scholarly journals Micro structuring of 3D movie theater metallic screens to improve radiant intensity homogeneity and reduce crosstalk

2020 ◽  
Author(s):  
Thomas Le Deun ◽  
Daniel Stoenescu ◽  
Jean Louis de Bougrenet de la Tocnaye
Keyword(s):  
Radiant Intensity ◽  
Movie Theater ◽  
Micro Structuring ◽  
3D Movie

ROMOT: A Robotic 3D-Movie Theater Allowing Interaction and Multimodal Experiences

2017 ◽  
pp. 50-63
Author(s):  
Sergio Casas ◽  
Cristina Portalés ◽  
María Vidal-González ◽  
Inma García-Pereira ◽  
Marcos Fernández
Keyword(s):  
Movie Theater ◽  
3D Movie

Coda

2018 ◽  
Author(s):  
Jocelyn Szczepaniak-Gillece
Keyword(s):  
First Century ◽  
Movie Theater ◽  
Personal Archives ◽  
Twenty First Century

This coda briefly describes the end of Schlanger’s life and the loss of his personal archives. It then points to later examples of neutralization’s impact in screen technologies such as IMAX of the early 1980s. Finally, it argues that neutralization helped shape not only the movie theater at mid-century, but an entire dimension of twenty-first-century spectatorship that insists on a disappearing space to privilege a screen. The coda gestures toward the abiding relevance of Schlanger’s theatrical ideals and the aporia of the optical vacuum they present: at once an every space, everywhere, and a no space, nowhere. To make a house for this still confusing and new thing of the cinema meant also imagining its eventual demise.

Nostalgia for the Dark

2018 ◽  
Author(s):  
Jocelyn Szczepaniak-Gillece
Keyword(s):  
Assembly Line ◽  
Le Corbusier ◽  
Dramatic Play ◽  
Movie Theater ◽  
Modern Machine

This chapter discusses the movie palace’s decline and the beginnings of the neutralized movie theater from the 1920s to 1932. While much scholarship has attributed the transition to either economics after the Depression or the emergence of sound, the chapter argues for the importance of modernist architectural trends, such as the work of Le Corbusier, and new dimensions of spectatorship invested in attention. Modern machine culture reinforced the need for a theater structure that would make spectators into parts of a filmic assembly line. Ben Schlanger emerges as the loudest voice of neutralization, demanding a “slaughtering” of unnecessary decoration in the urban movie theater. His and multiple lighting designers’ work with light and darkness in the theater exemplify the upheavals in 1920s–1930s exhibition: from a theater with a panoply of effects to one centered on the dramatic play of light and dark within the film and its environment.

Formation of Periodical Sub-Micron Sized Structures on Silicon by Interfered Nanosecond Laser Pulses

2010 ◽  
Vol 97-101 ◽  
pp. 3803-3806
Author(s):  
Yong Xiang Hu ◽  
Heng Zhang ◽  
Zheng Qiang Yao
Keyword(s):  
Cost Effective ◽  
Laser Pulses ◽  
Laser Beams ◽  
Nanosecond Laser ◽  
Effective Technique ◽  
First Order ◽  
Direct Fabrication ◽  
Cost Effective Technique ◽  
Nanosecond Laser Pulses ◽  
Micro Structuring

Laser interference micro-structuring is a relatively efficient and cost-effective technique for fabricating periodical micro-nano-structuring surfaces. The direct fabrication of sub-micron sized dot array on silicon was performed by four interfering nanosecond laser beams with a diffractive beam splitter. The mechanism to form the dot array was analyzed and it was found that the obtained conical dot array had a negative shape of the interference pattern of four laser beams. A second-order peak between two first-order peaks also occurred due to the liquid-solid expansion.

Designing Services for Happy Times in a Movie Theater

2013 ◽  
Author(s):  
Hsiao-Wei Chiu ◽  
Margaret Nathania ◽  
Yi-Ting Lin ◽  
Xu-Xun Huang
Keyword(s):  
Movie Theater

Nano/micro-structuring of oxide thin film under SHI irradiation

Vacuum ◽  
2011 ◽  
Vol 86 (1) ◽  
pp. 96-100 ◽  
Author(s):  
R.S. Chauhan ◽  
D.C. Agarwal ◽  
S. Kumar ◽  
S.A. Khan ◽  
D. Kabiraj ◽  
...  
Keyword(s):  
Thin Film ◽  
Oxide Thin Film ◽  
Micro Structuring ◽  
Shi Irradiation
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