Unforgivable Whiteness [a review of Hotter Than That: The Trumpet, Jazz, and American Culture, by Krin Gabbard]

Randy Sandke

doi:10.14713/jjs.v7i1.6

Unforgivable Whiteness[a review of Hotter Than That: The Trumpet, Jazz, and American Culture, by Krin Gabbard]

Journal of Jazz Studies ◽

10.14713/jjs.v7i1.6 ◽

2011 ◽

Vol 7 (1) ◽

pp. 104

Author(s):

Randy Sandke

Keyword(s):

Review Essay ◽

American Culture ◽

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Randy Sandke, a working professional trumpeter and composer for the last thirty years, contributes a review-essay on Krin Gabbard’s book Hotter Than That: The Trumpet, Jazz, and American Culture (Faber and Faber, 2008).

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Review Essay: Why Psychoanalysis Could Never Really Fit into American Culture

Transcultural Psychiatry ◽

10.1177/1363461506064876 ◽

2006 ◽

Vol 43 (2) ◽

pp. 315-320

Author(s):

Jerome Braun

Keyword(s):

Review Essay ◽

American Culture

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Speaking of Tradition and Modernity: A Review Essay onHabits of the Heartand Other Recent Works on American Culture

Cultural Anthropology ◽

10.1525/can.1986.1.4.02a00040 ◽

1986 ◽

Vol 1 (4) ◽

pp. 425-446

Author(s):

Constance Perin

Keyword(s):

Review Essay ◽

American Culture

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American Culture and the (Permanent, Global) Cold War (on Terror)

American Literary History ◽

10.1093/alh/ajaa009 ◽

2020 ◽

Vol 32 (2) ◽

pp. 354-364

Author(s):

Jonathan Vincent

Keyword(s):

Cold War ◽

Review Essay ◽

War On Terror ◽

American Culture ◽

War On Drugs ◽

Industrial Complex ◽

Scholarly Work ◽

Military Industrial Complex ◽

Global Cold War ◽

Structural Adaptations

Abstract This review-essay considers recent scholarly work that, in contrast to our understanding of the Cold War’s demise 30 years ago, examines the lingering practices of permanent militarization that have nonetheless continued to flourish. Focusing especially on the cultural habits that normalize permanent war—a necessary supplement since the Cold War’s justifying logics no longer adhere—they together enlarge a picture of the dyadic or double-jointed projects of a transforming military–industrial complex occurring at all manner of points internationally as well as in a range of locales internal to US life, and in ways that are structurally linked. At the heart of that critique is disclosing the way that the adapting discourses of a liberalizing American state downplay and reframe the older, more overt rhetorics of colonialism and imperialism while nonetheless retaining similar expansionist and disciplinary goals. Using the literary and cultural record of those structural adaptations, they document how the twin arms of that coordinated state power worked relentlessly to manage “neocolonial” interventions across the globe, well into the “forever wars” of our own time, as well as, simultaneously, to interfere in and subdue the civil right movement or prosecute the War on Drugs domestically.

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Review Essay: The Age of Terrorism, from 9/11 to Terror War: The Dangers of the Bush Legacy, 9/11 in American Culture, Education, Globalisation and the State in the Age of Terrorism

Policy Futures in Education ◽

10.2304/pfie.2005.3.1.3 ◽

2005 ◽

Vol 3 (1) ◽

pp. 117-120

Author(s):

David Chalmers

Keyword(s):

Review Essay ◽

American Culture ◽

The State ◽

Culture Education

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More Than Just Guide Tones: Steve Larson's Analyzing Jazz—A Schenkerian Approach

Journal of Jazz Studies ◽

10.14713/jjs.v7i1.7 ◽

2011 ◽

Vol 7 (1) ◽

pp. 121

Author(s):

Henry Martin

Keyword(s):

Review Essay ◽

Recent Book ◽

Font Size ◽

Jazz Studies ◽

Rutgers University ◽

Music Theorist

Henry Martin, a composer, music theorist, professor of music at Rutgers University–Newark, and co-editor of the Journal of Jazz Studies, contributes a review-essay about Steve Larson’s recent book, Analyzing Jazz: A Schenkerian Approach (Pendragon Press, 2009).

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