Fugitive Poses: Native American Indian Scenes of Absence and Presence by Gerald Vizenor, and: Postindian Conversations by Gerald Vizenor, A. Robert Lee

2001 ◽  
Vol 35 (4) ◽  
pp. 428-431
Author(s):  
Elizabeth Blair
Keyword(s):  
Native American ◽  
American Indian ◽  
Gerald Vizenor

Rewriting the Narrative

2019 ◽  
Vol 96 (4) ◽  
pp. 54-77
Author(s):  
Nicolas G. Rosenthal
Keyword(s):  
Twentieth Century ◽  
Native American ◽  
American Indian ◽  
Modern Society ◽  
Mixed Media ◽  
The State ◽  
Historical Narratives ◽  
Recent Scholarship ◽  
Art Scene ◽  
The 1960S

A vibrant American Indian art scene developed in California from the 1960s to the 1980s, with links to a broader indigenous arts movement. Native American artists working in the state produced and exhibited paintings, prints, sculptures, mixed media, and other art forms that validated and documented their cultures, interpreted their history, asserted their survival, and explored their experiences in modern society. Building on recent scholarship that examines American Indian migration, urbanization, and activism in the twentieth century, this article charts these developments and argues that American Indian artists in California challenged and rewrote dominant historical narratives by foregrounding Native American perspectives in their work.

To Bury the Ancestors: A View of Nagpra

1994 ◽  
Vol 16 (3) ◽  
pp. 29-32 ◽  
Author(s):  
Richard Stoffle ◽  
Michael Evans
Keyword(s):  
Native American ◽  
American Indian ◽  
Native Hawaiian ◽  
Human Remains ◽  
Religious Practice ◽  
Cultural Patrimony ◽  
Material Goods ◽  
Indian Tribes ◽  
The Law

The Native American Graves Protection and Repatriation Act (NAGPRA) became law on November 16, 1990. The law addresses the rights of lineal descendants and members of American Indian tribes and Native Hawaiian groups with respect to human remains and cultural items with which they are affiliated. NAGPRA is concerned with the human remains of Native American ancestors, material goods still associated with these bodies, material goods once associated with these bodies but now separated, objects of importance to ongoing religious practice, and objects of cultural patrimony. NAGPRA sets into motion a process of identification, consultation, and recommendation about these ancestors or ancestral materials.

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