scholarly journals O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina

1970 ◽  
pp. 273-284
Author(s):  
Maciej Pietrzak

Pietrzak Maciej, O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina [O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin]. „Przestrzenie Teorii” nr 32. Poznań 2019, Adam Mickiewicz University Press, pp. 273–284. ISSN 1644-6763. DOI 10.14746/pt.2019.32.14. Piotr Szulkin made his mark in the history of cinema primarily as the author of disturbing visions of the future. His four films made between 1979 and 1985 comprised the science-fiction tetralogy, which is still one of the greatest artistic achievements of this genre in Polish cinema. The subject of the article is the third production of Szulkin’s series – the post-apocalyptic film O-Bi, O-Ba: The End of Civilization from 1984. In the film, the director creates a suggestive vision of a world destroyed as a result of nuclear conflict, in which the original functions of literature and the written word are forgotten. The author article analyzes the way in which forsaken literary artifacts are used in the post-literary reality of the film. An important element of his considerations is also the post-apocalyptic reception of the biblical text, on whose elements the mythology of the film’s world is based.

1997 ◽  
Vol 28 (3) ◽  
pp. 413-436
Author(s):  
Chris H. Knights

AbstractThis article is the third in a series of studies on The History of the Rechabites. The first, "The Story of Zosimus or The History of the Rechabites?,"1 established the independent identity of this text within the Christian monastic work, The Story of Zosimus, and was a sort of prolegomena to the study of this text. The second, "Towards a Critical-Introduction to The History of the Rechabites,"2 sought to address the standard introductory issues, such as date, original language, provenance and purpose. The present paper seeks to examine the text verse-by-verse, and to offer a commentary on it. Or, rather, an initial commentary. No commentary of any sort has ever been offered on the Greek text of HistRech before, and it would be foolhardy to claim that any one scholar could perceive all the allusions and meanings in a particular text at a first attempt. This commentary, then, is offered in the same spirit as my two previous studies on HistRech: as a step along the way towards unravelling the meaning of this pseudepigraphon about the Rechabites, not as the last word on the subject.


Author(s):  
Marco Barcaro

Esta contribución presenta como el concepto filosófico de “donación” es reinterpretado en la reflexión de Patočka. Partiendo de la lección husserliana, gracias a la cual las cosas son dadas en la pura inmanencia de la consciencia, él critica esta orientación “subjetivista” porque no desarrolla adecuadamente el tema del aparecer en el campo fenomenal. La segunda sección analiza tres desplazamientos metódicos que abarcan: el rol del sujeto, su relación con la trascendencia, el darse a sí mismo del mundo en su totalidad. La tercera sección compara la reflexión de Patočka con dos referencias cruzadas a algunos intentos similares en la historia de la fenomenología. El tema de “la donación”, por tanto, nos traslada al mayor problema con el que ha trabajado siempre la filosofía: la manifestación del mundo. Patočka intentó esclarecer este problema mediante dos metáforas (el espejo y la pintura), pero también subrayó cómo concierne el modo en el que el hombreinterpreta la propia existencia.This paper presents how the philosophical key concept of givenness is reinter-preted in Patočka's reflection. Starting from the Husserlian idea, according to which things are given in the pure immanence of consciousness, Patočka criticized this "subjectivist" orientation because it doesn’t adequately develop the appearing in the phenomenal field. The second section analyzes three main methodical shifts concerning: the nature and the role of the subject, its relationship with the transcendence, the self-giving of the world as a whole. The third section compares Patočka's reflection and two cross-references to similar undertaking in the history of phenomenology. The theme of givenness brings us back in the end to the biggest problem within which philosophy has always worked: world manifestation. Patočka tried to clarify this issue through two metaphors (the mirror and the painting), but he also highlighted as it concerns the way in which man interprets his existence. 


2019 ◽  
Vol 1 ◽  
pp. 129-142
Author(s):  
Stanisław Buda

In the first part I focus on the issue of progress, in particular progress in philosophy. Philosophical progress has a special property that it shares with the process of becoming a better person. It is constantly finding yourself “on the way”. This path is not only anchored in the Absolutely Perfect but it conditions and stimulates the reflection towards the truth about the relationship between Him and us. We can assume that the core of this reflection is philosophy. The second part is devoted to the paradoxical nature of the most generally understood memory. I assume that the condition of awareness of a certain content is its outdatedness, that is, its transfer to the sphere of memory. Memory is a constantly updated and constantly re-ordered picture of everything that the subject has ever relegated from being, so that it can be replaced by something else. The foundation of this order is a certain axiology. In the third part I show how the sketched concept of memory is used to describe the mechanism of the evolution of philosophical thought. The “on the way” philosophy would consist of two constantly repeated activities: on reconstructing what is to be denied, and thus on the recognition of the previous philosophical achievements in its totality, and on its negation. This denial would concern the whole of this achievement as an axiologically reconstructed unity. The new system is only realized as a series of consequences of the negation of the current state. The vast majority of philosophical reflection focuses on the constitution of this current state, its supposed unity. In the short part of the fourth, I draw up prospects for further deliberations.


2021 ◽  
Author(s):  
Bogusław Dopart

The title of the present monograph refers to one of the most fundamental traits of the oeuvre and literary life of Adam Mickiewicz. While constantly occupied with invigorating and broadening the subject- -matter of his works, Mickiewicz is careful to follow a steady track of ideas, concepts, and truths. In constructing successive models of poetic worlds and varying them even within single works, he incessantly integrates them into a dynamic, open universe of the ‘man of transformations’ (in Wacław Borowy’s phrasing) in accordance with the ontic position and experience of a Romantic writer. Diversity and variance of poetic forms in Mickiewicz is counterbalanced by his leaning towards regularity and structural connectedness: cycles. As early as his first critical manifesto, he opposes a schematic labeling of his creative output; he presents the history of European poetry in terms of overlapping traditions and gradual differentiation of national literatures.


2022 ◽  
pp. 1-25
Author(s):  
Torkil Lauesen

Abstract This article tells the story of an organization based in Copenhagen, Denmark, which supported the Liberation struggle in the Third World from 1969 until April 1989. It focus on the support to the Popular Front for the Liberation of Palestine (pflp). The story is told in a historical and global context. The text explains the strategy and tactic behind the support-work. It explains how the different forms of solidarity work developed over two decades (for a more detailed account of the history of the group, see Kuhn, 2014). Finally, the article offers an evaluation of the past and a perspective on the future struggle for a socialist Palestine.


2002 ◽  
Vol 01 (03) ◽  
Author(s):  
Emanuele Salerno

This paper is concerned with the interactions between information technology and the humanities, and focuses on how the humanities have changed since adopting computers. The debate among humanists on the subject initially focuses on the alleged methodological changes brought about by the introduction of computing technology. It subsequently analyses the changes in research that were caused by IT not directly but indirectly, as a consequence of the changes effected on society as a whole. After briefly summarising the history of the interactions between information technology and the humanities, the paper draws on literature to examine the way humanists have perceived the evolution of their disciplines. The paper concludes by fitting the phenomenon into a model of scientific revolution.


2018 ◽  
Vol 4 (2) ◽  
pp. 33
Author(s):  
Taha S. Amin

There are many manuscripts in the science of the Arabic language, which were writing by Kurdish scholars through the ages, and they were located in the House of local and international manuscripts, waiting for expert achievers to revive the manuscripts by achievement, and publication as wanted by the authors.We have chosen a grammatical manuscript from among those manuscripts,called the (Risalat Al-Zarf):its about ( The Adverb) by the Kurdish scholar: (Sayid Hasan al-chourri, who died in 1322 AH), and we have seen that it deserves achievement, in order to serve this heritage and its author because they represent the history of the Kurdish scientific, intellectual, and civilization.That the Kurdish scholars had a prominent role in the grammatical lesson along the history of the Arabic language.This grammatical letter dealt with the subject of ( The Adverb) in Arabic grammar, in short and concise manner, the most important collection of ( The Adverb), which is not found in this wonderful form, in solid and clear terms in presenting its articles, examples and explanations. The research plan is as follows: Introduction, Preface, Three parts, and Conclusion. Preface: In order to provide an overview of the issue of (The Adverb) in Arabic grammar, The first part: The biography of (Al-Chourriy) and its scientific literature.The second part: Achievement of the manuscript: description of copies, and our work in the achievement, and describe the topics of the (The Adverb).And the third part: The text achieved, and finally the conclusion of the most important results, and then sources and references.


2010 ◽  
Vol 45 (1) ◽  
pp. 81-107 ◽  
Author(s):  
TAYLOR C. SHERMAN

AbstractWhilst the history of the Indian diaspora after independence has been the subject of much scholarly attention, very little is known about non-Indian migrants in India. This paper traces the fate of Arabs, Afghans and other Muslim migrants after the forcible integration of the princely state of Hyderabad into the Indian Union in 1948. Because these non-Indian Muslims were doubly marked as outsiders by virtue of their foreign birth and their religious affiliation, the government of India wished to deport these men and their families. But the attempt to repatriate these people floundered on both political and legal shoals. In the process, many were left legally stateless. Nonetheless, migrants were able to creatively change the way they self-identified both to circumvent immigration controls and to secure greater privileges within India.


Author(s):  
Tony Hallam

When the subject of extinctions in the geological past comes up, nearly everyone’s thoughts turn to dinosaurs. It may well be true that these long-extinct beasts mean more to most children than the vast majority of living creatures. One could even go so far as to paraphrase Voltaire and maintain that if dinosaurs had never existed it would have been necessary to invent them, if only as a metaphor for obsolescence. To refer to a particular machine as a dinosaur would certainly do nothing for its market value. The irony is that the metaphor is now itself obsolete. The modern scientific view of dinosaurs differs immensely from the old one of lumbering, inefficient creatures tottering to their final decline. Their success as dominant land vertebrates through 165 million years of the Earth’s history is, indeed, now mainly regarded with wonder and even admiration. If, as is generally thought, the dinosaurs were killed off by an asteroid at the end of the Cretaceous, that is something for which no organism could possibly have been prepared by normal Darwinian natural selection. The final demise of the dinosaurs would then have been the result, not of bad genes, but of bad luck, to use the laconic words of Dave Raup. In contemplating the history of the dinosaurs it is necessary to rectify one widespread misconception. Outside scientific circles the view is widely held that the dinosaurs lived for a huge slice of geological time little disturbed by their environment until the final apocalypse. This is a serious misconception. The dinosaurs suffered quite a high evolutionary turnover rate, and this implies a high rate of extinction throughout their history. Jurassic dinosaurs, dominated by giant sauropods, stegosaurs, and the top carnivore Allosaurus, are quite different from those of the Cretaceous period, which are characterized by diverse hadrosaurs, ceratopsians, and Tyrannosaurus. Michael Crichton’s science-fiction novel Jurassic Park, made famous by the Steven Spielberg movies, features dinosaurs that are mainly from the Cretaceous, probably because velociraptors and Tyrannosaurus could provide more drama.


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