Ligeia for Solo Flute (with Glissando Headjoint)

2018 ◽  
Vol 22 (1) ◽  
pp. 44-49
Author(s):  
Amanda Bono
Keyword(s):  
Solo Flute

Etudes for Solo Flute, op. 20

Notes ◽  
1989 ◽  
Vol 46 (1) ◽  
pp. 236
Author(s):  
Robert Dick ◽  
John Heiss ◽  
Heinz Holliger ◽  
Thea Musgrave
Keyword(s):  
Solo Flute

Flourish for Solo Flute

1993 ◽  
Vol 31 (1) ◽  
pp. 78
Author(s):  
James Erber
Keyword(s):  
Solo Flute

C. P. E. Bach's Sonatas for Solo Flute

1993 ◽  
Vol 11 (2) ◽  
pp. 203-249
Author(s):  
Leta E. Miller
Keyword(s):  
Solo Flute

Solo Flute Series

Notes ◽  
1977 ◽  
Vol 34 (1) ◽  
pp. 204
Author(s):  
Brian Fennelly ◽  
Harvey Sollberger ◽  
Marc-Antonio Consoli ◽  
Harley Gaber ◽  
Burt Levy ◽  
...  
Keyword(s):  
Solo Flute

Monody I for Solo Flute, Op. 43

Notes ◽  
1964 ◽  
Vol 21 (4) ◽  
pp. 637
Author(s):  
John Solum ◽  
George Perle
Keyword(s):  
Solo Flute

scholarly journals Structural and Transformational Properties of All-Interval Tetrachords

2006 ◽  
Vol 12 (4) ◽  
Author(s):  
Adrian P. Childs
Keyword(s):  
A Priori ◽  
Pair Property ◽  
The Individual ◽  
Solo Flute ◽  
Point Of Departure

An analysis (from Guy Capuzzo’s 1999 dissertation) of Elliott Carter’sScrivo in Ventofor solo flute serves as a point of departure for the consideration of certain properties of all-interval tetrachords (AITs). First, the roles of the individual (and a priori distinct) dyads are examined in light of the complement-union pair property exhibited by AITs. Second, a systematic means of describing common-tone relationships among AITs is proposed and studied. Examples from two works by Carter (Shard andScrivo in Vento) show the flexibility and usefulness of the system.

scholarly journals Teknik Permainan Beatbox Flute Dalam Box Karya Christopher Kuhns

2021 ◽  
Vol 22 (2) ◽  
pp. 89-99
Author(s):  
Arini Nur Said ◽  
Helena Evelin Limbong
Keyword(s):  
New Technique ◽  
Analysis Approach ◽  
The Internet ◽  
Descriptive Research ◽  
Music Score ◽  
Qualitative Descriptive ◽  
A New Technique ◽  
Solo Flute ◽  
Research Show

The composition of solo flute created by Christopher Kuhns entitled ‘BOX’ is interesting because it uses beatbox tecnique in playing the flute. beatbox technique in flute is not a new technique for flute, Greg Pattillo is one of the flutist has introduced this technique in 2009. This research aims to describe the beatbox flute technique used in Box coposition and how to produce beatbox technique through articulation and tonguing in flute. The method used by researcher is a qualitative descriptive research methode with a analysis approach. The data obtained though literature studies, music score of Box, collecting audio-visual documentation in the form of performing Box composition through the internet and interview with Christopher Kuhns, Greg Pattillo, and Willem Carolus Cristopherson Tamnge. The result of this research show that the flute not only can produce melodic sounds, but also can produce percussive sounds with many sound colors. Beatbox technique was imitating percussion sound such as; bass drum, hi-hat, and snare. In Box Composition, there are seven beatbox articulation techniques, such as classic kick, closed k hi-hat, closed t hi-hat, meshed snare, open t hi-hat, shaker, and classic inward snare. The flute articulation techniques are accent, legato, staccato, and slur, also tonguing techniques used in Box composition are single tonguing and double tonguing. The application of articulation and tonguing influence each other in beatbox flute palying to produce clear melody and rhythm.

Performance and Transcription of Baroque Solo Pieces for Bassoon

2020 ◽  
Author(s):  
Mihály Duffek. Jr.
Keyword(s):  
The Subject ◽  
Solo Flute

This essay examines the sources of the autograph and other copies of two selected solo pieces, J. S. Bach's Cello Suites and Georg Philipp Telemann's Fantasies for Solo Flute used to make a bassoon transcription. Using the special literature on the subject of the Baroque style of playing in general, the articulation, ornamentation, dynamics and tempi of the two pieces were determined. along with the role and playing possibilities of the period bassoon. Aspects of the transcription include: a brief description of the habitual Baroque transcription and its tradition, presentation and evaluation of other bassoon transcriptions of the selected pieces, detailed aspects of the author’s transcription of the articulation, ornaments, dynamics, tempi and breathing. Also discussed are the purpose of the completed transcription, its role in education, and its place in the bassoon repertoire. Keywords: bassoon, solo bassoon, baroque, transcription, Bach, Telemann

Sonatina for Solo Flute

Notes ◽  
1957 ◽  
Vol 15 (1) ◽  
pp. 148
Author(s):  
Harold Mueller ◽  
Richard Rodney Bennett ◽  
Arthur Lourie
Keyword(s):  
Solo Flute
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