scholarly journals MEMBACA KISAH NABI DAUD MENGGUNAKAN SEMIOTIKA ROLAND BARTHES

2020 ◽  
Vol 19 (2) ◽  
pp. 129
Author(s):  
Jarot Nanang Santoso ◽  
Indal Abror

Roland Barthes’s semiotics, as a science that is concerned in coding, was applied in analyzing the story of the Prophet David. Application of multilevel readings; Heuristic readings and retroactive readings in the story of the Prophet David consisting of 25 lexia texts of the Koran, were found to be of significance identified from certain codes, including: a) hermeunetic code / puzzle code, b) symbolic code “David” symbol from the ideal leader, c) the semic code or the “ark” connotative code means the importance of preserving and preserving relics, d)   the proaretic code / action code “David fell” means humility acknowledging mistakes not looking at someone’s status, e) gnomic code or code Cultural “Goliath and its troops” means that there will always be those who spread damage, and during this time God’s intervention will also contribute to protecting the universe through the other party who spread goodness, and so on.

Transilvania ◽  
2021 ◽  
pp. 33-36
Author(s):  
Deliana Vasiliu

Translating Barthes in the 1980s, in Romania, was a real challenge. The present text is intended to recall the discovery of that unclassifiable “writer” at the time when, in 1983, we proposed to the Universe Publishing House in Bucharest to publish a sort of Essential Barthes into Romanian, entitled “The Novel of The Writing”. It will therefore be a nostalgic, but at the same time ambivalent and, as far as possible, critical look on what the writings and especially the writing of Roland Barthes nourished the “happy” readers who were the literary figures of communist Romania. For, in fact, behind all this was “hunger”: a desire to know something else, to harmonize with the other, to cross barriers, to be somewhere else than in the standardized world of Eastern Europe.


2021 ◽  
Vol 25 (2) ◽  
pp. 78-88
Author(s):  
Hani Latifah

Karya-karya sastra umumnya memiliki tanda atau simbol yang merepresentasikan makna tertentu yang perlu dipecahkan. Artikel ini bertujuan untuk memaparkan telaah kode-kode yang terdapat dalam cerpen “Tak Ada yang Gila di Kota Ini” karya Eka Kurniawan dengan menggunakan analisis semiotik yang dikemukakan oleh Roland Barthes yang mencakup beberapa sistem kode yaitu kode aksi, kode teka-teki, kode budaya, kode konotatif, dan kode simbolik. Metode yang digunakan dalam penelitian ini adalah metode penelitian deskriptif kualitatif. Data diperoleh dengan mengaplikasikan teknik baca dan catat. Data berupa, kata, frasa, klausa, dan atau kalimat. Hasil analisis menunjukkan bahwa kelima kode digunakan dalam cerpen diatas. Ada delapan bagian yang merepresentasikan kode aksi. Sementara itu, kode teka-teki digunakan untuk menggambarkan salah satu tokoh. Kode budaya digunakan untuk menggambarkan nilai-nilai yang dianut dan dipercayai para tokoh dalam cerpen. Dan dua kode terakhir yaitu kode konotatif dan simbolik, merupakan dua kode yang saling melengkapi satu sama lain, dimana kode konotatif menyiratkan suatu makna tertentu yang kemudian di di dalam novel tersebut direpresentasikan dalam bentuk symbol-simbol. A SEMIOTIC ANALYSIS OF THE SHORT STORY ENTITLED “NOTHING IS CRAZY IN THIS CITY”Literary works generally decode signs or symbols that represent certain meanings which need to be interpretated. This study reported the analysis of codes contained in the short story entitled “Nothing is Crazy in This City” written by Eka Kurniawan using a semiotic analysis proposed by Roland Barthes which comprised several code systems, namely code of action, code of puzzle, code of culture, connotative code, and symbolic code. The method used in this research was descriptive qualitative research method. The data were obtained by applying reading and note-taking techniques. Data were in the form of words, phrases, clauses, and or sentences. The analysis results showed that the five codes were all used in the short story. Within the story code of actions could be found in eight sections. Meanwhile, a puzzle code was used to describe one of the characters. Cultural codes were used to describe the values upheld and believed by the characters. Lastly, the connotative and symbolic codes were the two codes that complemented each other. The connotative codes implied certain meanings which were then represented in the form of symbols within the short story.


2017 ◽  
Vol 1 (2) ◽  
pp. 121-128
Author(s):  
Sohirin Mohammad Solihin

Malay culture is the unique racial and ethnic identity of the Malay people that cannot be separated from the teachings of Islam that are embraced by Malay society. This article explains that Malay culture is firmly rooted in Islamic values. The doctrine of the belief in monotheism in Islam is the normative and philosophical basis of Malay culture. Meanwhile the teachings of Islam about truth and justice become the spirit that animates the behavior of the Malay community in their daily lives. Malay culture integrated with Islamic values ​​must be well communicated in the interaction of Malays with non-Malay races and ethnicities. This is important so that the values ​​of Islam as a mercy for the universe can be felt by all humans. The final part of this paper shows how Malay Muslims have not yet understood Malay culture in a broader perspective. Culture is only understood as cultural art, whereas Malay culture also includes aspects of politics, social, science, economics and so on. On the other hand, the behavior of some Malays in these aspects also does not reflect the ideal Malay culture imbued with Islamic values.


Author(s):  
Milen Dimov

The present study traces the dynamics of personal characteristics in youth and the manifested neurotic symptoms in the training process. These facts are the reason for the low levels of school results in the context of the existing theoretical statements of the problem and the empirical research conducted among the trained teenagers. We suggest that the indicators of neurotic symptomatology in youth – aggression, anxiety, and neuroticism, are the most demonstrated, compared to the other studied indicators of neurotic symptomatology. Studies have proved that there is a difference in the act of neurotic symptoms when tested in different situations, both in terms of expression and content. At the beginning of the school year, neurotic symptoms, more demonstrated in some aspects of aggressiveness, while at the end of school year, psychotism is more demonstrated. The presented summarized results indicate that at the beginning of the school year, neurotic symptoms are strongly associated with aggression. There is a tendency towards a lower level of social responsiveness, both in the self-assessment of real behavior and in the ideal “I”-image of students in the last year of their studies. The neurotic symptomatology, more demonstrated due to specific conditions in the life of young people and in relation to the characteristics of age.


1970 ◽  
Vol 6 (2) ◽  
Author(s):  
Nurul Aini Musyarofah

The relationship between Islam and state raises a controversy that includes two main groups;formalists and substantialists. Both of them intend to achieve a good social condition which is inaccordance with Islamic politics. The ideal form of good society to be achieved is principallydescribed in the main source of Islamic law, Al Qur’an and As Sunnah, as follows. A form of goodsociety should supprot equality and justice, egalitarianism, and democracy in its social community.The next problem is what the needed methods and instruments to achieve the ideal Islamic politicsare. In this case, the debate on the formalization and substance of Islamic teaching is related to therunning formal political institution.Each group claims itself to be the most representative to the ideal Islam that often leads to anescalating conflict. On the other hand thr arguments of both groups does not reach the wholeMuslims. As a result, the discourse of Islam and state seems to be elitist and political. As a result,Both groups suspect each other each other and try to utilize the controversy on the relationshipbetween Islam and state to get their own benefit which has no relation with the actualization ofIslamic teaching.


2020 ◽  
Vol 15 (S359) ◽  
pp. 188-189
Author(s):  
Daniela Hiromi Okido ◽  
Cristina Furlanetto ◽  
Marina Trevisan ◽  
Mônica Tergolina

AbstractGalaxy groups offer an important perspective on how the large-scale structure of the Universe has formed and evolved, being great laboratories to study the impact of the environment on the evolution of galaxies. We aim to investigate the properties of a galaxy group that is gravitationally lensing HELMS18, a submillimeter galaxy at z = 2.39. We obtained multi-object spectroscopy data using Gemini-GMOS to investigate the stellar kinematics of the central galaxies, determine its members and obtain the mass, radius and the numerical density profile of this group. Our final goal is to build a complete description of this galaxy group. In this work we present an analysis of its two central galaxies: one is an active galaxy with z = 0.59852 ± 0.00007, while the other is a passive galaxy with z = 0.6027 ± 0.0002. Furthermore, the difference between the redshifts obtained using emission and absorption lines indicates an outflow of gas with velocity v = 278.0 ± 34.3 km/s relative to the galaxy.


2019 ◽  
pp. 1-31
Author(s):  
Paul Ingram

Abstract Theodor Adorno’s philistine functions as the other of art, or as the ideal embodiment of everything that the bourgeois aesthetic subject is not. He insists on the truth-content of the derogation, while recognising its unjust social foundation, and seeking to reflect that tension in a self-critical turn. His model of advanced art is negatively delimited by the philistinism of art with a cause and the philistinism of art for enjoyment, which represent the poles of the aesthetic and the social. The philistine is also the counterpart to the connoisseur, with the interplay between them pointing to his preferred approach to aesthetics, in which an affinity for art and alienness to it are combined without compromise. However, Adorno fails to realise fully the critical potential of the philistine as the immanent negation of art and aesthetics.


2014 ◽  
Vol 29 (27) ◽  
pp. 1450155 ◽  
Author(s):  
Goran S. Djordjevic ◽  
Ljubisa Nesic ◽  
Darko Radovancevic

The significant matter for the construction of the so-called no-boundary proposal is the assumption of signature transition, which has been a way to deal with the problem of initial conditions of the universe. On the other hand, results of Loop Quantum Gravity indicate that the signature change is related to the discrete nature of space at the Planck scale. Motivated by possibility of non-Archimedean and/or noncommutative structure of space–time at the Planck scale, in this work we consider the classical, p-adic and (spatial) noncommutative form of a cosmological model with Friedmann–Robertson–Walker (FRW) metric coupled with a self-interacting scalar field.


2009 ◽  
Vol 5 (H15) ◽  
pp. 304-304
Author(s):  
J. C. Berengut ◽  
V. A. Dzuba ◽  
V. V. Flambaum ◽  
J. A. King ◽  
M. G. Kozlov ◽  
...  

Current theories that seek to unify gravity with the other fundamental interactions suggest that spatial and temporal variation of fundamental constants is a possibility, or even a necessity, in an expanding Universe. Several studies have tried to probe the values of constants at earlier stages in the evolution of the Universe, using tools such as big-bang nucleosynthesis, the Oklo natural nuclear reactor, quasar absorption spectra, and atomic clocks (see, e.g. Flambaum & Berengut (2009)).


Author(s):  
Jennifer Gurley

AbstractAgainst anti-realist readings of the Emersonian self, perhaps most influentially Cavell’s reading, this essay argues that Emerson is a devotional writer. Emerson’s notion of subjectivity is based in two complementary modes of action - one receptive and the other expressive - as one works to “align” oneself with the larger forces that constitute and order the universe. How the world is and how we humans make our way through it are not the same and must not be confused. Such confusion is the decisive mistake the anti-realist critic of Emerson makes. The Emersonian subject must experience the laws of reality directly, on one’s own, rather than “secondhand.” Emerson is a dramatist telling the story of how we come to ideas and learn to judge and to act: of how, that is, we come to have experience. Emerson seeks an unshifting ground through a moment of receptivity and a moment of activity. That he often rarely achieves insight does not make him an anti-realist. This essay demonstrates how, by showing - albeit briefly - that Emersonian experience is fundamentally religious: a work of devotion rather than aversion.


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