Independent dreams, American nightmares: Industrial transgression and critical organization in the work of George A. Romero

2021 ◽  
Vol 12 (1) ◽  
pp. 45-62
Author(s):  
Tom Fallows

Film critic Robin Wood categorized George A. Romero as a transgressive genre filmmaker, a director who with films such as Dawn of the Dead offered a consistent, and consistently bloody, attack on the normative social constructs that dominate US culture. Within such advocacy, Wood helped define Romero as a specific cultural type – as a horror film auteur. This article considers Wood’s framing within a wider critical, commercial and industrial context, asking how this ideological analysis became, paradoxically, part of a more conservative organization of Romero. By drawing upon business theory and a media industries methodology, I shed new light on Romero’s efforts to cultivate a boundaryless independent cinema unbeholden to institutional norms, demonstrating challenges to leadership roles, market orientation, financing and genre. While Romero’s typecasting as a horror auteur was ultimately delimiting, I also consider the filmmaker’s complicity in this codification, scrutinizing his knowing attempts to parlay brand-name recognition into a lasting platform for non-Hollywood production. This article offers a unique insight into the industrial and business contexts of horror cinema, revealing a rare intersection between critical reception and industrial navigation while complicating our understanding of both Wood’s seminal writings and one of the genre’s totemic ‘masters’.

Author(s):  
G. Tom Poe

This chapter addresses two major questions in regard to the critical reception of the career and films of Preston Sturges. The first question is how Sturges’s public persona as a “madcap” personality working in the Hollywood studio system created a master narrative that both informed and influenced the critical reception of his films and thus proved to be a precursor to what would come to be identified as “auteur” criticism. This leads to a second question: how did the theme of public spectacle in both Sturges’s personal/professional life and in his films that take a satirical and/or cynical view of public figures, influence critical debates in regard to the director as “auteur,” as well as inciting theoretical debates regarding the final purpose and/or ideological effect of his comedies as satire and/or irony reflecting cynicism and/or nihilism? Finally, the chapter explores how a study of the ambivalence that marks the history of critical writing on both Sturges’s life and his films provides an insight into the cultural practice of film criticism itself. To that end, the chapter gives particular attention to the critical debates provoked by three films, The Great McGinty, Sullivan’s Travels, and Hail the Conquering Hero.


Halloween ◽  
2015 ◽  
pp. 25-36
Author(s):  
Murray Leeder ◽  
Murray Leeder

This chapter discusses how Halloween (1978) was developed and created. John Carpenter's name appears above the title on Halloween, but the project existed before he came on board. Independent film producer Irwin Yablans rightly claims the mantle of ‘The Man Who Created Halloween’, the title of his 2012 autobiography. The project reached Carpenter with the tentative title The Babysitter Murders before it became Halloween shortly thereafter; but Carpenter is still quick to credit Yablans for conceiving the title and the concept. Yablans' marketing and distribution ingenuity played a large role in securing Halloween's success but it went far beyond anyone's expectations, reportedly making back its original budget sixty-fold in its initial release alone. It seems apparent that Halloween was uniquely positioned to benefit from overlapping currents in the New Hollywood, the American independent cinema, ‘youth cinema’, and the horror film. Halloween was also well positioned to benefit from a new wave of academic interest in the horror film.


This career spanning interview with writer/director/film critic Paul Schrader was conducted in New York City in September 2018. During the wide-ranging conversation, Schrader reflects on his filmography, weighs in on the validity of the auteur theory, offers insight into his approach to writing and directing, draws distinctions between being a film artist and a film critic, and tells interesting stories from his life in the cinema. He discusses his most important contributions to film, including the screenplay for Taxi Driver, his stylistic evolution beginning with American Gigolo, and his celebrated film First Reformed. He also provides trenchant observations about the state of the cinema and how the film business has changed over time, insights offered with his typically unvarnished candor.


Author(s):  
Aly Colman

This paper examines the influence of intense scrutiny from Ofsted on school leadership and policy enactment. Data was collected in a coastal area of deprivation, providing the setting for a detailed case study of school leadership in a state secondary school and a state primary school, both with recent or ongoing experience of intense scrutiny from Ofsted. Seventeen interviews were undertaken with staff involved in leadership roles. The analyses of data and discussion form an understanding of how policy is enacted in relation to the dual responsibility that school leaders negotiate between the local context at Seatown and Ofsted. This paper suggests that Ofsted forces a privileging of a compliant and consistent enactment of policy; a hyper-enactment of policy, that reduces the capacity of school leaders to address the significant social context of the school. Foucault’s work on self-disciplinary technologies provides insight into the micropolitical spaces which open up for some school leaders. The discussion on the micropolitics of compliance and resistance offers insight into the tensions pertinent to school leadership teams and explores issues relevant to those interested in policy and inspection activity, particularly those within areas of deprivation.


2020 ◽  
Vol 44 (2) ◽  
pp. 80-99
Author(s):  
Joanne Cormac

In 1853 a writer for the London-based periodical Fraser's Magazine remarked that Berlioz's “heroic temperament” could be “read legibly in the noble style of his compositions. His own life forms to these works the most interesting accompaniment and commentary.” The linking of life and work in Berlioz's case is nothing unusual. However, a particular set of circumstances unique to London meant that critics based in that city persistently used Berlioz's biography to further their own agendas while also promoting his music. In this article, I argue that, when writing about Berlioz's London performances, critics employed biographical ideas and narratives that enabled them to use the composer as a means to shape local debates about the future of London's orchestral institutions: the Philharmonic Society and its latest “rival”: the New Philharmonic Society. Biography proved a powerful rhetorical device from which Berlioz profited and is central to our understanding of his critical reception in London. It was used to introduce, to persuade, to simplify, to generate sympathy, admiration, and outrage. However, I reveal that in later visits biographical narratives overshadowed the coverage of Berlioz's music. In some articles, Berlioz was reduced to a rhetorical device to be employed to give strength to criticisms of either the old Philharmonic or the new, with the critic offering little insight into Berlioz's music. Biography had given Berlioz a foothold in musical London, but it could not win him the lasting success he craved.


Media Wisata ◽  
2021 ◽  
Vol 17 (1) ◽  
Author(s):  
Gunawan Yulianto

This study seeks to assess the relationship between Micro, Small and Medium Enterprises (MSME) firm performance and market orientation,  customer orientation, brand orientation and service innovation in development for all businesses. In past, very few studies have focused on the effect of marketing-related variables on MSMEs. This study aspires to put some insight into this. Data were collected from creative industry MSME business  firm  entrepreneurs located  in Yogyakarta, A total of 91 MSME entrepreneurs were surveyed in the study through adopting tested survey questionnaires from the past literature. Correlation and regression  analysis were  used  to  test  the  hypotheses.  Result  indicates  that  market orientation,  customer  orientation, brand  orientation  and service innovation have a positive direct influence on MSME performance


Muzikologija ◽  
2021 ◽  
pp. 19-33
Author(s):  
Akvilė Stuart

This article examines the critical reception of the Russian composer Alexei Stanchinsky (1888-1914). It focuses on the critical reviews published in Russian newspapers and musical periodicals during Stanchinsky?s lifetime. Its findings are a result of original archival research conducted in Moscow in 2019. This study shows that Stanchinsky?s work received a more mixed reception during his lifetime than previously claimed. As such, it provides a more nuanced insight into Stanchinsky?s reception, as well as the views and prejudices of early 20th century Russian music critics.


Author(s):  
Magdalena Cortina ◽  
Jon Iñaki Arrizubieta ◽  
Jose Exequiel Ruiz ◽  
Eneko Ukar ◽  
Aitzol Lamikiz

Hybrid machine tools combining additive and subtractive processes have arisen as a solution to the increasing manufacture requirements, boosting the potentials of both technologies, while compensating and minimizing their limitations. Nevertheless, the idea of hybrid machines is relatively new and there is a notable lack of knowledge in the field. Therefore, in the present paper, an insight into the advancements of hybrid machines is given, identifying their real capabilities, together with the latest developments from an industrial context. In addition, the current situation and future perspectives of hybrid machines from the point of view of process planning, monitoring and inspection are discussed. Finally, the challenges that must be overcome and the opportunities that the hybrid machines will provide in the forthcoming years are presented.


Extreme Asia ◽  
2015 ◽  
pp. 41-70
Author(s):  
Daniel Martin

This chapter covers the case of Takashi Miike’s Audition (1999), the first Japanese horror film released into cinemas by Tartan after the notable impact of Ring, and a formative moment in the development of the nascent Asia Extreme brand. This chapter argues that Audition was associated much more strongly with Orientalist views of Japan by critics, partly as a mechanism used to reject the film’s theme and message. This chapter lays out some of the theoretical groundwork that will inform later analyses, specifically academic debates concerning transgression in cinema and the merits of the visually explicit ‘body horror’ sub-genre. It conducts a detailed analysis of the extensive and innovative marketing campaign for the film, comparing the film’s apparent appeal in the UK to its original marketing in Japan. The film’s critical reception in analysed in detail, as responses ranged from high praise to alarm and derision, with critics divided over issues of exploitation, violence, feminism, and Orientalism. The legacy and continued relevance of Audition is also discussed.


2020 ◽  
Vol 12 (3) ◽  
pp. 377-399
Author(s):  
Jeanie Wills ◽  
Krystl Raven

Purpose This paper uses archival documents to begin to recover a history of women’s leadership in the advertising industry. In particular, this paper aims to identify the leadership styles of the first five presidents of the New York League of Advertising Women’s (NYLAW) club. Their leadership from 1912 to 1926 set the course for and influenced the culture of the New York League. These five women laid the foundations of a social club that would also contribute to the professionalization of women in advertising, building industry networks for women, forging leadership and mentorship links among women, providing advertising education exclusively for women and, finally, bolstering women’s status in all avenues of advertising. The first five presidents were, of course, different characters, but each exhibited the traits associated with “transformational leaders,” leaders who prepare the “demos” for their own leadership roles. The women’s styles converged with their situational context to give birth to a women’s advertising club that, like most clubs, did charity work and hosted social events, but which was developed by the first five presidents to give women the same kinds of professional opportunities as the advertising men’s clubs provided their membership. The first five presidents of the Advertising League had strong prior professional credibility because of the careers they had constructed for themselves among the men who dominated the advertising field in the first decade of the 20th century. As presidents of the NYLAW, they advocated for better jobs, equal rights at work and better pay for women working in the advertising industry. Design/methodology/approach This paper draws on women’s advertising archival material from the Schlesinger Library, Radcliffe and Wisconsin Historical Society to argue that the five founding mothers of the NYLAW provided what can best be described as transformational feminist leadership, which resulted in building an effective club for their members and setting it on a trajectory of advocacy and education that would benefit women in the advertising industry for the next several decades. These women did not refer to themselves as “leaders,” they probably would not have considered their work in organizing the New York club an exercise in leadership, nor might they have called themselves feminists or seen their club as a haven for feminist work. However, by using modern leadership theories, the study can gain insight into how these women instantiated feminist ideals through a transformational leadership paradigm. Thus, the historical documents provide insight into the leadership roles and styles of some of the first women working in American advertising in the early parts of the 20th century. Findings Archival documents from the women’s advertising clubs can help us to understand women’s leadership practices and to reconstruct a history of women’s leadership in the advertising industry. Eight years before women in America could vote, the first five presidents shared with the club their wealth of collective experience – over two decades worth – as advertising managers, copywriters and space buyers. The first league presidents oversaw the growth of an organization would benefit both women and the advertising industry when they proclaimed that the women’s clubs would “improve the level of taste, ethics and knowledge throughout the communications industry by example, education and dissemination of information” (Dignam, 1952, p. 9). In addition, the club structure gave ad-women a collective voice which emerged through its members’ participation in building the club and through the rallying efforts of transformational leaders. Social implications Historically, the advertising industry in the USA has been “pioneered” by male industry leaders such as Claude Hopkins, Albert Lasker and David Ogilvy. However, when the authors look to archival documents, it was found that women have played leadership roles in the industry too. Drawing on historical methodology, this study reconstructs a history of women’s leadership in the advertising and marketing industries. Originality/value This paper helps to understand how women participated in leadership roles in the advertising industry, which, in turn, enabled other women to build careers in the industry.


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