scholarly journals Dramatyczne przestrzenie Andrzeja Wajdy

2017 ◽  
pp. 7-10
Author(s):  
Anna Krajewska
Keyword(s):  
Urban Space ◽  
Creative Work ◽  
Dramatic Space ◽  
The Individual ◽  
As If

This editorial is an impressionistic work on Andrzej Wajda’s output, predominantly emphasising its dramatic nature. The text presents the uniqueness of Andrzej Wajda’s creative work in such diverse forms of art as if they were one – his painting metamorphosed into film, drawing into screenplay, urban space into a theatre stage. Wajda is seen here not only as a director, but also as a contemporary dramatist, who creates the dramatic space of history’s traps, who dramatises the fate of the individual, and who interprets the drama of the philosophical stage.

A New Model for Biologic Constructs: Biotensegrity

2003 ◽  
Author(s):  
Stephen M. Levin
Keyword(s):  
Mechanical Properties ◽  
Finite Element ◽  
Gone With The Wind ◽  
New Model ◽  
Automobile Parts ◽  
Finite Element Meshes ◽  
The Individual ◽  
Central Factory ◽  
Model Structures ◽  
As If

Present biologic models envision organisms behave like the character ‘Topsy’ in Gone with the Wind; they “just grew.” Modeled of Lego©-like components, the individual structures are linked together as if they are automobile parts that are manufactured at different plants and assembled at some central factory. For the most part, hexahedral finite element meshes are used to model structures. When tetrahedral modeling is used, no account is made of the different mechanical properties that are inherent in triangulated structures, (trusses), that make the structures behave very differently than hexahedral-based models.

scholarly journals A city as an emotional space: theoretical-sociological analysis

2020 ◽  
Vol 23 (3) ◽  
pp. 82-89
Author(s):  
Nadiya Mikhno
Keyword(s):  
Urban Space ◽  
Social Life ◽  
Modern Society ◽  
Sociological Research ◽  
Special Importance ◽  
Experience Economy ◽  
Cultural Changes ◽  
Total Consumption ◽  
Modern City ◽  
The Individual

The focus of this article is focused on the study of peculiarities of the contemporary aestheticization of urban space as a product of emotional capitalism. Noted that the concepts "society experiences" and "experience economy" fixed vector of cultural changes of modern society, and suggest new theoretical trajectory of sociological research. Control for the "experience" in this case can be considered a new form of public influence in which not last role is played by the mass media, which is a kind of mediator for the active promotion of a variety of emotions, first and foremost sensual pleasure. Pointed out that the aestheticization of the contemporary urban space is connected with the logic of the functioning of emotional capitalism. The modern city is forced to form their own "alphabet of feelings", which prescribes rules for their feelings in different situations. Entertainment in the city acquires the features of a universal model, it is a particular code value in U. Eco, that is, a symbolic system that can reveal the contents of the message depending on the purpose and conditions of the functioning of the spectacle. Life in a modern city full of wealth of their own unrest, and the aestheticization of urban space is associated with replication "markets experiences" that focus on the commercialization of human feelings. The emotional richness of urban design has become a part of an overall program of total consumption. The theatricality, iconization and glamor can be considered as the main strategy "emotionalization" of urban space that aims at the reproduction of the effects of the "experience economy". Stressed that the idea glamorizes urban space can be traced in the concepts of the theoreticians of the "creative city", appealing to psychologically and design analysis of the urban environment, and the militarization of urban space through the creation of militaristic icons that form the therapeutically-emotional space. Respectively iconic images serve as points of reference, the individual ascribes to them a special importance as images that represent something significant for social life.

scholarly journals Ideas of Civil Religion in the Creative Work of Cyril Methodians

2018 ◽  
pp. 53-63
Author(s):  
Leonid Kondratyk
Keyword(s):  
Civil Religion ◽  
Decisive Role ◽  
Religious Language ◽  
Creative Work ◽  
Social Force ◽  
Linear Character ◽  
Starting Point ◽  
History Of ◽  
The Individual ◽  
Main Ideas

Kondratyk L. "Ideas of Civil Religion in the Creative Work of Cyril Methodians". The author is based on the fact that the civil religion is such a sociocultural phenomenon in which, through the prism of a peculiar religious language and specific practices, the necessity of acquiring and establishing a national state is substantiated, which originates in the need of the community to find the sacral in the activity that is inherent in the transcendent, eternally -linear character and which is rooted in the history of the territory. It is proved that the soil on which the ideas of the Cyril and Methodius civil religion originated is Western European romanticism, religiosity, the starting point of which was the idea of religion as the focus of the spiritual world of the individual and community, the idea of the Higher Reason that sets the directions for historical development, Christianity a decisive role in the spiritual and moral and social renewal of mankind, the view of Ukraine as an independent cultural and historical and social force, the influence of creativity T. Shevche gt; The main ideas of the civil religion of the Cyril Methodians are as follows: the messianism of the Ukrainian spirit manifests itself in the ability to unite the Slavs in the best way, because Ukraine is inspired by self-sacrifice with the Christian spirit and has apostolic intercession; Kiev - the capital of the resurrected from the oppression of the Slavs, the city - in which the courts prevail, truth, equality; concepts "temple", "truth", "righteous judgment", "freedom", "brotherhood", "equality", "love", "Kiev", "Kiev mountains" - the basic concepts-symbols of the Ukrainian civil religion; in the Ukrainian community with the need to coincide Christian values and moral standards, which dominate it.

Diversity As A Unique Constellation of Superimposing Network Logics

2012 ◽  
Vol 37 (2) ◽  
pp. 6-14
Author(s):  
Alain Thierstein ◽  
Anne Wiese
Keyword(s):  
Urban Space ◽  
Urban Form ◽  
Urban Life ◽  
Industrial Sites ◽  
Individual Site ◽  
Scale Levels ◽  
The One ◽  
The Individual ◽  
The City ◽  
Underlying Processes

In the context of the European city, the regeneration of former industrial sites is a unique opportunity to actively steer urban development. These plots of land gain strategic importance in actively triggering development on the city scale. Ideally, these interventions radiate beyond the individual site and contribute to the strengthening of the location as a whole. International competition between locations is rising and prosperous development a precondition for wealth and wellbeing. This approach to the regeneration of inner city plots makes high demands on all those involved. Our framework suggests a stronger focus of the conceptualization and analysis of idiosyncratic resources, to enable innovative approaches in planning. On the one hand, we are discussing spatially restrained urban plots, which have the capacity and need to be reset. On the other hand, each plot is a knot in the web of relations on a multiplicity of scales. The material city is nested into a set of interrelated scale levels – the plot, the quarter, the city, the region, potentially even the polycentric megacity region. The immaterial relations however span a multicity of scale levels. The challenge is to combine these two perspectives for their mutual benefit. The underlying processes are constitutive to urban space diversity, as urban form shapes urban life and vice versa.

Reading Signs and Symbols with Abdelkébir Khatibi

2020 ◽  
pp. 237-260
Author(s):  
Rim Feriani ◽  
Jasmina Bolfek-Radovani ◽  
Debra Kelly
Keyword(s):  
Urban Space ◽  
The Body ◽  
Radical Theory ◽  
Abdelkebir Khatibi ◽  
Making Sense ◽  
Sign Systems ◽  
Starting Point ◽  
The Social ◽  
The Individual ◽  
Theories Of Meaning

This chapter considers the ways in which Khatibi’s practices of reading contribute to theories of meaning through his thinking on the deciphering of signs and symbols and of making sense of the world, and of the worlds of the text, in their multifaceted forms. It takes as its starting point what Khatibi terms, in his introductory essay ‘Le Cristal du Texte’ in La Bessure du Nom propre, ‘l’intersémiotique’, migrant signs which move between one sign system and another. Khatibi takes as his own project examples from semiotic systems found within Arabic and Islamic cultures, from both popular culture, such as the tattoo, to calligraphy and the language of the Koran, from the body to the text and beyond – including storytelling, mosaics, urban space, textiles. His readings reveal the intersemiotic and polysemic meanings created in the movements of these migrant signs between their sign systems. For Khatibi, this ‘infinity’ of the ‘text’ is linked also to a mobile and migrant identity refracted in the multifaceted surfaces of the crystal (hence the title of the essay – ‘Le Cristal du Texte’) rather than in one reflection as in a mirror. Moving from these concerns of Khatibi with which he develops his radical theory of the sign, of the word and of writing, the chapter goes on to propose new readings of a selection of other writers with a shared, but varied, relationship to their Islamic heritage. These are writers working with and through that heritage – and importantly, as for Khatibi, including the Sufi heritage – and whose writing is also resonant with Khatibi’s intersemiotic theoretical and cultural project concerned with the individual and the collective, the historical and the contemporary, the political, the social and the linguistic.

E-Mentoring the Individual Writer within a Global Creative Community

2010 ◽  
pp. 98-116
Author(s):  
Linda Venis
Keyword(s):  
Online Courses ◽  
Perfect Match ◽  
Current Status ◽  
Creative Work ◽  
Student Body ◽  
Fiction Writing ◽  
Feature Film ◽  
Online Curriculum ◽  
Student Advisor ◽  
The Individual

This chapter presents a case study of how the UCLA Extension Writers’ Program, which is America’s largest continuing education provider of online creative writing and screenwriting courses and services, offers individualized feedback and mentoring to 1,000’s of aspiring and practicing writers worldwide. Writing creatively is singularly private and can be isolating; the Writers’ Program’s 220 annually-offered online courses in fiction writing, memoir, personal essay, children’s literature, playwriting, poetry, publishing, feature film writing, and television writing provide access to in-depth instructor/student, student/student, and student/advisor relationships designed to help meet individual writing goals. Writing education is particularly well-suited for online delivery because writers write: students submit their work in writing; the teacher and fellow students give their feedback in writing. For students, the act of learning to write online reinforces their accountability to create in a disciplined way and allows time to absorb and respond to critiques with reflection. For teachers, e-mentoring requires unusual rigor and preciseness in order to give thoughtful feedback on each piece of creative work, and the 80 professional writers who teach the Writers’ Program online courses employ a range of pedagogical strategies to do so. In addition, the Writers’ Program provides personalized guidance and advice on writing online through its student advisors as well as an array of services, including one-on-one manuscript and script consultations; feature film mentorships for which students sign up monthly and receive “on demand” guidance on their projects; and a first-of-its-kind course limited to six advanced students in which they hold virtual internships at production companies and studios as script readers. The chapter begins with an overview of UCLA Extension and the Writers’ Program’s history, mission, products, services, and managerial structure, and then describes the origins and current status of the Writers’ Program’s online curriculum and educational services. The ways in which writing education comprises a near-perfect match for a virtual delivery system are explored, followed by a discussion of what makes Writers’ Program’s products and services uniquely suited to deliver e-mentoring for a global, mostly post-baccalaureate student body who puts a high premium on results and quality of interaction. The chapter next outlines how clear expectations, course design, lectures and critiquing guidelines ensure successful response to creative work (instructor/student and student/peers), and then focuses on “best practices” techniques and strategies that online Writers’ Program instructors use to shape and deliver critiques, including a common critiquing vocabulary and methodology, use of technological tools to provide sustained, personalized feedback, and ways to cultivate the individual writer’s sense of place in the global literary and entertainment communities. The chapter concludes by addressing technological, pedagogical, and economic challenges and future directions of e-mentoring aspiring creative writers and screenwriters.

scholarly journals Crowd surveillance: The (in)securitization of the urban body

2018 ◽  
Vol 49 (3) ◽  
pp. 200-216 ◽  
Author(s):  
Hidefumi Nishiyama
Keyword(s):  
Urban Space ◽  
Border Control ◽  
Unique Form ◽  
Social Body ◽  
Behaviour Analysis ◽  
The Social ◽  
Crowd Behaviour ◽  
The Individual ◽  
Crowd Surveillance ◽  
Individual Body

The recent proliferation of the securitization of crowded places has led to a growth in the development of technologies of crowd behaviour analysis. However, despite the emerging prominence of crowd surveillance in emergency planning, its impacts on our understanding of security and surveillance have received little discussion. Using the case of crowd surveillance in Tokyo, this article examines the ways in which crowds are simulated, monitored and secured through the technology of crowd behaviour analysis, and discusses the implications on the politics of security. It argues that crowd surveillance constitutes a unique form of the biopolitics of security that targets not the individual body or the social body of population, but the urban body of crowd. The power of normalization in crowd surveillance operates in a preemptive manner through the codification of crowd behaviour that is spatially and temporarily specific. The article also interrogates the introduction of crowd surveillance in relation to racialized logics of suspicion and argues that, despite its appearance as non-discriminatory and ‘a-racial’, crowd surveillance entails the racial coding of crowd behaviour and urban space. The article concludes with the introduction of crowd surveillance as a border control technology, which reorients existing modalities of (in)securitization at airports.

Masterpieces of Oriental Art. 7

1946 ◽  
Vol 78 (3-4) ◽  
pp. 123-123
Author(s):  
Dora Gordine
Keyword(s):  
The Body ◽  
Slight Variation ◽  
Prominent Feature ◽  
The Individual ◽  
Modern Sense ◽  
As If

The border of this stone is composed of several rows of ornament. The outermost rim is carved in low relief that not only confines but gives width to the row of animals next to it. Those animals chase one another with the vigour of beasts in a circus ring, their exuberance apparent not only in the general rhythm but in the individual shape of every one of them. Each elephant is modelled with extreme sensitiveness in spite of his monumental form. The horses trot briskly with an air of concentration. The lions are alert and aggressive as if in. the presence of danger, while the cows are tame and placid. In every animal the massiveness of the body is a prominent feature, while sculptural stability is retained by the exaggerated shortness of the legs. The animals tread a row of foliated pattern, which gives the feeling of ground for their support and by its elaboration brings out the simplicity of the animals above and the geese beneath. The geese at first glance look symmetrical, yet they are not only pattern but alive, and the reason is that though they are subdued to an architectural purpose, there is individuality in every goose, and a slight variation in the gesture of every head. The lowest part of the border consists of two rows of lotus petals, delicate and faintly traced, the larger row climbing a swelling curve in the stone. The plain centre underlines the smallest modulation in the carving. This stone, which at first sight might be taken for decoration in the modern sense of a trade piece, proves on examination to be particularly rich and beautiful. How very different, for example, from Mestrovic's “Canadian War Memorial” illustrated in Some Modern Sculptors, by Stanley Casson.

Bartók’s Bulgarian Dances and the order of things

2012 ◽  
Vol 53 (1-3) ◽  
pp. 53-68
Author(s):  
László Vikárius
Keyword(s):  
Central Element ◽  
Piano Music ◽  
Creative Work ◽  
Pedagogical Issue ◽  
Performance Issues ◽  
The Individual ◽  
Jewish Descent

Bartók’s “Six Dances in Bulgarian Rhythm,” the only formally self-contained set within the Mikrokosmos, is the crowning series of pieces in this huge compendium of the composer’s later piano music. Since Bartók recorded all six of them in 1940, they are ideal for an investigation of performance issues. The recordings from the Mikrokosmos, although relatively late, are fortunately close to the composition of most of the pieces, which makes these recordings all the more “authentic.” The essay, however, focuses on the concept of the series as a series revisiting the compositional manuscripts, discussing the evolution of the individual pieces and the emergence of the idea of the set (first intended to comprise only five pieces) and Bulgarian rhythm as a pedagogical issue within the series. The “Six Dances” also bear a somewhat enigmatic dedication to the British pianist of Jewish descent, Harriet Cohen, obviously not an accidental choice. The dedication might be considered with what Bartók said in an interview in 1940 about the “hibridity” of national musical types in his “Bulgarian” pieces as well as with his article “Race Purity in Music” (1942) in mind. The significance of order and ordering in Bartók’s creative work, a hitherto little discussed common central element in the various fields of his activity, collecting, performing and composing, are also discussed.

Research on Urban Feminine Public Space

2013 ◽  
Vol 409-410 ◽  
pp. 362-365
Author(s):  
Chao Chao Chu ◽  
Chao Luo
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Living Condition ◽  
Functional Requirements ◽  
Existing Problems ◽  
Living Space ◽  
Cognitive Pattern ◽  
Bodily Difference ◽  
The Individual ◽  
And Behavior

There have made great progress in urban space research which based on the individual bodily difference in the context of postmodernism. Feminine space also has been focused in the Architecture. In China, women often are regarded as one unit of sub-groups, whose living condition and living space had undergone great changes. Based on the bodily difference, from the view of functional requirements, behavior needs, physical needs and psychological requirements of women, the paper discusses the major existing problems in four aspects, which concluding function layout, transport supply, service facilities and space identify. Combined architecture and geography, sociology, urban planning, the paper uses the method of cognitive map and preference method to explore feminine cognitive pattern and behavior model, thus construct the ideal paradigm of urban feminine public space.

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