scholarly journals Powieść „Inny” Jurija Mamlejewa wobec artystycznego poznania Fiodora Dostojewskiego

Author(s):  
Anna Katarzyna Przybysz

The aim of this article is to show the undeniable influence of Fyodor Dostoyevsky’s artistic method on Yuri Mamlejev’s literary works in particular in relation to his novel The Other. Relying on these determinants of fantastic realism, which for many researchers are referred to as the most significant elements of Dostoyevsky’s artistic method, we make an attempt to show that the carnival which combines the two orders in the works of the 19th century writer: the real (scientific) and the surreal (magic), makes the fantasy become an integral part of the surrounding space. Simultaneously the concept of fiction should be understood through such categories as: paradoxicality, iconicity, a word as a vessel, sleep, hallucinations, picture in picture, doppelgänger that foster deep psychological self-understanding of the entity. In the article we aim to expose some of the abovementioned categories of constructing the world of Dostoyevsky’s works and making up, as defined by the author himself “the realism of higher sense” which, in a slightly modified form, although still clearly visible, is also reflected in Mamleev’s artistic method – metaphysical realism. The main emphasis is put on the categories of sleep and doppelgänger which are the clearest examples of Yuri Vitalevich’s inspiration.

Antiquity ◽  
1944 ◽  
Vol 18 (71) ◽  
pp. 123-129
Author(s):  
F. W. Robins

The story of the ferry is, at the outset, the story of the boat. It begins with prehistoric man noticing that wood will float and possibly, from the riding of birds and small animals, that it will carry a burden according to its size and character. Observant and imitative, the human animal, in the childhood of the world, proceeds to experiment gingerly and doubtfully at first, boldly and confidently—perhaps in some cases too boldly and confidently, later. He mounts himself astride a log and propels it, probably at first with his legs, towards the opposite bank of the river near which he lives. On the other side lies a new world, with resources untapped, especially in the matter of food, which he is anxious to reach. Even in the middle of the 19th century Pickering (Races of Man) speaks of men in the tide waters of the Sacramento river crossing, standing on split logs.


2020 ◽  
Vol 35 (2) ◽  
pp. 16-39
Author(s):  
Olaf Krysowski

Juliusz Słowacki and Teilhard de Chardin did not have much in common. The former was a Polish poet who wrote in the first half of the 19th century using a literary-pictorial style. The latter, on the other hand, was a French philosopher working in the first half of the 20th century using a scientific and intellectual style. In spite of these differences, one may get the impression that they both followed the same goal: to learn and explain the principles of the development of the world, from its origin to its end, from Alpha to Omega. This aspiration was accompanied by a belief (in Słowacki’s case, a messianic one) that the progress of existence leads to salvation and takes place according to a certain plan. One of the main mecha- nisms of this plan is the process of lifting the consciousness through the evolution of various biological forms towards its final shape – unity with God who is both a person and the absolute which encompasses all of the creation. Although the poet and the philosopher used different communication codes, their works share a common vision of evolution as a transition from an unconscious, dispersed exist- ence to a united being in which the spirit, the knowledge and the mind can achieve a “global”, yet personalized level.


Mäetagused ◽  
2021 ◽  
Vol 80 ◽  
pp. 71-88
Author(s):  
Merili Metsvahi ◽  

The article gives a short overview of the Estonian werewolf tradition in the 16th and 17th centuries and a glimpse into the 19th–20th-century werewolf beliefs. The image of werewolf of the earlier and later periods is compared. The differences between the images of these two periods are explained with the help of the approaches of Tim Ingold and Philipp Descola, which ground the changes in the worldview taking place together with the shift from the pre-modern society into modernity. The mental world of the 16th–17th-century Estonian and Livonian peasant did not encompass the category of nature, and the borders between the human being and the animal on the one side and organism and environment on the other side were not so rigid as they are in today’s people’s comprehension of the world. The ability to change into a wolf was seen as an added possibility of acquiring new experiences and benefits. As the popular ontology had changed by the second half of the 19th century – the human mind was raised into the ultimate position and the animal was comprehended as being inferior – the transformation of a man into an animal, if it was seriously taken at all, seemed to be strange and unnatural.


Author(s):  
Laura Colombo

During the 19th Century, many French literary works exhibit the fascination and appeal of Italy and contain numerous insertions written in Italian. On the other hand, during their stay in Italy, French writers and intellectuals often contributed to local periodicals or were welcomed into Italian Academies. Among these authors, Giovanni Salvatore De Coureil and Aimé Guillon, who are the object of this study, are famous mainly for their controversies with Monti and Foscolo. However, they also published interesting works the different linguistic and aesthetical, (both Italian and French), codes, examined with reference to the various political events relating to both Countries, from the First French Empire to Bourbon Restauration. A brief analysis of these writings illustrates their thematic variety that deals with literary and dramatic criticism as well as translation issues, in which heteroglossia phenomena intertwine with interculturalism.


2015 ◽  
Vol 59 (2) ◽  
pp. 239-246
Author(s):  
Tomasz Kizwalter

In this essay, the author addresses the question of Ukraine’s and Russia’s relations with the West in the modern and contemporary era. He believes that the revolution in Ukraine in 2013/2014 signifies a successive stage in Ukraine’s emancipation and modernization, which began with the emergence of a separate nation on its territory in the 19th century. The author is in favor of the further use of such conceptual categories as the ‘centre’, the ‘periphery’, and ‘modernization’. He thinks they still permit the description of the real developmental distance between different parts of the world and the analysis of strategies aimed at diminishing that distance. In his opinion, Ukraine’s present chance for modernization is unambiguously connected with its choice of the ‘western’ road of development. He interprets the Russian attempt to counteract this choice by force as an expression of the disappointment experienced by the elite of the former empire. In essence, it is a sign that Russia is remaining in a peripheral situation in regard to the West, which is ‘escaping’ it.


2018 ◽  
Vol 62 (3 (462)) ◽  
pp. 115-126
Author(s):  
Anna Kołos

The article discusses, on the one hand, three stages of developing views about race and superiority of European civilization reflected in the second half of the 19th century in aggressive social-Darwinism of positivists, and on the other it confronts racial generalizations with nation-centered thinking, which played an extremely important role in identity discourse of the Poles. On the example of China and the Siberian-Chinese borderland, it can be noticed that perception of geography and the ethnic diversity in the world through the prism of great historiosophical and racial constructions is manifested in quite widespread adaptation of orientalizing language of the hegemon speaking about backwardness, lack of maturity for modernization and definite supremacy of Europe, while resistance to the oppression of the partitioners, and more broadly to the colonial policy of the European powers allows in Poland, contemptuously called Halb-Asien, like in the case of Indians and Boers, creating a kind of auto-colonial identification with the seemingly “exotic” nation.


Author(s):  
Asmaa M. Saleh

Deafness has been considered an exceptional condition and people who have this individuality are recognized all over the world as weak, fragile, deformed, and in great need for help from other “fit “people. The problem of integrating deaf people in their societies has been risen since the 19th century. There appeared two camps; one which advocated for teaching the deaf individuals the skills that enable them to blend in the world of “hearing people “while the other camp, the manualists, called for teaching and learning sign language as a means of communication. Amid all the conflicts between those two camps appeared literary works that dealt with this issue. In Children of a Lesser God which was written 1980 by the American playwright Mark Medoff, there is a manifestation of this conflict presented by the dramatist through the characters of his play and through a love relationship between a hearing man and a deaf woman. The play depicts the suffering of a deaf woman in a hearing society and the abuse she gets from people who are unable to appreciate her uniqueness as a human being. She faces a hostile attitude starting from her parents, society, and eventually from the man she love. The current work aims at exploring the leading female character in the play and how her deafness has added to the restrictions she experiences as a woman


e-xacta ◽  
2017 ◽  
Vol 10 (2) ◽  
pp. 57 ◽  
Author(s):  
Eduardo Cesar Silva ◽  
Angélica Da Silva Azevedo ◽  
Luiz Gonzaga Castro Junior

<p>O café é uma das bebidas mais consumidas no mundo. Desde o século XIX, o consumo da bebida cresce apoiado por inovações tecnológicas. Uma dessas inovações consiste nas máquinas de café em dose única. No entanto, essa tecnologia causa danos ao meio ambiente devido aos materiais utilizados na fabricação das cápsulas, fato que preocupa ativistas, políticos e consumidores. Diante deste cenário, o presente artigo analisa as inovações sustentáveis que a indústria do café tem desenvolvido para lidar com o problema. Para isso, foram analisadas qualitativamente as estratégias de sete marcas de café em dose única. Os resultados mostraram que as empresas líderes do setor optaram pelo desenvolvimento de estratégias de reciclagem das cápsulas usadas. Por outro lado, apenas duas marcas possuem estratégias abrangentes de reciclagem. Os principais pontos fracos da reciclagem são a logística e dependência da iniciativa dos consumidores. Outra solução encontrada por marcas menores é a utilização de material compostável. Nesse caso, também há limitações, como a necessidade uma usina de compostagem.</p><p> </p><p>ABSTRACT</p><p>Coffee is one of the most consumed beverages in the world. Since the 19th century, technological innovations have boosted coffee consumption. The single cup coffee machines are one of these innovations. However, this technology causes damage to the environment due to the materials used in the coffee pods manufacture, an issue that worries activists, politicians and consumers. Given this scenario, the present article analyzes the sustainable innovations that the coffee industry has developed to deal with the problem. For this, the strategies of seven brands of single cup coffee were analyzed qualitatively. The results showed that leading companies in the sector opted for recycling strategies for used coffee pods. On the other hand, only two brands have comprehensive recycling strategies. The main weaknesses of recycling are logistics and dependence on consumer initiative. Another solution, found by smaller brands, is the use of compostable materials in single cups manufacture. In this case, there are also limitations, such as the need for a composting plant.</p>


2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>


1997 ◽  
Vol 24 (1-2) ◽  
pp. 115-138
Author(s):  
Marina Maquieira

Summary This paper examines a treatise on Spanish grammar, i.e., a particular grammar which follows the tradition of French philosophical grammar. Bachiller D. Antonio Martínez de Noboa’s work, published in 1839, appears in a century when the Spanish grammatical tradition is at its best. Texts like Vicente Salvá’s (1786–1849) and of course Andrés Bello’s (1781–1865) have in recent years attracted the attention of researchers. However, Martínez de Noboa’s work is much less known, although Gómez Asencio (1981, 1985) did highlight its importance in his two indispensable studies of the period between 1771 and 1847. The Nueva Gramática de la lengua Castellana is indebted to the framework set by José Gómez de Hermosilla (1835) and Jacobo Saqueniza (1828), although it does include some original observations. This paper examines the structure of the work in question and aims to show how it is in global terms a unified text combining different aspects, of which the most striking is without doubt the syntactic one. With this aim in mind certain specific examples of the analogy pertaining to syntax have been studied. First those he himself highlighted, e.g., the article/pronoun and verb and then those comments on syntax which are logically pertinent, e.g., conjunctions. Noboa himself was cited as was Saqueniza as having been responsible for the introduction of distinction between coordinate and subordinate conjunctions in Spanish grammar, along with the distinction between simple and complex clauses. On the purely syntactic level, it was also Noboa who refined the whole notion of verbal government. Finally, there is a brief summary of the section dedicated to pronunciation and spelling which are also considered by the author to be in some way related to the other parts of the grammar. In sum, what makes this work particularly interesting is undoubtedly the emphasis on syntax as more studies had been carried out on morphology than in any other area up until the 19th century and continued after Noboa to monopolise questions concerning grammar throughout this century.


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