scholarly journals Non-accidental presence. The reception of Krzysztof Kieślowski in Russia

2019 ◽  
Vol 24 (33) ◽  
pp. 109-115
Author(s):  
Denis Viren
Keyword(s):  
Academic Practice ◽  
Russian Culture ◽  
History Of ◽  
Andrzej Wajda ◽  
Krzysztof Kieslowski

Krzysztof Kieślowski is a cult figure among Russian moviegoers, but “proving” this is not as easy as in the case of the popularity of other Polish classic names in Russia, such as Andrzej Wajda and Krzysztof Zanussi. Placing Kieślowski on the list of Polish filmmakers who have influenced Russian culture in this or some other way is a not obvious move. The article is an attempt at exposing the reader to the presence of the director’s films in Russia through the history of the distribution of his films, an analysis of reviews by Russian authors and texts in which Kieślowski’s name appears. It also discusses references to his films in works by other filmmakers. It is complemented by the statements of two Russian directors who talk about the importance of Kieślowski in their work and academic practice.

“The last chord of the Silver Age”: science and culture in Crimea in 1920

2020 ◽  
Vol 2020 (10-4) ◽  
pp. 4-14
Author(s):  
Vladimir Kalinovsky ◽  
Alexander Puchenkov
Keyword(s):  
Civil War ◽  
The South ◽  
Silver Age ◽  
Russian Culture ◽  
Short Period ◽  
The Crimea ◽  
Science And Culture ◽  
History Of ◽  
Russian Intelligentsia

This article is devoted to the development of science and culture in the short period of the Wrangel Crimea - 1920. At this time, the brightest figures of Russian culture of that time worked on the territory of the small Peninsula: O. E. Mandelstam, M. A. Voloshin, B.D. Grekov, G.V. Vernadsky, V.I. Vernadsky and others. The article provides an overview of the life and activities of the Russian intelligentsia in 1920 in the Crimea, based on materials of periodicals as the most important source for studying the history of the Civil war in the South of Russia whose value is to be fully evaluated.

The death of Sergey Esenin: A forensic’s view of the cultural and historical event

2018 ◽  
pp. 153-165
Author(s):  
L. V. Bertovsky ◽  
V. M. Klyueva ◽  
A. L. Lisovetsky
Keyword(s):  
Interdisciplinary Approach ◽  
Historical Event ◽  
Russian Culture ◽  
Know How ◽  
Relevant Evidence ◽  
History Of

Sergey Esenin’s tragic end is widely known and provokes disputes to this day. The official reports put it down as a suicide. The incident could be analyzed more effectively by means of an interdisciplinary approach using the latest forensic know-how. The documented circumstances of Esenin’s death, found in recorded testimonies and interviews, as well as the materials of the Russian National Esenin Committee of Writers, are examined through the author’s own classification of forensically relevant evidence of suicide. The analysis reveals that suicide remains the most probable version. Far from solving this incident for good, these conclusions may become an important forensic contribution to the history of Russian culture.

Behind the Arras, through the Wall: Wajda's ‘Hamlet’ in Krakow, 1989

1997 ◽  
Vol 13 (49) ◽  
pp. 53-68 ◽  
Author(s):  
Tony Howard
Keyword(s):  
Cultural History ◽  
Political Context ◽  
History Of ◽  
Andrzej Wajda

The list of female Hamlets, in which the most familiar names range from Siddons and Bemhardt to Frances de la Tour, is extraordinarily long. Tony Howard here discusses a great but much less familiar production featuring a female Hamlet, both in its socio-political context and in the context of the earlier work of its director, Andrzej Wajda. Teresa Budzisz-Krzyzanowska was Wajda's Hamlet in Hamlet (IV) – which, momentously, opened in Poland in 1989, just as the Solidarity-led opposition came to power. Tony Howard, who is writing a cultural history of the phenomenon of female Hamlets, teaches at Warwick University. He has written for NTQ on Polish subjects ranging from the Marxist work of Jozef Szajna to such oppositional groups as Theatre of the Eighth Day and

Buffoonery and foolishness to those being as a phenomenon of Russian culture in the context of urban street theater

2020 ◽  
pp. 15-21
Author(s):  
T.N. Fedorenko
Keyword(s):  
Russian Culture ◽  
Urban Street ◽  
Street Theater ◽  
Russian State ◽  
History Of

This paper is devoted to understanding the essence of the phenomenon of such an exceptional phenomenon of Russian culture as a street theater fools and jesters in the history of the Russian state.

The Image of Petrushka in Russian Children’s Books of the 1920s — Early 1930s

2021 ◽  
Vol 18 (4) ◽  
pp. 424-435
Author(s):  
Dmitry V. Fomin
Keyword(s):  
Complete Loss ◽  
National Character ◽  
Children's Books ◽  
Main Character ◽  
Children’S Books ◽  
Book Art ◽  
Russian Culture ◽  
Source Studies ◽  
History Of ◽  
Visual Range

The image of Russian puppet theater’s main character, Petrushka, played an important role in the history of Russian culture and embodied some important features of the national character. His images are quite widely and variously represented on the pages of children’s books. At the beginning of the 20th century and in the first post-revolutionary years, publications about the adventures of Petrushka fulfilled an important mission: they recorded characteristic examples of folk art, preserved the memory of farcical performances, and supported the tradition of the art of “Petrushka makers”. The books served as manuals for novice puppeteers.In the 1920s — early 1930s, Petrushka continued to be one of the most popular characters of children’s books and aroused interest of many Russian writers and graphic artists. This indicates their desire to find a basis and support in the popular laughter culture, to continue its traditions, to bring elements of theatrical aesthetics into books.Using a complex of methods of book, art and source studies, the article aims to consider the transformation of the image of Petrushka in children’s books of the 1920s — early 1930s.The author draws attention to the significant differences between the literary component of such publications and their visual range. Writers, as a rule, sought to “re-educate” the areal joker and brawler, to ennoble his manners, modernize his appearance, and involve the popular character in solving actual ideological and pedagogical problems. Artists were more careful about the canonical, historically formed image of Petrushka, resisted too radical reinterpretation of it. Of particular interest in this regard are the illustrative cycles of I.S. Efimov, A.I. Sokolov-Asi, A.A. Radakov, V.M Konashevich, L.V. Popova, F.F. Kondratov.The best writers and artists of those years managed to preserve the most essential features of the character, breathe new life into him, save him from oblivion, from complete loss of identity, and pass him on to new generations of creators and readers of children’s books.

The Image of the Future in the Situation of the Decline of Culture: Contemporary Russia from the Perspective of O. Spengle

2020 ◽  
Vol 65 ◽  
pp. 323-334
Author(s):  
Inga V. Zheltikova
Keyword(s):  
Contemporary Society ◽  
Creative Activity ◽  
Russian Culture ◽  
The World ◽  
The Future ◽  
History Of ◽  
Post War ◽  
Conservative Values ◽  
Open Question ◽  
Images Of The Future

The concept of O. Spengler suggests that the history of any culture goes through certain stages of development, the last of which is civilization. During this period creative activity in culture is replaced by mechanical imitation and lost connection with the culture formed by the «pra-phenomenon». The author correlates Spengler’s postulates with the processes of actual social reality and comes to the conclusion that contemporary Russia is going through the stage of civilization. The article raises the question of how the future is seen in this situation. The author uses the term “image of the future”, introduced by F. Polak to understand the disinterest of modern post-war Europe in its future. Thus, the lack of interest in the future can be recognized as another characteristic of the state of civilization. The existence in contemporary Russia of distinct images of the future is an open question. Using the methods of content analysis, the author comes to the conclusion that in Russian contemporary society there exists a retrospective image of the future, focused on conservative values, hierarchy of society and its closed nature to the world. Thus, it is concluded that it is wrong to talk about complete absence of images of the future in contemporary Russia. But the nature and content of these images demonstrate the low level of interest in the future, which also indicates the transition of Russian culture to civilization.

scholarly journals “The Lord Breathed On The Face Of Underworld”: Maximilian Voloshin and Kabbala

2021 ◽  
pp. 125-149
Author(s):  
K.Yu. Burmistrov
Keyword(s):  
Twentieth Century ◽  
Russian Culture ◽  
The Face ◽  
History Of ◽  
Western European ◽  
Written Sources

The acquaintance of Maximilian Aleksandrovich Voloshin (1877–1932), one of the central figures in the history of Russian culture in the first third of the twentieth century, with the tradition of Western European esotericism, as well as with the concepts of Jewish Kabbalah, is still poorly understood. At the same time, it is known that they played an important role in his worldview and creativity. The article offers an analysis of several topics related to Kabbalah, which had a noticeable impact on the work of Voloshin. Particular attention is paid to the problem of establishing written sources of borrowings and interpretations of Kabbalistic ideas, clarifying concepts, as well as ways of transmitting elements of Kabbalah among European and Russian esotericists. Through the study of various works of Voloshin, his diary entries, drafts and correspondence, the names of esoteric authors who are especially important for the study of this topic have been identified (E.P. Blavatsky, A. Fabre d'Olivet, A. Franck, Eliphas Levi and etc.). Through a thorough analysis of the methods of perception and transmission of the ideas of Kabbalah among European esotericists, it was shown that, strange as it may seem, the result of studying such sources and their interpretation by Voloshin was a fairly accurate and adequate use of Kabbalistic concepts both in theoretical works and in poetry.

scholarly journals The Paradoxes of the Thaw Period

2012 ◽  
Vol 4 (2-3) ◽  
pp. 58-66
Author(s):  
Lydia Alexeyevna Zaitseva
Keyword(s):  
Russian Culture ◽  
History Of ◽  
Thaw Period

The so called Thaw Period which got its name thanks to Ilya Ehrenburg, holds a specific place in the history of Russian culture. It is characterized by complex contradictory tendencies viewed by the author using the film «Ilyich Gate» (dir. M. Khutsiev, sc. G. Shpalikov) as an example.

scholarly journals ‘... Her Imperial Majesty Deigned to Declare Herself’: V. N. Tatishchev’s Journal-Book for 1734

2018 ◽  
pp. 882-891
Author(s):  
Mikhail A. Kiselev ◽  
Keyword(s):  
18Th Century ◽  
Personal Control ◽  
The State ◽  
Active Part ◽  
Documentary Evidence ◽  
State Archive ◽  
The Urals ◽  
Russian Culture ◽  
History Of ◽  
Important State

This is the first publication of the journal-book kept by famous Russian statesman and historian Vasily Nikitich Tatishchev from February 10 to April 2, 1734, after his appointment director of the Urals state-owned metallurgical plants. This document allows to clarify the circumstances of V. N Tatishchev's appointment to the Urals, including its date. According to the document, it was made on February 10 by oral order of the Empress. Immediately afterwards Vasily Nikitich plunged into planning his trip assisted by cabinet-ministers A. I. Osterman, A. M. Cherkassky, and president of the Commerce-Collegium P. P. Shafirov. The journal-book allows to reconstruct the flow of communication within the bureaucratic elite in 1730s. It also shows that internal documentation (minutes and registers) of the Cabinet of Ministers does not fully reflect its activities. It indicates that the Empress took a most active part and interest in Tatishchev’s appointment and his sending away; she thus sought to keep under her personal control all most important state affairs, including management of metallurgical plants. The document is of interest for studying history of Russian culture of the 18th century, as it contains some information about translator and writer K. A. Kondratovich and historian P. N. Krekshin. It intimates that Kondratovich was exiled to the Urals with Tatishchev by oral order from Anna Ioannovna. To this, there is no other documentary evidence, and therefore, Kondratovich attempted to mystify the circumstances of his exile to the Urals and to bury the fact in oblivion. The document is stored in the State Archive of the Sverdlovsk Region, Ekaterinburg.

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