scholarly journals British History is Their History: Britain and the British Empire in the History Curriculum of Ontario, Canada and Victoria, Australia 1930-1975

2017 ◽  
Vol 4 (2) ◽  
pp. 165
Author(s):  
Stephen J Jackson

This article investigates the evolving conceptions of national identity in Canada and Australia through an analysis of officially sanctioned history textbooks in Ontario, Canada and Victoria, Australia. From the 1930s until the 1950s, Britain and the British Empire served a pivotal role in history textbooks and curricula in both territories. Textbooks generally held that British and imperial history were crucial to the Canadian and Australian national identity. Following the Second World War, textbooks in both Ontario and Victoria began to recognize Britain’s loss of power, and how this changed Australian and Canadian participation in the British Empire/Commonwealth. But rather than advocate for a complete withdrawal from engagement with Britain, authors emphasized the continuing importance of the example of the British Empire and Commonwealth to world affairs. In fact, participation in the Commonwealth was often described as of even more importance as the Dominions could take a more prominent place in imperial affairs. By the 1960s, however, textbook authors in Ontario and Victoria began to change their narratives, de-emphasizing the importance of the British Empire to the Canadian and Australian identity. Crucially, by the late 1960s the new narratives Ontarians and Victorians constructed claimed that the British Empire and national identity were no longer significantly linked. An investigation into these narratives of history will provide a unique window into officially acceptable views on imperialism before and during the era of decolonization.

2015 ◽  
Vol 12 (4) ◽  
pp. 539-555 ◽  
Author(s):  
Kevin M. Flanagan

This article traces Ken Russell's explorations of war and wartime experience over the course of his career. In particular, it argues that Russell's scattered attempts at coming to terms with war, the rise of fascism and memorialisation are best understood in terms of a combination of Russell's own tastes and personal style, wider stylistic and thematic trends in Euro-American cinema during the 1960s and 1970s, and discourses of collective national experience. In addition to identifying Russell's recurrent techniques, this article focuses on how the residual impacts of the First and Second World Wars appear in his favoured genres: literary adaptations and composer biopics. Although the article looks for patterns and similarities in Russell's war output, it differentiates between his First and Second World War films by indicating how he engages with, and temporarily inhabits, the stylistic regime of the enemy within the latter group.


Author(s):  
Douglas E. Delaney

How did British authorities manage to secure the commitment of large dominion and Indian armies that could plan, fight, shoot, communicate, and sustain themselves, in concert with the British Army and with each other, during the era of the two world wars? This is the primary line of inquiry for this study, which begs a couple of supporting questions. What did the British want from the dominion and Indian armies and how did they go about trying to get it? How successful were they in the end? Answering these questions requires a long-term perspective—one that begins with efforts to fix the armies of the British Empire in the aftermath of their desultory performance in South Africa (1899–1903) and follows through to the high point of imperial military cooperation during the Second World War. Based on multi-archival research conducted in six different countries on four continents, Douglas E. Delaney argues that the military compatibility of the British Empire armies was the product of a deliberate and enduring imperial army project, one that aimed at ‘Lego-piecing’ the armies of the empire, while, at the same time, accommodating the burgeoning autonomy of the dominions and even India. At its core, this book is really about how a military coalition worked.


Author(s):  
Bonnie White

This article situates Land Girls (BBC, 2009–2011) in dialogue with the Second World War and its legacy. Although the series ostensibly deals with the experience of British Land Girls during the war in a melodramatic way, Land Girls is best understood as an anxious commentary on the place of Britain and its cultural institutions following the war. The series uses national, racial and economic others in order to de-romanticise notions of a collective national identity, while simultaneously using those others to help articulate an idealised sense of Britishness for a 21st-century audience.


2006 ◽  
Vol 93 (1) ◽  
pp. 106-137 ◽  
Author(s):  
FRANK MORT

ABSTRACT Historians of the sexual and cultural changes associated with the ““permissive”” moment of the 1960s have tended to emphasize a progressive narrative of reform focused on national policies and their social outcomes. This article explores a diffierent dynamic, highlighting the ways in which a series of scandalous and transgressive events, associated with particular networks of metropolitan culture in London, played a significant role in reshaping sexual beliefs and attitudes within English society during the postwar period.


1997 ◽  
Vol 21 (2) ◽  
pp. 19-27 ◽  
Author(s):  
Michael Bohman

The following article by Professor Michael Bohman begins with a brief historical analysis of child development theory in relation to adoption and fostering after the end of the Second World War. The author goes on to review research findings from a series of Swedish adoption surveys which began under his supervision in the 1960s and continue to this day. Much attention is given to the significance of genetic and environmental factors towards shaping the development of adopted children into adulthood. Problems of social and psychological adjustment are discussed, as are the genetic aspects of criminality and alcohol misuse in a group of adult adopted people.


2021 ◽  
pp. 133-149
Author(s):  
I. Vietrynskyi

The paper focuses on the initial stage of the formation of the Commonwealth of Australia, and the process of its establishing as an independent State. The international political context for the development of the country, from the period of creation of the Federation to the beginning of the Second World War, is primarily viewed. The Commonwealth’s international position, its place and role in the regional and global geopolitical processes of the early XX century, in particular in the context of its relations with Great Britain, are analyzed. The features of the transformation of British colonial policies on the eve of the First World War are examined. The specifics of the UK system of relations with Australia, as well as other dominions, are being examined. The features of status of the dominions in the British Empire system are shown. The role of the dominions and, in particular, the Commonwealth of Australia in the preparatory process for the First World War, as well as the peculiarities of its participation in hostilities, is analyzed. The significance of the actions of the First World War on the domestic political situation in Australia, as well as its impact on dominions relations with the British Empire, is revealed. The history of the foundation of the Australian-New Zealand Army Corps (ANZAC) and its participation in imperial forces on the frontline of the First World War is analyzed. The success and failure of its fighters, as well as the role of ANZAC, in the process of formation an Australian political nation are analyzed. The economic, humanitarian and international political consequences of the First World War for the Commonwealth of Australia are examined, as well as the influence of these consequences on the structure of relations between the dominions and the British Empire. The socio-economic situation of the Commonwealth of Australia on the eve of World War II, in particular the impact of the Great depression on the development of the country as a whole and its internal political situation in particular, is analyzed. The ideological, military-strategic and international political prerequisites for Australia’s entry into the Second World War are being considered.


2019 ◽  
Vol 5 (2) ◽  
pp. 220-246
Author(s):  
Tadd Graham Fernée

This article comparatively examines French and English literature based on two novels published in 1947, Malcolm Lowry’s Under the Volcano and Jean-Louis Curtis’ The Forests of Night. Both novels employ the mythic device to construct narratives on the twilight of the British Empire and the German occupied French Vichy regime, respectively, depicting experiences of resistance and collaboration on the eve of and during the Second World War. Both invent a system of symbolic imagery modelled on the Surrealist template in Jean Cocteau’s The Infernal Machine, that turns the classical mythic device still prevalent in the early 20th century (i.e. in Joyce or Eliot) upside down. The revolution in Mythic Imagination follows the Structuralist Revolution initiated by Durkheim, Saussure and Bachelard, evacuating fixed ontological architecture to portray relational interdependency without essence. These novels pursue overlapping ethical investigations, on “non-interventionism” in Lowry and “fraternity” in Curtis. The novels raise questions about the relation between colonialism and fascism and the impact of non-Western mythic universes (i.e. Hinduism) upon the Mythic Imagination. They have implications for our understanding of gender relations, as well as the value of political activism and progress.


Author(s):  
E. V. Khakhalkina

The “Diary” of the Soviet diplomat I. M. Maisky, who worked in London for more than ten years first as a messenger, then as the Soviet ambassador to the UK, is one of the valuable sources for the interwar period and the Second World War. The “Diary” contains records of Maisky’s conversations with the leading British politicians and public figures and his own thoughts on a wide range of issues, including the problems of the British Empire. The author of the paper analyzes the views of the Tories on the prospects for the British Empire and the Commonwealth of the postwar period and reveals the plans for the reconstruction of the Empire and its transformation while maintaining the dominant position of Britain in the format of a new relationship with the dominions and colonies. The paper shows that within the British political establishment there was no consensus on the future of the empire and, as the materials of the “Diary of diplomat” evidence, the problem of the evolution of the Empire had a close relationship with other areas of foreign and domestic policy.


Author(s):  
Alison Chand

This chapter analyses the narratives of men who worked in reserved occupations in Clydeside to explore wider aspects of their individual subjectivities other than gender. Areas of subjectivity examined include national identity (picking up from the discussion in Chapter 3 and looking at men of non-British or Scottish nationality), class consciousness and political identity, religion and social activities. This chapter widens the picture of how men in reserved occupations experienced the war, arguing that male reserved workers were aware of ‘imagined’ collective subjectivity on a national level, and that important similarities existed between the subjectivities of men who worked in different regions of Britain, particularly those with higher proportions of men working in reserved occupations. The chapter re-enforces the notion that the subjectivities of such men existed on different levels and reflected to varying degrees the concepts of ‘imagination’ and ‘living’, making clear that the subjectivities of male civilian workers in wartime Clydeside comprised different national, ethnic, religious, class and political attributes, all integral and important to reserved men before, during and after the Second World War. Arguably, however, men were often aware of these integral aspects of their subjectivities on an ‘imagined’ level, and many aspects of them were superseded by a pre-occupation with everyday living, also continuous and fundamentally unchanged by wartime. In arguing for the continuity of different ‘imagined’ and ‘lived’ forms of subjectivity among men in reserved occupations in wartime Clydeside, this chapter re-enforces the notion that, although integral to masculinity, temporary wartime ideals did not fundamentally change the masculine subjectivities of male civilian workers.


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