at all what it seems.


Tekstualia ◽  
2021 ◽  
Vol 4 (67) ◽  
pp. 165-172
Author(s):  
Walerij Igoriewicz Tiupa

The article attempts to characterize the views of Russian theorists on the leading development tendencies in the artistic creation of the 20th and 21st centuries. Particular attention was paid to a kind of crisis, the sources of which lie in the lack of possibility to continue the existing forms of artistic creativity. Therefore, there is a need to develop such forms of this creativity that would correspond to the present day. The superior role of the recipient of the work in relation to its creator was emphasized. In order to name this phenomenon, the author suggests the term ‘ metacreativism’. Other phenomena described in the text include, for example, intertextuality or collage. In Western literary studies such a creative manner is called postmodernism.


Author(s):  
Peter Verheyen

How does the world around us work and what is real? This question has preoccupied humanity since its beginnings. From the 16th century onwards, it has been periodically necessary to revise the prevailing worldview. But things became very strange at the beginning of the 20th century with the advent of relativity theory and quantum physics. The current focus is on the role of information, there being a debate about whether this is ontological or epistemological. A theory has recently been formulated in which spacetime and gravity emerges from microscopic quantum information, more specifically from quantum entanglement via entanglement entropy. A latest theory describes the emergence of reality itself through first-person perspective experiences and algorithmic information theory. In quantum physics, perception and observation play a central role. Perception, interaction with the environment, requires an exchange of information. Via biochemical projection, information is given an interpretation that is necessary to make life and consciousness possible. The world around us is not at all what it seems.


Populism ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 199-220
Author(s):  
Kostiantyn Yanchenko

Abstract Narrative analysis represents the cutting edge in various domains of political communication research and has recently made its way into populism studies. Nevertheless, despite the growing academic interest in populist storytelling and populist narratives, a conceptual foundation of these phenomena remains scarce. Situated at the intersection of political communication and literary studies, the article fills this gap by proposing a systematized concept of a populist narrative. Building upon the minimum definitions of the background concepts, the study identifies a set of necessary attributes shared by populist narratives. It further discusses the effectiveness of populist narratives with the focus on four dimensions: archetypal structure, emotionality, suspensefulness, and ability to facilitate identification. Against the backdrop of the increasing role of storytelling in contemporary politics, the article facilitates a more coherent and meaningful examination of populist narratives.


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