scholarly journals Primary Sources in the College Classroom: The Beck Archives at the University of Denver Libraries

2020 ◽  
Vol 21 ◽  
Author(s):  
Jeanne Abrams
Keyword(s):  
Jewish History ◽  
Primary Source ◽  
Rocky Mountain ◽  
Faculty Members ◽  
Primary Sources ◽  
Concerted Effort ◽  
Research Libraries ◽  
University Of Denver ◽  
Special Collections ◽  
The University

The University of Denver’s Libraries’ Special Collections, which include the Beck Archives of Rocky Mountain Jewish History, have made a concerted effort to encourage faculty to incorporate the use of primary sources into their undergraduate curricula. Teaching teams, consisting of special collections curators, reference and instruction librarians, and faculty members, used both digital and physical primary resources to engage students. These efforts led to the DU project’s being named the recipient of the 2018 Primary Source Award for Teaching from the Center of Research Libraries. This article details the project and highlights the Beck Archives items, which were especially effective as teaching materials.

scholarly journals Leveraging Existing Frameworks to Support Undergraduate Primary Source Research

2019 ◽  
Vol 58 (4) ◽  
pp. 246
Author(s):  
Brigitte Billeaudeaux ◽  
Rachel E. Scott
Keyword(s):  
Information Literacy ◽  
Academic Library ◽  
Primary Source ◽  
Primary Sources ◽  
Research Libraries ◽  
Special Collections ◽  
Object Based ◽  
Before And After ◽  
Based Instruction ◽  
Source Materials

This exploratory study aims to improve librarian support for undergraduate users as they find, access, evaluate, and appropriately use primary source materials in their research. By approaching object-based information literacy instruction via the Association of College and Research Libraries’ (ACRL) Framework for Information Literacy for Higher Education (Framework), this project will promote use of academic library special collections and archives in ways that reinforce the theoretical approach espoused by that document. Primary source evaluations collected before and after one semester of Framework-based instruction indicate that the concepts identified therein are relevant to and support learning with primary sources.

Library Impact Practice Brief: Freshman Fellows: Implementing and Assessing a First-Year Primary-Source Research Program

2021 ◽  
Author(s):  
Margaret Burri ◽  
Joshua Everett ◽  
Heidi Herr ◽  
Jessica Keyes
Keyword(s):  
Primary Source ◽  
Structured Interview ◽  
First Year ◽  
Special Collections ◽  
Johns Hopkins University ◽  
College Career ◽  
Library Impact ◽  
Teaching Learning ◽  
The University ◽  
Impact Framework

This practice brief describes the assessment project undertaken by the Sheridan Libraries at Johns Hopkins University as part of the library’s participation in ARL’s Research Library Impact Framework initiative to address the question “(How) do the library’s special collections specifically support and promote teaching, learning, and research?” The research team investigated how the Freshman Fellows experience impacted the fellows’ studies and co-curricular activities at the university. Freshmen Fellows, established in 2016, is a signature opportunity to expose students to primary-source collections early in their college career by pairing four fellows with four curators on individual research projects. The program graduated its first cohort of fellows in spring 2020. The brief includes a semi-structured interview guide, program guidelines, and a primary research rubric.

scholarly journals Summer schools in library service at Aberystwyth (1917-1928)

2015 ◽  
Vol 64 (6/7) ◽  
pp. 489-502 ◽  
Author(s):  
Julie Mathias
Keyword(s):  
50Th Anniversary ◽  
Primary Source ◽  
Primary Sources ◽  
Library Service ◽  
National Library ◽  
Content Type ◽  
The People ◽  
Information Studies ◽  
Summer Schools ◽  
The University

Purpose – The purpose of this paper is to investigate the courses in library service jointly developed and run by the University and the National Library of Wales in Aberystwyth, between 1917 and 1928. Design/methodology/approach – An historical approach is adopted and use has been made of relevant extant primary sources held in the National Library, as well as various notices and reports of the courses published in the journals of the time. Findings – Strong similarities between the Summer Schools in Library Service of 100 years ago and the degree programmes currently offered via distance learning by the Department of Information Studies have been indicated. Research limitations/implications – Due to the nature of the research and the reliance on the survival of primary source material, it has not been possible to trace a complete set of Directors’ Reports, which would have offered greater insight into the content of the later Summer Schools as well as the people who attended these courses. Originality/value – The year 2014 marks the 50th anniversary of the foundation of the College of Librarianship Wales, (which has evolved into the Department of Information Studies at Aberystwyth University). However, the roots of this educational establishment can be traced back nearly 50 years earlier to the University’s Summer Schools in library service. This is a largely unexplored subject but represents the first step towards the establishment of the current Department of Information Studies.

scholarly journals Information literacy in the humanities

2021 ◽  
Author(s):  
Karin Pettersson
Keyword(s):  
Information Literacy ◽  
Digital Humanities ◽  
Primary Source ◽  
Round Table ◽  
Primary Sources ◽  
First Year ◽  
First Year Students ◽  
New Ways Of Working ◽  
Special Collections ◽  
Challenges And Opportunities

Many university libraries hold cultural heritage collections that are unknown to the majority of students. The digitisation of these collections offers new ways of working with primary sources, and with it, an increasing interest in archives and older collections. This development has made us reflect on our information literacy classes within the humanities. Are we too influenced by the STEM and social science interpretations of information literacy and their focus on the peer-reviewed article? We want to challenge this view and discuss what a humanities approach to information literacy could incorporate.We want to invite you to a discussion on how we can integrate archival material and other primary sources into our classes,thus broadening mainstream information literacy to include primary source literacy (see ACRL’s Guidelines for primary source literacy, 2018). Our understanding is that this topic is generally not discussed at Nordic information literacy conferences, and our literature review indicates that this field is mostly addressed by special collections librarians and archivists (Hauck & Robinson, 2018; Hubbard & Lotts, 2013; Samuelson & Coker, 2014).In addition, in digital humanities pedagogy, there is need for reflection on data or sources beyond “tool-based thinking” which this approach would open up for(Giannetti, 2017). We will share two examples of how we have engaged students with primary sources and discuss the pedagogical challenges and opportunities. Our aim has been to go beyond show and tell and let the students actively work with primary sources. One example, from the Master’s Program in Digital Humanities, involved working with digitised sources using the platform Omeka. In the other, first year students from the Department of Conservation explored primary sources from the Gothenburg Exhibitionheld in 1923. Hopefully, this round table can be a stepping-stone for forming a network where we continue to share our experiences.

THE NINA VANCE ALLEY THEATRE PAPERS AT THE UNIVERSITY OF HOUSTON LIBRARIES SPECIAL COLLECTIONS

2008 ◽  
Vol 49 (1) ◽  
pp. 119-128
Author(s):  
Tammy Ravas
Keyword(s):  
United States ◽  
Performing Arts ◽  
The United States ◽  
Primary Sources ◽  
University Of Houston ◽  
Special Collections ◽  
The World ◽  
History Of ◽  
The University ◽  
Artistic Director

The University of Houston (UH) Libraries' Special Collections possesses several groups of papers and other items related to theatre and the performing arts, one of which is the Nina Vance Alley Theatre Papers. These items were donated to Special Collections in 2000. What follows is a brief biography of Nina Vance and history of the Alley as well as some highlights of items contained within this collection. Nina Vance was the Alley's first artistic director, from 1947 until her death in 1980. Along with Margo Jones and Zelda Fichandler, she helped shape the American regional-theatre movement in the later twentieth century. During her tenure at the Alley she directed 102 plays, produced 245 shows, and was awarded major grants, including significant funding from the Ford Foundation. Despite Vance's achievements in these areas, as well as in establishing the Alley as a respected theatre in the United States and across the world, few works of scholarship exist on her career. This could be partially due to the fact that many primary sources on the Alley Theatre and its founder, such as those found at the UH Libraries' Special Collections, have not been well publicized.

Teaching with Drawings: Primary Source Instruction with Architecture Archives

2021 ◽  
Vol 84 (2) ◽  
pp. 374-396
Author(s):  
Jessica Quagliaroli ◽  
Pamela Casey
Keyword(s):  
Information Seeking ◽  
Primary Source ◽  
Subject Area ◽  
Primary Sources ◽  
Research Needs ◽  
Special Collections ◽  
Pedagogical Models ◽  
Design Students ◽  
The Rich ◽  
Formally Trained

ABSTRACT Architectural archival collections contain a wide variety of documents and materials that are effective teaching tools for primary source instruction. Sketches, design and construction drawings, material samples, models, and photographs are just some of the collection materials one may find in an architecture archives. However, architecture archivists are not formally trained to teach with these collections. The authors examine the gap in professional and scholarly literature on teaching with these specific materials and consider this in comparison to the rich literature on teaching with primary sources more broadly. They discuss the pedagogical models they have applied in their instruction work and how these support the information-seeking habits and research needs of architecture faculty and design students. By contributing to the growing body of literature on teaching with special collections in this specific subject area, the authors hope to elevate the skills and expertise that architecture archivists bring to the field.

scholarly journals Writing, archives and exhibits: Piloting partnerships between special collections and writing classes

2019 ◽  
Vol 29 (1-2) ◽  
pp. 145-173
Author(s):  
Katherine Crowe ◽  
Robert Gilmor ◽  
Rebecca Macey
Keyword(s):  
Academic Library ◽  
The United States ◽  
Writing Studies ◽  
Archival Theory ◽  
Writing Program ◽  
Writing Classes ◽  
University Of Denver ◽  
Special Collections ◽  
The University

The University of Denver (DU) Libraries has been producing exhibitions for close to a decade and has recently increased its efforts to partner with classes, campus units and community organizations to integrate exhibit practices and resources into curricular and co-curricular opportunities. Student- and class-curated exhibitions feature prominently in the DU Libraries’ strategic plan, and the long-term partnerships between the Libraries and the DU Writing Program are central to the library’s agenda. Through an interdisciplinary lens of critical information literacy, archival theory, museology and Writing Studies, this article explores the 5-year collaboration and exhibition project between DU Special Collections and Archives and a faculty member of the DU Writing Program. The authors cover the background of the partnership, the evolution of the instructive and creative elements of the course, with a particular focus on the integration of archival research and exhibition practice, and examples of various iterations of the student-curated exhibits produced as part of the coursework. The article concludes with a discussion of the cross-disciplinary outcomes and challenges of initiating and managing a collaborative university writing and research course incorporating archives and exhibition in an academic library in the United States.

scholarly journals Visual Encounters with the Past: Teaching Visual Literacy to Enhance Historical and Cultural Understanding

2021 ◽  
pp. 53-67
Author(s):  
Peggy Keeran ◽  
Katherine Crowe ◽  
Jennifer Bowers
Keyword(s):  
Native American ◽  
World War I ◽  
Visual Information ◽  
Visual Literacy ◽  
World War ◽  
University Of Denver ◽  
Special Collections ◽  
Reference Librarians ◽  
Course Outcomes ◽  
The University

At the University of Denver, the reference librarians and special collections curator have developed strategies to incorporate visual literacy into instructional sessions across multiple disciplines. In this chapter, we will discuss our collaborations with faculty in anthropology and in history to help students interpret tangible and digital archival visual information that will inform their understanding of historical contexts and meet learning outcomes in two classes: “Native American Resistance in the Digital Age” and “World War I.” Whenever we partner with faculty to include visual literacy in non-arts courses, we start with course outcomes and work with the faculty to determine how the incorporation of visual literacy can help reach those goals. Our process is iterative, practice based, flexible, and ever evolving. This chapter will provide practical strategies that educators can use to implement this type of collaboration at their own institutions.

scholarly journals Information literacy in the humanities

2020 ◽  
Author(s):  
Karin Petterson ◽  
Anna Svensson
Keyword(s):  
Information Literacy ◽  
Digital Humanities ◽  
Primary Source ◽  
Round Table ◽  
Primary Sources ◽  
First Year ◽  
First Year Students ◽  
New Ways Of Working ◽  
Special Collections ◽  
Challenges And Opportunities

Many university libraries hold cultural heritage collections that are unknown to the majority of students. The digitisation of these collections offers new ways of working with primary sources, and with it, an increasing interest in archives and older collections. This development has made us reflect on our information literacy classes within the humanities. Are we too influenced by the STEM and social science interpretations of information literacy and their focus on the peer-reviewed article? We want to challenge this view and discuss what a humanities approach to information literacy could incorporate.  We want to invite you to a discussion on how we can integrate archival material and other primary sources into our classes, thus broadening mainstream information literacy to include primary source literacy (see ACRL’s Guidelines for primary source literacy, 2018). Our understanding is that this topic is generally not discussed at Nordic information literacy conferences, and our literature review indicates that this field is mostly addressed by special collections librarians and archivists (Hauck & Robinson, 2018; Hubbard & Lotts, 2013; Samuelson & Coker, 2014). In addition, in digital humanities pedagogy, there is need for reflection on data or sources beyond “tool-based thinking” which this approach would open up for (Giannetti, 2017).  We will share two examples of how we have engaged students with primary sources and discuss the pedagogical challenges and opportunities. Our aim has been to go beyond show and tell and let the students actively work with primary sources. One example, from the Master’s Program in Digital Humanities, involved working with digitised sources using the platform Omeka. In the other, first year students from the Department of Conservation explored primary sources from the Gothenburg Exhibition held in 1923.  Hopefully, this round table can be a stepping-stone for forming a network where we continue to share our experiences.  

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