Observation of perception, considered through drawing

2020 ◽  
Vol 5 (2) ◽  
pp. 241-259
Author(s):  
Michael Croft

The article presents and discusses an observational approach to drawing, where the objective is to articulate some features of visual perception implicated in and by the drawing process. Besides drawing, the author recorded such investigation through an action camera placed in front of his eyes and simultaneously recorded his spoken comment on the activity. The camera became the principle motif of the drawing, along with observation of certain operative biological features of perception, especially binocularity and peripheral vision. The article reflects on a first drawing involving three layers that simultaneously generated three videos and monologues. A second drawing was then developed from a more knowing stance, based on the considerations raised by the first drawing. Of such considerations, these were principally the question of timeframe, framing of experience, procrastination and doubt and, as it were, disengaged focus. The theoretical bases of the latter were founded in part on the author’s existing knowledge brought to the first drawing, and in part explored in the second drawing through what reflection on the article’s question had raised during its development. While the spoken monologues were intended to shed light on the objective of the drawings, consideration is given to how they also shaped the drawings. Sections of the monologues as transcripts are shown in relation to video screenshots and discussed for their contribution to the drawings.

2021 ◽  
Author(s):  
Yaxin Liu ◽  
Stella F. Lourenco

Apparent motion is a robust perceptual phenomenon in which observers perceive a stimulus traversing the vacant visual space between two flashed stimuli. Although it is known that the “filling-in” of apparent motion favors the simplest and most economical path, the interpolative computations remain poorly understood. Here, we tested whether the perception of apparent motion is best characterized by Newtonian physics or kinematic geometry. Participants completed a target detection task while Pacmen- shaped objects were presented in succession to create the perception of apparent motion. We found that target detection was impaired when apparent motion, as predicted by kinematic geometry, not Newtonian physics, obstructed the target’s location. Our findings shed light on the computations employed by the visual system, suggesting specifically that the “filling-in” perception of apparent motion may be dominated by kinematic geometry, not Newtonian physics.


2019 ◽  
Author(s):  
Ahmad Yousef

In this proposal, we try to virtually navigate inside the human brain to understand the neural mechanism of the perception of illusory snakes. To achieve this mission, we have to imagine the neural network of the visual motion perception during spontaneous saccadic eye movements; and digging into clear distinction between the foveal versus the peripheral visual receptive field remapping. We had previously discussed that conscious perception generated by the central retina has very different attributes than the visual awareness generated by the peripheral retina. It was clear that the central retina triggers visual perception which decelerates the apparent motion of the cyclic elements, and enlarge the size of these elements, see reference 2. The peripheral retina , however, not only accelerates the apparent motion, but it generates illusory motion reversals, see reference 19. Since there are clear discrepancies in the spatiotemporal characteristics between the central and the peripheral retina in the visual awareness, we hypothesized that the illusory rotating snakes might be due to asynchronized respective field remapping; namely, a rivalrous remapping processes of the central versus the peripheral retinal images. In another word, the respective field remapping process triggered by the central retina has different spatial and temporal feeds to the visual awareness than the retinal peripheries. Interestingly, it had been found that deactivating the retinal peripheries through significant reduction against the contrast of the stimulus (that may stop the retinal peripheries from signaling the brain) eliminates the rotating snakes illusion. Elimination that might evidence the role of active retinal peripheries in creating the perception of illusory snakes. Collectively, we think that illusory snakes is due to a rivalry between the central and the peripheral retina; and their corresponding conscious brains; and the saccades are nothing but to convey parts of the retinal image from the center to the peripheries, and vice versa. Namely, the illusory snakes is generated by a spontaneous saccadic rivalry between the fovea & its corresponding conscious brain competing with the peripheral retina & its corresponding conscious brain. Similarly, peripheral drift illusion that requires peripheral vision to be perceived, may not be generated without the aforementioned saccadic rivalry; namely, we think that the perception of that illusion may not be occurred without spontaneous saccade away from the fixational peripheral visual space, see also reference 1 and 5. That saccade is mostly due to spatial attention which conveys the retinal image from the retinal peripheries (the fixational visual space) to the central retina (the attentional visual space). Namely, we think that without the aforementioned conveyance, the perceived illusion may not be generated because the aforementioned spatiotemporal discrepancies will be terminated. Importantly, we investigated the contribution of the human medial temporal complex in producing the illusory motion conscious perception with three different mechanisms: Cognitive control, deep breathing, and the arrangements of the patterns of the building blocks. The aforementioned processes are found to alter the visual perception of rotating snakes stimulus. Inclusively, we distinguished between two distinct visual awareness, namely, the central versus the peripheral vision and we show how active vision which requires cognitive control but not passive vision can ultimately control the perception of the rotating snakes stimulus, namely, alternation between real and illusory visual awareness!


2019 ◽  
Vol 8 (1) ◽  
Author(s):  
Silvia Carolina Scotto

The second part of Philosophical Investigations and other contemporary writings contain abundant material dedicated to the examination of visual perception, along the lines of similarities and differences manifested in the use of concepts such as “seeing as”, “seeing aspects”, “noticing the aspect”, “aspect blindness”, among other, related ones. However, the application of these concepts to phenomena such as face perception and word perception has not received proper attention in the literature. Our interest lies in identifying the features pertaining facial perception and recognition of its content in order to understand how and to what extent they contribute to shed light on perceptual (and experiential) relationships we have with language, in particular with its written form. In other words, we will try to show in what ways the “phenomenology of facial perception” or “physiognomy” helps to understand the “experience of meaning” and the “phenomenology of reading”. My interpretative hypothesis is that, in Wittgenstein’s view, the features shared by face and word perception are more profound than a mere analogy, and that, in the case of words, these features can explain specific semantic (perhaps, semantic-pragmatic) phenomena that should be included in an appropriate reconstruction of the varieties of use in natural languages. 


Motor Control ◽  
2021 ◽  
pp. 1-18
Author(s):  
Jacob W. Hinkel-Lipsker ◽  
Nicole M. Stoehr ◽  
Pranavi L. Depur ◽  
Michael A. Weise ◽  
Joshua A. Vicente ◽  
...  

Humans use their peripheral vision during locomotion to perceive an approaching obstacle in their path, while also focusing central gaze on steps ahead of them. However, certain physiological and psychological factors may change this strategy, such as when a walker is physically fatigued. In this study, 21 healthy participants walked through a dark room while wearing eye tracking glasses before and following intense exercise. Obstacles were placed in random locations along their path and became illuminated when participants approached them. Results indicate that, when fatigued, participants had altered spatial gaze strategies, including more frequent use of central gaze to perceive obstacles and an increased gaze angular displacement. However, there were no changes in temporal gaze strategies following exercise. These findings reveal how physical fatigue alters one’s visual perception of their environment during locomotion, and may partially explain why people are at greater risk of trips and falls while fatigued.


2014 ◽  
Vol 4 ◽  
Author(s):  
Marc Boucher

My contribution to critical and artistic dialogues within the intersecting fields of dance and screen-based images consists in examining the role of peripheral vision in the perception of dance in artistic contexts where projections are used. There is, as I will point out, sufficient evidence from phenomenological and neuro-physiological accounts to conclude that motion perception is affected by peripheral visual perceptions. Consequently, it is maintained that the spectator’s experience of dance, especially when screens are involved, depends to some degree on peripheral visual perception, which in turn contributes to proprioception.


2021 ◽  
Vol 2021 (1) ◽  
Author(s):  
Andrew M Haun

Abstract It is sometimes claimed that because the resolution and sensitivity of visual perception are better in the fovea than in the periphery, peripheral vision cannot support the same kinds of colour and sharpness percepts as foveal vision. The fact that a scene nevertheless seems colourful and sharp throughout the visual field then poses a puzzle. In this study, I use a detailed model of human spatial vision to estimate the visibility of certain properties of natural scenes, including aspects of colourfulness, sharpness, and blurriness, across the visual field. The model is constructed to reproduce basic aspects of human contrast and colour sensitivity over a range of retinal eccentricities. I apply the model to colourful, complex natural scene images, and estimate the degree to which colour and edge information are present in the model’s representation of the scenes. I find that, aside from the intrinsic drift in the spatial scale of the representation, there are not large qualitative differences between foveal and peripheral representations of ‘colourfulness’ and ‘sharpness’.


Linguistics ◽  
2020 ◽  
Vol 58 (2) ◽  
pp. 1-38
Author(s):  
Saskia van Putten

AbstractLanguages differ in their number of basic verbs that describe perceptual experience. Some languages have only two such verbs: one for visual perception and another for non-visual perception. How do speakers of these languages conceptualize sensory perception? To shed light on this question, this paper investigates the perception verbs mɔ̀ ‘see’ and nu ‘hear/feel/taste/smell’ in Avatime (Kwa, Niger-Congo). These verbs are studied together with the constructions in which they occur, using both translated data and spontaneous discourse. Both perception meanings and meanings outside the domain of perception are taken into account. The detailed picture that emerges shows some previously undocumented patterns of perception encoding and enriches our understanding of the conceptualization of the senses more generally.


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