scholarly journals Introducing Plan Oblique Relief

2007 ◽  
pp. 21-40 ◽  
Author(s):  
Bernhard Jenny ◽  
Tom Patterson

Plan oblique relief is a new digital technique for rendering three dimensional terrain on otherwise planimetric (conventional flat) maps. Landforms shown realistically in side view have an illustrative quality that appeals to readers. Inspired by the work of manual mapmakers of the past, the paper begins with a historical review that includes maps by Xaver Imfeld of Switzerland, Erwin Raisz of the United States, and Heinrich Berann of Austria. In the next, digital techniques section, the projections and rendering parameters needed to create plan oblique relief receive attention, as does Natural Scene Designer 5.0, the first commercial software to offer this functionality. The section on design takes a candid look at the advantages and disadvantages of plan oblique relief. The paper ends on a practical note by discussing two maps made by the authors that feature plan oblique relief, one a panorama and the other a physical map.

CORAK ◽  
2013 ◽  
Vol 2 (1) ◽  
Author(s):  
Deni Setiawan

Culture and the type of clothing cosplay, sustainably develop in some parts of theworld, such as in the United States, Japan, Australia, Paris, London, Italy, and not least inIndonesia. As well as the animation concept inherent in Japanese culture, cosplay clothingbervisual be, of course, has its advantages and disadvantages, as well as shifting ideas whendiadobsi by a particular country. It is inevitable, characteristics and character animation as areference cosplay clothing manufacture, changing its form, concept, and material when appliedin Indonesia. Cosplay Indonesia, for example, how this all adopt dialihmaterialkan business, aswell as experienced changes in search of ideas to show all the elements of Indonesia 's. Makingthe next cosplay outfit based on stories, fairy tales, novels, legends, and comics in Indonesia.This arrangement is not without reason and without creativity, but more depth can bediscussed as a form of acculturation between the ideas of Japanese and Indonesian culture,which is packed into a cosplay outfit. On the other arts areas, the concept of cosplay is oftenshown as a costume show. For example, in the theater, revue, or a play-play in an event thatfeatured performances on the stage space . The concept of clothing with a special place andtime, is a simple concept of cosplay. Visualize concepts ideas or writings on clothing image andmakeup, which is transformed into three- dimensional shapes. Cosplay should be viewed as adiscourse of culture and art, by adopting textual ideas, concepts imagination image, into formssuch a unique and beautiful. Key words : cosplay, cosplayer, aesthetic principles, various forms, and ideology. Budaya dan jenis pakaian cosplay, secara berkesinambungan berkembang di beberapabelahan dunia, seperti di Amerika Serikat, Jepang, Australia, Paris, London, Italia, dan tidakterkecuali di Indonesia. Seperti halnya dalam konsep animasi yang melekat pada budayaJepang, bervisual menjadi pakaian cosplay, tentunya memiliki kelebihan dan kekurangan, sertamengalami pergeseran ide-ide manakala diadobsi oleh negara tertentu. Tidak dapat dipungkiri,ciri khas dan karakter animasi sebagai rujukan pembuatan pakaian cosplay, mengalami perubahan bentuk, konsep, dan material ketika diaplikasikan di Indonesia. Cosplay Indonesiamisalnya, bagaimana usaha adobsi ini dialihmaterialkan, serta mengalami perubahanperubahandalam pencarian ide-ide dengan menampilkan unsur-unsur ke-Indonesia-an.Pembuatan pakaian cosplay pada selanjutnya berdasarkan pada cerita, dongeng, novel,legenda, dan komik-komik di Indonesia. Penggubahan ini bukan tanpa alasan dan tanpakreativitas, tetapi lebih mendalam dapat dibahas sebagai bentuk akulturasi antara ide-idekebudayaan Jepang dan Indonesia, yang dikemas menjadi pakaian cosplay. Pada wilayahkesenian lain, konsep cosplay juga sering ditampilkan sebagai sebuah kostum pertunjukan.Misalnya pada pertunjukan teater, pertunjukan tari-tarian, atau sebuah lakon-lakon yangditampilkan dalam sebuah acara pertunjukan diatas ruang pentas. Konsep pakaian dengantempat dan waktu khusus, adalah konsep sederhana dari cosplay. Konsep-konsep yangmemvisualkan ide-ide gambar ataupun tulisan tentang pakaian dan tata rias, yangditransformasikan menjadi bentuk tiga dimensi. Cosplay seharusnya dipandang sebagaiwacana kebudayaan dan kesenian, dengan mengadobsi ide-ide tekstual, konsep imajinasigambar, menjadi bentuk-bentuk rupa yang unik dan indah. Kata-kata kunci: cosplay, cosplayer, prinsip estetika, ragam bentuk, dan ideologi.


Author(s):  
Robert Wuthnow

This afterword argues that small towns are not characteristic of what the United States is really like. Small towns are instead what many people think the United States should be like, and indeed, what they would like it to be. Small towns are neighborly and impose high expectations on residents to be involved in the community. There is also no reason to believe that small towns are morally superior to metropolitan areas, or the reverse. Each has its advantages and disadvantages. One promotes neighborliness that sometimes becomes stifling, while the other provides opportunities that sometimes become overwhelming. The chapter suggests that small towns, even though they are changing, have a viable future, describing them as places in which the slow pace and small scale of the past is preserved. They are also communities in which leadership and innovative ideas are poised expectantly toward the future.


1875 ◽  
Vol 8 ◽  
pp. 31-31
Author(s):  
Blackie

The Author showed by a historical review of the fortunes of Greece, through the Middle Ages, and under the successive influences of Turkish conquest and Turkish oppression, how the Greek language had escaped corruption to the degree that would have caused the birth of a new language in the way that Italian and the other Roman languages grew out of Latin. He then analysed the modern language, as it existed in current popular literature before the time of Coraes, that is, from the time of Theodore Ptochoprodromus to nearly the end of the last century, and showed that the losses and curtailments which it had unquestionably suffered in the course of so many centuries, were not such as materially to impair the strength and beauty of the language, which in its present state was partly to be regarded as a living bridge betwixt the present and the past, and as an altogether unique phenomenon in the history of human speech.


2019 ◽  
Author(s):  
Chris Kenyon ◽  
Jolein Laumen ◽  
Dorien Van Den Bossche ◽  
Christophe Van Dijck

Abstract Background Does the emergence of antimicrobial resistance in Neisseria gonorrhoeae include the erasure of highly susceptible strains or does it merely involve a stretching of the MIC distribution? If it was the former this would be important to know as it would increase the probability that the loss of susceptibility is irreversible.Methods We conducted a historical analysis based on a literature review of changes of N. gonorrhoeae MIC distribution over the past 75 years for 3 antimicrobials (benzylpenicillin, ceftriaxone and azithromycin) in five countries (Denmark, Japan, South Africa, the United Kingdom and the United States).Results Changes in MIC distribution were most marked for benzylpenicillin and showed evidence of a right shifting of MIC distribution that was associated with a reduction/elimination of susceptible strains in all countries. In the case of ceftriaxone and azithromycin, where only more recent data was available, right shifting was also found in all countries but the extent of right shifting varied and the evidence for the elimination of susceptible strains was more mixed.Conclusions The finding of right shifting of MIC distribution combined with reduction/elimination of susceptible strains is concerning since it suggests that this shifting may not be reversible. Since excess antimicrobial consumption is likely to be responsible for this right shifting, this insight provides additional impetus to promote antimicrobial stewardship.


M/C Journal ◽  
1998 ◽  
Vol 1 (3) ◽  
Author(s):  
Heather Wolffram

The 'scholarly striptease', particularly as it is manifested in the United States, has attracted an increasing number of participants during the past decade. Unbeknownst to many, some academics have been getting their gear off in public; that is, publicly and provocatively showcasing their identities in order to promote their politics. While you might imagine that confessions about sexual orientation, ethnicity and pet hates could only serve to undermine academic authority, some American feminists -- and a small number of their male colleagues -- have nevertheless attempted to enhance their authority with such racy revelations. Nancy Miller's admission of a strained relationship with her father (Miller 143-147), or Jane Gallop's homage to the three 36-year-old men she had affairs with (Gallop 41), might make interesting reading for the academic voyeur (or the psychoanalyst), but what is their purpose beyond spectacle? The cynic might argue that self-promotion and intellectual celebrity or notoriety are the motivators -- and certainly he or she would have a point -- but within such performances of identity, and the metacriticism that clings to them, other reasons are cited. Apparently it is all to do with identity politics, that is, the use of your personal experience as the basis of your political stance. But while experience and the personal (remember "the personal is the political"?) have been important categories in feminist writing, the identity of the intellectual in academic discourse has traditionally been masked by a requisite objectivity. In a very real sense the foregrounding of academic identity by American feminists and those other brave souls who see fit to expose themselves, is a rejection of objectivity as the basis of intellectual authority. In the past, and also contemporaneously, intellectuals have gained and retained authority by subsuming their identity and their biases, and assuming an "objective" position. This new bid for authority, on the other hand, is based on a revelation of identity and biases. An example is Adrienne Rich's confession: "I have been for ten years a very public and visible lesbian. I have been identified as a lesbian in print both by myself and others" (Rich 199). This admission, which is not without risk, reveals possible biases and blindspots, but also allows Rich to speak with an authority which is grounded in experience of, and knowledge about lesbianism. Beyond the epistemological rejection of objectivity there appear to be other reasons for exposing one's "I", and its particular foibles, in scholarly writing. Some of these reasons may be considered a little more altruistic than others. For example, some intellectuals have used this practice, also known as "the personal mode", in a radical attempt to mark their culturally or critically marginal subjectivities. By straddling their vantage points within the marginalised subjectivity with which they identify, and their position in academia, these people can make visible the inequities they, and others like them, experience. Such performances are instances of both identity politics at work and the intellectual as activist. On the other hand, while this politically motivated use of "the personal mode" clearly has merit, cultural critics such as Elspeth Probyn have reminded us that in some cases the risks entailed by self-exposition are minimal (141), and that the discursive striptease is often little more than a vehicle for self-promotion. Certainly there is something of the tabloid in some of this writing, and even a tentative linking of the concepts of "academic" and "celebrity" -- Camille Paglia being the obvious example. While Paglia is among the few academics who are public celebrities, there are plenty of intellectuals who are famous within the academic community. It is often these people who can expose aspects of their identity without risking tenure, and it is often these same individuals who choose to confess what they had for breakfast, rather than their links with or concerns for something like a minority. For some, the advent of "the personal mode" particularly when it appears to contain a bid for academic or public fame signifies the denigration of academic discourse, its slow decline into journalistic gossip and ruin. For others, it is a truly political act allowing the participant to combine their roles as intellectual and activist. For me, it is a critical practice that fascinates and demands consideration in all its incarnations: as a bid for a new basis for academic authority, as a political act, and as a vehicle for self-promotion and fame. References Gallop, Jane. Thinking through the Body. New York: Columbia University Press, 1988. Miller, Nancy K. Getting Personal: Feminist Occasions and Other Autobiographical Acts. New York: Routledge, 1991. Probyn, Elspeth. Sexing the Self: Gendered Positions in Cultural Studies. London: Routledge, 1993. Rich, Adrienne. Blood, Bread and Poetry: Selected Prose 1979-1985. New York: W.W Norton, 1986. Citation reference for this article MLA style: Heather Wolffram. "'The Full Monty': Academics, Identity and the 'Personal Mode'." M/C: A Journal of Media and Culture 1.3 (1998). [your date of access] <http://www.uq.edu.au/mc/9810/full.php>. Chicago style: Heather Wolffram, "'The Full Monty': Academics, Identity and the 'Personal Mode'," M/C: A Journal of Media and Culture 1, no. 3 (1998), <http://www.uq.edu.au/mc/9810/full.php> ([your date of access]). APA style: Heather Wolffram. (1998) 'The full monty': academics, identity and the 'personal mode'. M/C: A Journal of Media and Culture 1(3). <http://www.uq.edu.au/mc/9810/full.php> ([your date of access])


2017 ◽  
Vol 53 (1) ◽  
pp. 1-27
Author(s):  
TONY SHAW ◽  
TRICIA JENKINS

Film has been an integral part of the propaganda war fought between the United States and North Korea over the past decade. The international controversy surrounding the Hollywood comedy The Interview in 2014 vividly demonstrated this and, in the process, drew attention to hidden dimensions of the US state security–entertainment complex in the early twenty-first century. Using the emails leaked courtesy of the Sony hack of late 2014, this article explores the Interview affair in detail, on the one hand revealing the close links between Sony executives and US foreign-policy advisers and on the other explaining the difficulties studios face when trying to balance commercial and political imperatives in a global market.


1989 ◽  
Vol 68 (3_suppl) ◽  
pp. 1163-1175 ◽  
Author(s):  
Thomas L. Harrington ◽  
Denise Quon

A means of conceptualizing and generating visual displays that are “self-stereoptic manifolds” is described. First, single patterns that can replace pairs of stereograms to produce illusions of depth are defined and an example is shown. Patterns such as these produce illusory three-dimensional objects hanging in space before or behind the display surface. It is further demonstrated geometrically that such a display actually has three-dimensional information embedded in it peculiar to each of a family, or manifold, of objects that can be experienced one at a time. Each object of the family appears when the viewer looks in space where it “exists.” The others remain invisible unless their locations are fixated. If any member of a specific manifold of three-dimensional illusory objects is physically duplicated as a real object and textured in the same way that the illusory object appeared to be, then this new real object will, in turn, generate an illusion of each of the other objects of the manifold when the observer fixates in space where each “exists.” Also, if then the viewer looks where the original display previously was, the newly constructed object will disappear and the display will reappear. The geometry and the advantages and disadvantages in relation to a stereoptic pair are discussed.


1920 ◽  
Vol 10 ◽  
pp. 155-168
Author(s):  
G. A. Harrer

During the past six years the problem of the chronology of Niger's revolt in Syria has been studied in detail in three separate works. My own appeared in the United States in 1915, a book by Platnauer in England in 1918, and a work by Hasebroek in Germany in 1921. Due to poor means of communication during the war, Platnauer did not see my study, and Hasebroek saw neither Platnauer's nor mine. Since the appearance of his book Platnauer has also published a short paper in The Journal of Roman Studies, taking issue emphatically with my views. This paper, too, escaped Hasebroek's attention. The three studies independently produced are not in harmony. They agree very well on the beginning of the revolt, but differ concerning its course, and concerning the date of its end. Since my own view does not now coincide with either of the other two, but has been modified by both of them, it has seemed worth while to examine them carefully, to study again the available evidence, and, with what new evidence can be brought to bear, to suggest a solution of the problem.


1947 ◽  
Vol 41 (4) ◽  
pp. 700-732
Author(s):  
Foster H. Sherwood

The oft-heard argument in behalf of federalism that the states furnish important laboratories for social and political experimentation is illustrated by a good many new constitutional provisions interpreted for the first time this year. Two states, Missouri and Georgia, adopted entirely new constitutions in 1945, important sections of which have come before the highest courts for interpretation. One of these, the Georgia constitution of 1945, provides specifically: “Legislative acts in violation of this constitution or the constitution of the United States, are void, and the judiciary shall so declare them.” Such a provision may very well raise more questions than it settles—for example, what effects can be accorded unconstitutional acts?; can the other agencies of government refuse to perform under statutes they consider unconstitutional?; can the judiciary declare acts of the governor and other officers unconstitutional?; etc. Such questions have not as yet been raised. But there is some evidence that we may be embarking on an era of constitutional revision similar to that which followed the Civil War. If so, the problems of constitutional law now being discussed may furnish a clue to the kind of new documents to be written. This year the emphasis has been on civil rights and methods of adjusting state finances to the rapidly fluctuating value of the dollar—problems which naturally arise out of the intense social and economic conflicts of the past decade.


2001 ◽  
Vol 2 (1) ◽  
pp. 88-105
Author(s):  
Sommers Pierce

Classical librarianship drowns in the sea of change. in the United States our profession had indicated a profound change -especially in the last 20 years. Until 1976, 15 schools or departments of librarianship had been closed, and the rest had undergone a serious transformation. During the last 20 years, library education became no more homogeneous as it was in the past. New educational programs show vast diversity. The scope of the mission of library services became enlarged. Type of students, ways of teaching had also indicated a substantial change. On the other hand, the librarian of today requires lifelong self­education.


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