scholarly journals On trying to be collective

2020 ◽  
Vol 9 (1-2) ◽  
pp. 63-84
Author(s):  
Andrew Hewitt ◽  
Mel Jordan
Keyword(s):  
The Political ◽  
Societal Change ◽  
Art Practice ◽  
The Public ◽  
Social Club ◽  
Political Implications ◽  
Art Practices ◽  
The Public Sphere ◽  
Art Collectives ◽  
And Function

In this article we ask in what way can the notion of care, collectivizing and the collective become a primary part of contemporary art practice? And further, what types of art practices address these central tenets of democracy? We do this by reflecting on the political potential of care and its importance as a tool for achieving an equal society. Uniting the action of care and collectivity, we conclude that together these two undertakings represent a political force of commoning within the public sphere. Utilizing the writing of Beech, Hutchinson and Timberlake, who argue for collectivism over collaboration as a way towards societal change, we reflect upon the political implications for art when artists work collectively. We consider the practices and function of other art collectives examining their key purpose for acting collectively. We employ our previous practice as the Freee Art Collective, as well as our more recent work as the Partisan Social Club to consider in what ways our practice can be deemed collective.

scholarly journals Reclaiming Radicalism: Discursive Wars and the Left

2020 ◽  
Vol 19 (1) ◽  
pp. 212-230
Author(s):  
Giorgos Charalambous
Keyword(s):  
Public Sphere ◽  
Historical Background ◽  
The Political ◽  
Progressive Politics ◽  
The Public ◽  
Political Implications ◽  
Political Struggles ◽  
The Public Sphere ◽  
Political Actions ◽  
Radical Left

The aim of this article is to identify and discuss a number of labels that have been increasingly used to describe, categorise and study the contemporary radical left – the movements and parties of the socialist tradition and its contemporary derivatives – pointing to the deeply political implications of these trends. More specifically, ‘extremism’, ‘populism’ and ‘nationalism’ as signifiers of what left radicalism looks like are scrutinised in terms of both the political logic and the historical background behind their use, and the challenges they raise for emancipatory, progressive politics. A plea for recasting contemporary social and political struggles for equality and rights is subsequently articulated, the central conviction advanced being terminological: the left’s struggles today must rise above the verbal smoke of the predominant discourse about this political space. It is a key task to appropriately qualify those terms that taint contemporary radicals with colours which do not represent them or fall far short from defining them. Put simply, if the radical left is to succeed electorally and channel its vision into society effectively it needs to reclaim its chief identity trait in the public sphere: left radicalism itself. Reclaiming radicalism entails a number of strategic tasks. These are laid out in terms of imperative discursive articulations, which are, however, paralleled by particular political actions on the ground that can either confirm or undermine any terminological claims.

The Chaste Parricide: Murder, Femininity and the Subversion of Authority in the Reception of the First Performance of Shelley’s The Cenci, 1886

2017 ◽  
Vol 44 (2) ◽  
pp. 192-211
Author(s):  
Lee Michael-Berger
Keyword(s):  
Social Context ◽  
Sixteenth Century ◽  
Public Sphere ◽  
Mass Culture ◽  
The Political ◽  
Political Debate ◽  
The Public ◽  
True Story ◽  
The Public Sphere

The story of The Cenci’s first production is intriguing, since the play, based on the true story of a sixteenth-century Roman family and revolving around the theme of parricide, was published in 1819 but was denied a licence for many years. The Shelley Society finally presented it in 1886, although it was vetoed by the Lord Chamberlain, and to avoid censorship it had to be proclaimed as a private event. This article examines the political and social context of the production, especially the reception of actress’s Alma Murray’s rendition of Beatrice, the parricide, thus probing the ways in which The Cenci question was reframed, and placed in the public sphere, despite censorship. The staging of the play became the site of a political debate and the performance – an act of defiance against institutionalised power, but also an act of defiance against the alleged tyranny of mass culture.

scholarly journals Heiner Goebbels's Stifters Dinge and the Arendtian Public Sphere

2019 ◽  
Vol 5 (1) ◽  
pp. 109-127
Author(s):  
Luke Matthews
Keyword(s):  
Public Sphere ◽  
Participatory Democracy ◽  
The Political ◽  
The Public ◽  
Collaborative Working ◽  
The Creation ◽  
The Public Sphere ◽  
Working Processes

Heiner Goebbels’s works are examples of “postdramatic” theatre works that engage with the political by seeking to challenge socially ingrained habits of perception rather than by presenting traditional, literary-based theatre of political didacticism or agitation. Goebbels claims to work toward a “non-hierarchical” theatre in the contexts of his arrangement of the various theatrical elements, in fostering collaborative working processes between the artists involved, and in the creation of audience-artist relationships. In offering a reading of Goebbels’s “no-man show” Stifters Dinge, this paper seeks to situate Goebbels’s practice within a theoretical tradition that also encompasses Hannah Arendt’s deployment of the theatre as a metaphor for the public sphere. Within this analysis, I suggest, theatre can be seen to offer the possibility of a participatory democracy through its attention to disappearance and absence.

scholarly journals PEOPLE, CULTURE AND CIVILIZATION

2021 ◽  
Vol 9 (2) ◽  
pp. 34-43
Author(s):  
Luís Guilherme Nascimento de Araujo ◽  
Claudio Everaldo Dos Santos ◽  
Elizabeth Fontoura Dorneles ◽  
Ionathan Junges ◽  
Nariel Diotto ◽  
...  
Keyword(s):  
Political Parties ◽  
Public Sphere ◽  
The Political ◽  
The Public ◽  
Resistance Movements ◽  
Brazilian Society ◽  
The Press ◽  
Politics And Culture ◽  
The Public Sphere ◽  
The Military

The political and economic crises faced today, evidenced by the manifestos of political parties and the texts published in social networks and in the press, point to Brazilian society the possibility of different directions, including that of an autocratic regime, with the return of the military to the public sphere. This article discusses the movements of acceptance and resistance to the military regime that was implemented in Brazil with the coup of 1964. It is observed that the military uprising received at that time the support of a large part of the Brazilian population, which sought ways to maintain its socioeconomic status to the detriment of a majority that perceived itself vulnerable in view of the forms of maintenance and expansion of power used by the regime. In this context, Tropicalism emerges as an example of a contesting movement. This text approaches the song "Culture and civilization" by Gilberto Gil, performed by Gal Costa, relating the ideas present in this composition with the understandings of politics and culture, in a multidisciplinary proposal, seeking to understand the resistance and counter-resistance movements that emerged in Brazil at the time.

scholarly journals Politics and everyday life in Serbia in 2005: Views of politics, change of social system, the public sphere

2005 ◽  
pp. 45-74 ◽  
Author(s):  
Ivana Spasic
Keyword(s):  
Social Learning ◽  
Public Sphere ◽  
Political Culture ◽  
Everyday Life ◽  
Social System ◽  
The Political ◽  
Public Officials ◽  
The Public ◽  
The Public Sphere ◽  
Political Scene

The paper offers an analysis of the interview data collected in the project "Politics and everyday life: Three years later" in terms of three main topics: attitudes to the political sphere, change of social system, and the democratic public sphere. The analysis focuses on ambivalences expressed in the responses which, under the surface of overall disappointment and discontent, may contain preserved results of the previously achieved "social learning" and their positive potentials. The main objective was to examine to what extent the processes of political maturation of citizens, identified in the 2002 study, have continued. After pointing to a number of shifts in people?s views of politics which generally do not contradict the tendencies outlined in 2002 (such as deemotionalization and depersonalization of politics, insistence on efficiency of public officials and on a clearer articulation of positions on the political scene), it is argued that the process of rationalization of political culture has not stopped, but it manifests itself differently in changed circumstances. The republican euphoria of 2002 has been replaced by resignation, with a stronger individualist orientation and a commitment to professional achievement.

The Jews in Rome during the Flavian Period

Antichthon ◽  
2013 ◽  
Vol 47 ◽  
pp. 156-172
Author(s):  
James S. McLaren
Keyword(s):  
Public Sphere ◽  
Jewish Identity ◽  
Abrupt Change ◽  
The Public ◽  
Counter Narrative ◽  
The Public Sphere ◽  
And Function ◽  
The Impact ◽  
Ways Of Life ◽  
The Way

AbstractDuring the late republic and early principate the Jews who called Rome their home occasionally found themselves in the public gaze. Some of their customs and aspects of their ways of life also attracted occasional comment, often for their apparently strange and foreign manner. At no stage, however, during this period did they feature prominently in the public sphere of life in Rome. The aftermath of the war of 66-70 CE brought about an abrupt change in circumstances for the Jews living in Rome. Apart from the immediate visual celebration of the triumph, there followed a number of substantial monumental and numismatic commemorations of the Roman victory. In this article the purpose and function of those commemorations and the possible consequences for the Jews who lived in Rome are examined. In particular, the impact of the public profiling of the war on Jewish identity and of how the writings of Josephus are to be read in this setting is explored. Rather than regard Josephus as a supporter of the Flavian rulers, writing an account of the war that encouraged fellow Jews to collaborate with Rome, it is argued that he was offering Jews in Rome a counter-narrative to the way the war was being publicly commemorated.

Approaching the Hellenistic Polis through Modern Political Theory: The Public Sphere, Pluralism and Prosperity

2018 ◽  
pp. 68-98
Author(s):  
Benjamin Gray
Keyword(s):  
Public Sphere ◽  
Political Thought ◽  
Social Inclusion ◽  
The Political ◽  
Political Thinking ◽  
The Public ◽  
Civic Values ◽  
Hellenistic World ◽  
The Public Sphere ◽  
Hellenistic Philosophy

This chapter discusses methods and problems in reconstructing an inclusive, dynamic picture of the political thought and debates of the Hellenistic cities (c. 323– 31 BC), drawing on theories and models from modern political and social theory. It shows the benefits of integrating together the widest range of possible evidence, from Hellenistic philosophy to the most everyday inscriptions, in order to reconstruct for the Hellenistic world the kind of complex, wide-ranging picture of political thought advocated by P. Rosanvallon and others in the study of modern political thinking. When studied in this way, the political thinking and rhetoric of Hellenistic philosophers, intellectuals and citizens reveal attempts to reconcile the Greek polis with ideals of cosmopolitanism and social inclusion, without diluting political vitality. As evidence for this political vitality, the paper demonstrates is the fruitful interlocking and mutual counterbalancing within the Hellenistic public sphere of the three types of political discourse studied in turn in Ober’s trilogy on Classical Athens: political lobbying and negotiation, including rival attempts to shape civic values; philosophical and critical reflection about the foundations of politics; and rationalistic consideration of efficiency, especially the devising and advertisement of incentives.

Misguided Ancients

2021 ◽  
pp. 79-94
Author(s):  
Kathleen Wellman
Keyword(s):  
Public Sphere ◽  
Religious Right ◽  
Family Values ◽  
The Political ◽  
The Public ◽  
The Family ◽  
The World ◽  
Moral Arguments ◽  
The Public Sphere ◽  
Political Right

Although the ancient Greeks and Romans have long been appreciated as foundations for Western civilization, for these textbooks, the Greeks’ philosophy, gods, and immorality tar them as godless humanists. Nonetheless, the Greeks and the Romans allow these curricula to introduce several key social, political, and moral arguments. They assess whether ancient civilizations implemented the “family values” of the political right as it emerged in the 1970s. Thus the Greeks were commendable in excluding women from the public sphere and the Romans for their strong patriarchal families. But Rome fell when it failed to maintain family values. These textbooks disparage the Romans to downplay their influence on the American founding. Furthermore, the rise of Islam reveals the presence of Satan in the world. These curricula’s repudiation of the classical tradition reflects not only contemporary concerns of the religious right but also American anti-intellectualism.

Theorizing Religion and the Public Sphere: Affect, Technology, Valuation

2019 ◽  
Vol 87 (4) ◽  
pp. 1008-1049
Author(s):  
M Gail Hamner
Keyword(s):  
Public Sphere ◽  
White Supremacy ◽  
The Public ◽  
Form And Function ◽  
Social Forms ◽  
The Public Sphere ◽  
And Function

Abstract Religion scholars require a theory of public encounter that is evental, technological, and affective. Instead of a spatial public sphere, today’s encounters occur through technological mediations that are affective and image-laden. This essay examines the latter “publicness” and illustrates its roles as an affective technology of whiteness as that which frames and distributes the persevering powers of, and reluctantly tracks resistances to, white supremacy. Film is a fruitful cultural site for examining the whiteness of publicness. The essay turns to Moonlight (Jenkins, 2016) to demonstrate how film can resist and interrupt normative whiteness and to show how this transvaluative cultural labor can be seen as religious. The essay conceptualizes religion as a hinged form and function through which subjects and publics co-emerge and by which social and sedimented valuations are (re)bound. Grappling with religion as social forms and functions of valuation opens it to algorithmic variability that mandates attention to circulations of power as both capacity and intensity.

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