scholarly journals Theorizing comic cons

2020 ◽  
Vol 8 (1) ◽  
pp. 9-31
Author(s):  
Benjamin Woo ◽  
Brian Johnson ◽  
Bart Beaty ◽  
Miranda Campbell
Keyword(s):  
North America ◽  
Science Fiction ◽  
San Diego ◽  
Cultural Form ◽  
Comic Art ◽  
The 1960S ◽  
Media Fandom ◽  
Synergistic Relationship

When comics fandom emerged as a distinct media-oriented community in the 1960s, one of the things it brought with it from science-fiction fandoms was the convention. Buoyed by the synergistic relationship between Hollywood and the San Diego Comic-Con and the growing prominence of ‘geek’ culture, comic conventions, comic art festivals and related media fandom events across North America have enjoyed enhanced prestige, attention and attendance over the last fifteen to twenty years. But what kind of event are these ‘con events’? This article builds on a cultural mapping survey of convention organizers. The survey’s goal was to suggest something of the scope and diversity of the contemporary sector. Behind this variation, we define the con event as an organizational and cultural form that is (1) oriented to media, (2) audience-facing and (3) concerned with circulation.

Wilhelm Von Humboldt and North American Ethnolinguistics

1990 ◽  
Vol 17 (1-2) ◽  
pp. 111-128 ◽  
Author(s):  
E. F. Konrad Koerner
Keyword(s):  
North America ◽  
North American ◽  
Philosophy Of Language ◽  
Wilhelm Von Humboldt ◽  
Franz Boas ◽  
Language And Culture ◽  
Language Structure ◽  
The 1960S ◽  
General Linguistics ◽  
The Relationship

Summary Noam Chomsky’s frequent references to the work of Wilhelm von Humboldt during the 1960s produced a considerable revival of interest in this 19th-century scholar in North America. This paper demonstrates that there has been a long-standing influence of Humboldt’s ideas on American linguistics and that no ‘rediscovery’ was required. Although Humboldt’s first contacts with North-American scholars goes back to 1803, the present paper is confined to the posthumous phase of his influence which begins with the work of Heymann Steinthal (1823–1899) from about 1850 onwards. This was also a time when many young Americans went to Germany to complete their education; for instance William Dwight Whitney (1827–1894) spent several years at the universities of Tübingen and Berlin (1850–1854), and in his writings on general linguistics one can trace Humboldtian ideas. In 1885 Daniel G. Brinton (1837–1899) published an English translation of a manuscript by Humboldt on the structure of the verb in Amerindian languages. A year later Franz Boas (1858–1942) arrived from Berlin soon to establish himself as the foremost anthropologist with a strong interest in native language and culture. From then on we encounter Humboldtian ideas in the work of a number of North American anthropological linguists, most notably in the work of Edward Sapir (1884–1939). This is not only true with regard to matters of language classification and typology but also with regard to the philosophy of language, specifically, the relationship between a particular language structure and the kind of thinking it reflects or determines on the part of its speakers. Humboldtian ideas of ‘linguistic relativity’, enunciated in the writings of Whitney, Brinton, Boas, and others, were subsequently developed further by Sapir’s student Benjamin Lee Whorf (1897–1941). The transmission of the so-called Sapir-Whorf Hypothesis – which still today is attracting interest among cultural anthropologists and social psychologists, not only in North America – is the focus of the remainder of the paper. A general Humboldtian approach to language and culture, it is argued, is still present in the work of Dell Hymes and several of his students.

Zines, Half-Lives, and Afterlives: On the Temporalities of Social and Political Change

PMLA ◽  
2011 ◽  
Vol 126 (1) ◽  
pp. 140-150 ◽  
Author(s):  
Janice Radway
Keyword(s):  
United States ◽  
Science Fiction ◽  
Special Interest ◽  
Political Change ◽  
The United States ◽  
Alternative Press ◽  
Wide Range ◽  
Do It Yourself ◽  
Mainstream Society ◽  
The 1960S

The term zine is a recent variant of fanzine, a neologism coined in the 1930s to refer to magazines self-published by Aficionados of science fiction. Until zines emerged as digital forms, they were generally defined as handmade, noncommercial, irregularly issued, small-run, paper publications circulated by individuals participating in alternative, special-interest communities. Zines exploded in popularity during the 1980s when punk music fans adopted the form as part of their do-it-yourself aesthetic and as an outsider way to communicate among themselves about punk's defiant response to the commercialism of mainstream society. In 1990, only a few years after the first punk zines appeared, Mike Gunderloy made a case for the genre's significance in an article published in the Whole Earth Review, one of the few surviving organs of the 1960s alternative press in the United States. He celebrated zines' wide range of interests and the oppositional politics that generated their underground approach to publication.

scholarly journals “Viajando em Jesus”: os evangélicos norte-americanos e a contracultura

2020 ◽  
pp. 924
Author(s):  
Axel R. Schäfer
Keyword(s):  
Christian Right ◽  
The United States ◽  
Political Mobilization ◽  
Political Movement ◽  
Cultural Form ◽  
Conservative Protestant ◽  
New Christian Right ◽  
The 1960S ◽  
The Right ◽  
The Relationship

The political mobilization of conservative Protestants in the United States since the 1970s is commonly viewed as having resulted from a “backlash” against the alleged iniquities of the 1960s, including the excess-es of the counterculture. In contrast, this article maintains that conservative Protestant efforts to infiltrate and absorb the counterculture contributed to the organizational strength, cultural attractiveness, and politi-cal efficacy of the New Christian Right. The essay advances three arguments: First, that evangelicals did not simply reject the countercultural ideas of the 1960s, but absorbed and extended its key sentiments. Second, that conservative Protestantism’s appropriation of countercultural rhetoric and organizational styles played a significant role in the right-wing political mobilization of evangelicals. And third, that the merger of evan-gelical Christianity and countercultural styles, rather than their antagonism, ended up being one of the most enduring legacies of the sixties. In revisiting the relationship between the counterculture and evangelicalism, the essay also explores the larger implications for understanding the relationship between religion and poli-tics. The New Christian Right domesticated genuinely insurgent impulses within the evangelical resurgence. By the same token, it nurtured the conservative components of the counterculture. Conservative Protestant-ism thus constituted a political movement that channeled insurgencies into a cultural form that relegitimized the fundamental trajectories of liberal capitalism and consumerist society.

Recent Epidemiology of Group A Streptococcal Infections in North America and Abroad: An Overview

PEDIATRICS ◽  
1996 ◽  
Vol 97 (6) ◽  
pp. 945-948
Author(s):  
Edward L. Kaplan
Keyword(s):  
Public Health ◽  
North America ◽  
Primary Care Physicians ◽  
Public Health Problem ◽  
Streptococcal Infections ◽  
Industrialized Countries ◽  
Superficial Skin ◽  
Public Health Authorities ◽  
Group A ◽  
The 1960S

Feared for centuries as a major cause of infection-associated morbidity and mortality among infants, children, and adults, infections caused by the Group A beta-hemolytic streptococcus (Streptococcus pyogenes) and the associated public health problems declined remarkably by the close of the decade of the 1960s. Rather than hospitals being filled with children and adults with rheumatic heart disease or with suppurative sequelae such as mastoiditis, serious Group A streptococcal infections and their sequelae declined to the point where they have almost been considered a "nuisance". There have been relatively rare instances of surgical infections and there have been infrequent epidemics of pharyngitis. However, in North America, Europe, and most of the industrialized countries of Asia, epidemics of serious Group A infections and their sequelae essentially are unheard of. These infections and their suppurative and nonsuppurative sequelae have been much more of a medical and public health problem in many of the developing countries of the world, where few significant changes in their epidemiologic patterns have been evident. The primary manifestations of Group A streptococcal infections have been pharyngitis and superficial skin infections (impetigo) for most industrialized countries. During the past 10 years, however, this has changed remarkably. Serious Group A infections and their suppurative and nonsuppurative sequelae have re-emerged as significant problems for physicians and for public health authorities. For example, mortality has been greater than 30% in some reported series. This fact has placed increasing pressure on primary care physicians to appropriately diagnose and treat these infections. Understanding the epidemiology can beneficially impact patient care and public health policies.

‘Time is Over’: Postmodern Times

2018 ◽  
pp. 160-219
Author(s):  
Randall Stevenson
Keyword(s):  
Science Fiction ◽  
International Travel ◽  
Graham Swift ◽  
Malcolm Lowry ◽  
Muriel Spark ◽  
Martin Amis ◽  
The Holocaust ◽  
Ian Mcewan ◽  
The 1960S ◽  
The Cold War

The Cold War and the nuclear threat made it as difficult, after 1945, to look forward affirmatively as to look back. Enlightenment ideas of a ‘project of modernity’ gave way to postmodern scepticism and stasis, reflected by Samuel Beckett and the nouveau roman, and in other ways in the fiction of Malcolm Lowry and Thomas Mann and the repetitive chronologies of Joyce Cary, Lawrence Durrell and others. After the 1960s, authors such as Muriel Spark confronted the Holocaust and recent history more directly, as in later decades did Ian McEwan, Martin Amis, Graham Swift and others. In this fiction, and generally later in the century, concerns with the clock’s constraints were diminished by long familiarity and by several new factors. These included technologies of film, video, globalised media and the internet, along with increased international travel and encounters with less industrialised cultures. Science fiction, too, and imagination of time-travel, was both symptomatic yet partly redemptive of horological stress. There remained, however, numerous (often historical) novels by authors such as Gabriel García Marquéz, Salman Rushdie, Alasdair Gray and Thomas Pynchon – re-examining, in Mason & Dixon, C18th practices of global measurement – still concerned with the stresses clockwork chronology imposed on modern history.

Joanna Russ and the New Wave

Joanna Russ ◽  
2019 ◽  
pp. 20-38
Author(s):  
Gwyneth Jones
Keyword(s):  
Science Fiction ◽  
Star Trek ◽  
New Wave ◽  
Protest Movements ◽  
Joanna Russ ◽  
Modernist Novel ◽  
The 1960S

“Experiment and Experience” covers Joanna’s first years as a reviewer for the Magazine of Fantasy and Science Fiction, under the editorship of Judith Merril, and her first post as a university teacher at Cornell, and discusses modernism in sf, Joanna’s role as interpreter of the British “New Worlds” writers and the American New Wave and her response to the protest movements and cultural revolutions of the 1960s (in the psychedelic “Modernist novel by a Star Trek fan”) And Chaos Died. Essays and stories (1968-1971) examined include the important “The Wearing Out of Genre Materials,” and autobiographical short fictions that foreshadow The Female Man and illuminate And Chaos Died.

Godard’s suburban years

2018 ◽  
Author(s):  
Térésa Faucon
Keyword(s):  
Science Fiction ◽  
Surprising Effect ◽  
The Future ◽  
Spatio Temporal ◽  
The 1960S ◽  
Late Modern ◽  
Rupture Characteristic

Far from a simple backdrop, the lived environment was for Jean-Luc Godard capable of eliciting specific modes of cinematographic thought; choice of locations could impact the shape and feel of a film more than its screenplay. Prevalent in his works of the 1960s are suburban landscapes and locales, from the villas, cafés and roadways frequented by the characters of Bande à part (1964) to the high-rises of La Courneuve shown in the essay in phenomenology 2 ou 3 choses que je sais d’elle (1967). Without positing an equivalence between suburban heterogeneity and Godard’s jarring late-modern aesthetic, the author argues for the generative, transgressive capacity of a capitalist space in the throes of transformation and shot through with fragments of history. Shooting near Joinville-le-Pont and Vincennes in Bande à part, Godard pays homage to those pioneers who came before him, like Mack Sennett or Louis Feuillade. In other contexts, like the science-fiction sendup Alphaville (1965), he finds signs of the future in the present, showing Lemmy Caution moving through sleek, well-lit neighbourhoods of high-rises. The spatio-temporal rupture characteristic of Godard’s approach to suburban space resurfaces to surprising effect in Holy Motors (Leos Carax, 2012).

Origin Time of the 1854 Ansei–Tokai Tsunami Estimated from Tide Gauge Records on the West Coast of North America

2020 ◽  
Vol 91 (5) ◽  
pp. 2624-2630 ◽  
Author(s):  
Satoshi Kusumoto ◽  
Kentaro Imai ◽  
Ryoko Obayashi ◽  
Takane Hori ◽  
Narumi Takahashi ◽  
...  
Keyword(s):  
North America ◽  
San Francisco ◽  
Local Time ◽  
West Coast ◽  
San Diego ◽  
Arrival Time ◽  
Tide Gauge ◽  
The West ◽  
Origin Time ◽  
Tsunami Signal

Abstract We estimated the origin time of the 1854 Ansei–Tokai tsunami from the tsunami waveforms recorded at three tide gauge stations (Astoria, San Francisco, and San Diego) on the west coast of North America. The tsunami signal is apparent in the San Francisco and San Diego records, and the arrival time was 0–1 p.m. Greenwich Mean Time (GMT) on 23 December 1854, whereas the tsunami signal of Astoria is ambiguous, and the arrival time could not be determined from the waveform. The simulated waveforms on the basis of nonlinear dispersive wave theory by assuming an origin time of 0 a.m. GMT on 23 December arrived earlier than the observations. Cross-correlation functions between the observed and simulated waveforms recorded at San Francisco and San Diego showed a time gap between them of approximately 30 min. Based on these results, we concluded that the origin time of the 1854 Ansei–Tokai tsunami was approximately 00:30 a.m. GMT or 09:46 local time on 23 December. Our result is roughly consistent with reports by a Russian frigate anchored in Shimoda Bay, ranging the earthquake between 09:00 and 09:45 and the tsunami between 09:30 and 10:00. The earthquake was also reported in historical Japanese documents ranging from 8 and 10 o’clock in local time.

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