Large-capacity digital-video distribution system with a smart 10-Gbit/s optical terminal

1994 ◽  
Author(s):  
H. Ishikawa ◽  
A. Tajima ◽  
T. Suzaki ◽  
N. Henmi
Keyword(s):  
Distribution System ◽  
Digital Video ◽  
Large Capacity ◽  
Video Distribution

Mobile and multi-device interactive panorama video distribution system

2012 ◽  
Author(s):  
Hideaki Kimata ◽  
Daisuke Ochi ◽  
Akio Kameda ◽  
Hajime Noto ◽  
Katsuhiko Fukazawa ◽  
...  
Keyword(s):  
Distribution System ◽  
Video Distribution

A management and configuration infrastructure for RNP’s digital video distribution service

2006 ◽  
Author(s):  
Fernando Luiz de Almeida ◽  
Gledson Elias da Silveira ◽  
Guido Lemos de Souza Filho ◽  
Graca Bressan
Keyword(s):  
Digital Video ◽  
Video Distribution

The efficiency improved scheme for secure access control of digital video distribution

2015 ◽  
Vol 75 (20) ◽  
pp. 12645-12662 ◽  
Author(s):  
Liang Hu ◽  
Yan Li ◽  
Tengfei Li ◽  
Hongtu Li ◽  
Jianfeng Chu
Keyword(s):  
Access Control ◽  
Digital Video ◽  
Secure Access ◽  
Video Distribution ◽  
Secure Access Control

Mobilising Yoruba Popular Culture: Babangida Must Go

Africa ◽  
2003 ◽  
Vol 73 (1) ◽  
pp. 77-87 ◽  
Author(s):  
Jonathan Haynes
Keyword(s):  
Popular Culture ◽  
Presidential Election ◽  
Distribution System ◽  
Music Videos ◽  
Political Regime ◽  
The Political ◽  
Poetic Form ◽  
Print Journalism ◽  
Video Distribution ◽  
The Military

AbstractNigerian video films are often characterised as apolitical. A rare and significant exception is Gbenga Adewusi's Maradona (also known as Babangida Must Go), which was released in 1993 in response to the annulment of the 12 June 1993 presidential election by the military ruler Ibrahim Babangida. The film is a fierce denunciation of the annulment and of the whole political regime, employing a number of Yoruba and transnational cultural forms: the chanted poetic form ewi, skits by artists from the Yoruba travelling theatre tradition, the televisual forms of music videos, news broadcasting and call-in shows, and the resources of print journalism. This film demonstrates the political potential of the video film, but also the limitations of the video distribution system.

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