scholarly journals STRUKTUR NARASI NOVEL SEJARAH ISLAM 17 RAMADAN

2013 ◽  
Vol 12 (2) ◽  
pp. 361
Author(s):  
Moh. Wakhid Hidayat
Keyword(s):  
Structural Analysis ◽  
Narrative Theory ◽  
Historical Novel ◽  
Linear Structure ◽  
Narrative Structure ◽  
The Novel ◽  
Binary Opposition ◽  
Subject And Object ◽  
Before And After ◽  
Holy Place

17 Ramadan is a historical islamic novel by Jurji Zaidan. This is the fourth of his twenty-three historical novel. 17 Ramadan is originally published by al-Hilal newspaper. This novel tells about the events before and after the murder of Caliph Ali ibn Abi Talib on 17 Ramadan. This article presents the narrative  structure  of  the  novel  with a structural analysis of Greimas’ narrative theory. This research aims to identify the structural action with binary opposition; the sender-recipient, subject and object, and the adjuvant-obstacle. The result finds that there are four main actantial structures. These structures construct five macrostructures, those are the linear structure of revenge-action-judgement, the structure of the characters’ vindication, the linear structure of insult-thesanity-and-holy-place-chastisement, the structure with isotope of place clarification, and the structure of heroine.

scholarly journals Analysis of Female Masculinity During Wartime in The Night Watch From the Perspective of Gender Performativity

2021 ◽  
Vol 11 (5) ◽  
pp. 528-532
Author(s):  
Lin Wu ◽  
Chenyu Bai
Keyword(s):  
World War Ii ◽  
Gender Identity ◽  
Gender Equality ◽  
The Novel ◽  
Binary Opposition ◽  
World War ◽  
Gender Performativity ◽  
Female Masculinity ◽  
Compulsory Heterosexuality ◽  
Before And After

The novel The Night Watch（2006）by Sarah Waters, a contemporary British novelist, tells the story of four women whose fortunes were intertwined before and after World War II. By Judith Butler’s theory of gender performativity, this paper analyzes the wartime female images in the novel. Women’ s wartime drag subverts the binary opposition of people’s presupposed notion about sex and women’ s occupation of men’ job that breaks the fictitious perception of gender opposition; the lesbian love affairs challenge the compulsory heterosexuality. Through the interpretations of the feminist thoughts conveyed by Waters in The Night Watch and Butler’s theory of gender performativity, it can be discovered that the nature of gender identity is actually fictional and can be constructed, reflecting the appeal for gender equality.

More Alike Than Unalike: Cross-language Similarity Influences Novel Word Lexicalization in Bilingual Individuals

2020 ◽  
Author(s):  
Pauline Palma ◽  
Marie-France Marin ◽  
k onishi ◽  
Debra Titone
Keyword(s):  
Lexical Decision ◽  
Lexical Decision Task ◽  
Decision Task ◽  
The Novel ◽  
Lexical Representations ◽  
Before And After ◽  
Word Forms ◽  
Explicit Recognition ◽  
Novel Word Learning ◽  
Cross Language

Although several studies have focused on novel word learning and consolidation in native (presumably monolingual) speakers, less is know about how bilinguals add novel words to their mental lexicon. Here, we trained 33 English-French bilinguals on novel word-forms that were neighbors to “hermit” English words (i.e., words with no existing neighbors). Importantly, these English words varied in terms of orthographic overlap with their French translation equivalent (i.e., cognates vs. noncognates). We measured explicit recognition of the novel neighbors and the interaction between novel neighbors and English words through a lexical decision task, both before and after a sleep interval. In the lexical decision task, we found evidence of immediate facilitation for English words with novel neighbors, and evidence of competition after a sleep interval for cognate words only. These results suggest that higher quality of existing lexical representations predicts an earlier onset for novel word lexicalization.

STRUKTUR NARASI NOVEL CA BAU KAN, KARYA REMY SYLADO ANALISIS SEMIOTIK

2017 ◽  
Vol 4 (1) ◽  
pp. 70
Author(s):  
Sri Sabakti
Keyword(s):  
Narrative Structure ◽  
Literary Analysis ◽  
The Novel ◽  
Basic Scheme ◽  
Library Research ◽  
The Mean

This research is aimed to expose the narrative structure of the novel Ca Bau Kan by using semiotical theory. The source of the data is the novel Ca Bau kan written by Remy Silado and published by KPG, eight edition, 2004. The data is collected by doing the library research. The teory applied in this research is the emiotical theory, especially the literary analysis of Subur Laksono Wardoyo that the analysis of the text of prose can be applied by using three fases; the analysis of the basic scheme narrative, the analysis of mean signifier, and the analysis of syntagmatics and pragmatics. The result of this research showed that the narrative structure in the novel CBK that (1) the life of Tinung before being a ca bau kan, (2) the life of Tinung as a ca bau kan, and (3) the life of Tinung after not being a ca bau kan anymore. Based on the narrative structure, it was found that “ Love is only one. No measurement is needed” is the mean signifier and able to be clarified by the analysis of syntagmatics-paradigmatics based on the biner oposition of weak x strong.AbstrakPenelitian ini bertujuan mengungkapkan stuktur narasi dalam novel Ca Bau Kan (CBK) dengan menggunakan teori semiotika. Penelitian ini menggunakan sumber data novel CBK karya Remy Silado yang diterbitkan oleh KPG, cetakan kedelapan tahun 2004. Pengumpulan data dilaksanakan dengan teknik kepustakaan. Teori yang digunakan dalam penelitian ini adalah teori semiotika, khususnya analisis sastra menurut Subur Laksono Wardoyo bahwa analisis teks prosa dapat dilakukan melalui tiga tahap, yaitu: analisis skema naratif dasar, analisis signifier utama, dan analisis sintagmatik-paradigmatik. Hasil penelitian menggambarkan bahwa struktur narasi pada novel CBK adalah sebagai berikut: 1) kehidupan Tinung sebelum menjadi ca bau kan, 2) kehidupan Tinung sebagai ca bau kan, dan 3) kehidupan Tinung setelah tidak menjadi ca bau kan. Berdasarkan struktur narasi, maka didapatkan bahwa “Cinta cuma satu, kagak perlu takaran” merupakan penanda utama dan dapat diperjelas melalui analisis sintagmatik-paradigmatik yang didasarkan atas sebuah oposisi biner lemah x kuat.

Drawing the Written Woman

2014 ◽  
Vol 7 (2) ◽  
pp. 31-63
Author(s):  
Sonia Lagerwall
Keyword(s):  
Historical Novel ◽  
Dynamic Adaptation ◽  
Adaptation Process ◽  
The Novel ◽  
Artistic Training

This article deals with Philippe Druillet's three-volume comic adaptation (1980–1985) of Salammbô, Gustave Flaubert's historical novel from 1862, set three centuries BC. Flaubert was famous for not wanting his texts illustrated: he argued that the preciseness of images would undo the poetic vagueness of his written words. The article examines how Druillet tackles the challenge of graphically representing Flaubert's canonical work without reducing the priestess Salammbô into a given type. The analysis shows a dynamic adaptation process in which Druillet gives a kaleidoscopic form to Flaubert's text. His variation on the Salammbô character foregrounds photography, a medium historically relevant to the novel but also to Druillet's own artistic training. Featuring his character Lone Sloane in the role of Mathô, the adaptation proves to be a highly personal appropriation of the novel, where Druillet enhances an autobiographical dimension of his work previously hinted at in La Nuit and Gaïl.

A CRITICAL ASSESSMENT OF THE NOVEL «ASSEMBLY HALL» BY HERMANN KANT IN THE REUNIFIED GERMANY (AFTER 1991)

2020 ◽  
pp. 144-152
Author(s):  
Rimma Gurevich
Keyword(s):  
Critical Assessment ◽  
The Novel ◽  
Aesthetic Appreciation ◽  
Party Position ◽  
Creative Personality ◽  
Before And After

H. Kant’s novel received a high literary and aesthetic appreciation in criticism and wide recognition by readers. Criticism (before and after the unification of Germany) concerns mainly one aspect viz. authenticity of the events depicted in the novel and the charcters’ images. Opponents argue that Kant’s ideological views, his consistent socialist and party position have prompt him to embellish reality, create simulacra, and the idyllic world of socialist Biedermeyer. The article shows that these assessments ignore the nature of his talent, especially his creative personality peculiarities such as journalistic orientation of the motivated «political» person and writer.

Kidnapped

2014 ◽  
Author(s):  
Robert Louis Stevenson ◽  
Ian Duncan
Keyword(s):  
West Coast ◽  
Historical Novel ◽  
The Novel ◽  
The West ◽  
Scottish Highlands ◽  
Cross Country ◽  
First Time ◽  
Adventure Stories

Your bed shall be the moorcock’s, and your life shall be like the hunted deer’s, and ye shall sleep with your hand upon your weapons.’ Tricked out of his inheritance, shanghaied, shipwrecked off the west coast of Scotland, David Balfour finds himself fleeing for his life in the dangerous company of Jacobite outlaw and suspected assassin Alan Breck Stewart. Their unlikely friendship is put to the test as they dodge government troops across the Scottish Highlands. Set in the aftermath of the 1745 rebellion, Kidnapped transforms the Romantic historical novel into the modern thriller. Its heart-stopping scenes of cross-country pursuit, distilled to a pure intensity in Stevenson’s prose, have become a staple of adventure stories from John Buchan to Alfred Hitchcock and Ian Fleming. Kidnapped remains as exhilarating today as when it was first published in 1886. This new edition is based on the 1895 text, incorporating Stevenson’s last thoughts about the novel before his death. It includes Stevenson’s ‘Note to Kidnapped’, reprinted for the first time since 1922.

“Frank and unconscious humor and narrative structure in Anne Brontë's The Tenant of Wildfell Hall”

2011 ◽  
Vol 24 (3) ◽  
Author(s):  
Lorene M. Birden
Keyword(s):  
Narrative Structure ◽  
The Novel

AbstractThis study presents two aspects of the novel in question, its humor and its structure. It shows that both have been misunderstood and misinterpreted, and begins by reminding us that the author herself was long misunderstood because of early critical misreadings and presuppositions. It then continues to demonstrate that the two aspects studied are in fact interrelated; the so-called flawed structure, actually a framing structure, is in fact a firm form that is carefully underpinned by the instances of humor. It proceeds by presenting and dispelling the basic myths about the author and the novel, then presents the structure and the reasons for misconceptions of it before proceeding to map the humor using Attardo's system of humor rhythm mapping. Chlopicki's character frames also contribute to a demonstration of parallel characterization which contradicts another, minor myth, that of the unsuitability of the hero for the heroine. The study as a whole attacks the ideas of humorlessness in Brontë fiction, the inferiority of Anne's work and the feebleness of the structure of The Tenant of Wildfell Hall.

Storytelling and the Figure of the Father in Little Dorrit

PMLA ◽  
1980 ◽  
Vol 95 (2) ◽  
pp. 234-245 ◽  
Author(s):  
Dianne F. Sadoff
Keyword(s):  
Narrative Structure ◽  
The Novel ◽  
Paternal Origin ◽  
Patriarchal Family

Little Dorrit is both a narrative about authority and an examination of the authority of narrative. The novel links vocation with sonhood and storytelling with fatherhood and self-generation. Little Dorrit, however, tells a double story, of a daughter as well as of a son. If the son’s story relates the search to replace the father and to discover paternal authority, the daughter’s story details the horrors and consolations of incestuous desire and generational collapse. Storytelling that seeks the father as origin reveals paternal deception and inauthenticity; incestuous structures of desire attempt to collapse genealogy on the hero and heroine, making paternal origin unknowable and creating an overdetermined narrative ending. Dickens’ double story, then, identifies yet questions genealogy and the patriarchal family as metaphors for narrative structure.

scholarly journals Beyond Propp and Oedipus: Towards expanding narrative theory

Literator ◽  
1992 ◽  
Vol 13 (3) ◽  
pp. 65-82 ◽  
Author(s):  
J. Prinsloo
Keyword(s):  
Structural Analysis ◽  
Narrative Theory ◽  
The Wire

Aspects of theory surrounding both narrative and reception of film is examined and interrogated. The structural analysis offered by Propp, among other theorists, and insights of psychoanalysis are considered to rework the Oedipal scenario. This paper draws on ideas around transgression and refers to aspects of Oedipus’s life which are largely ignored as the focus of psychic scenario. The narratives of two films. On the Wire and Mississippi Masala are examined in relation to contradictions surrounding their reception.

Syntax Stimulation Revisited

1995 ◽  
Vol 4 (4) ◽  
pp. 99-104 ◽  
Author(s):  
Ruth B. Fink ◽  
Myrna F. Schwartz ◽  
Elizabeth Rochon ◽  
Jessica L. Myers ◽  
Gail Simon Socolof ◽  
...  
Keyword(s):  
Multiple Baseline ◽  
Structure Modeling ◽  
The Novel ◽  
Connected Speech ◽  
Language Program ◽  
Nonfluent Aphasia ◽  
Coding Scheme ◽  
Narrative Production ◽  
Before And After ◽  
Picture Description

A multiple-probes variant of the multiple-baseline across-behaviors design was used to study the extent of generalization associated with syntax stimulation (SS) training. To assess whether acquisition of specific structures generalized across tasks, we used a specially designed sentence elicitation probe, Picture Description with Structure Modeling (PDSM; Fink et al., 1994). To assess whether training enhanced morphosyntactic production in connected speech, we used the coding scheme developed by Saffran, Berndt, and Schwartz (1989). Four subjects with chronic nonfluent aphasia were trained to produce active, passive, and embedded sentences using materials and procedures from the Helm Elicited Language Program for Syntax Stimulation (Helm-Estabrooks, 1981). These sentence structures were trained in successive phases with generalization probes administered before and after each phase. Three subjects with aphasia served as controls. Strong within-task generalization was observed and, in contrast to previous studies, generalization to the novel sentence elicitation task (PDSM). SS training did not yield measurable gains in narrative production.

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